Paintings For Sale - Price Range: $700 - $799

Page 3 of 39
Discover 1,119 original painting artworks for sale between $700 - $799. Contemporary emerging artists: Tom Lund-lack, Edna Schonblum, Luiz Henrique Azevedo, Becky Soria, Anita Zotkina, Azhar Shemdin, Austen Pinkerton, Michael Schaffer, Ron Anderson, Shelly Leitheiser, Daniel Clarke, Pilar Pérez-prado, Ron Ogle, Lynda Lehmann, Stephen Mead, Roz Zinns, Tary Socha are exhibiting their affordable original art. You can buy artwork online and browse 39 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Edna Schonblum: 'transparencie 39', 2017 Oil Painting, Seascape. sea wave oil- painting transparencie realism...
Seascape - Painting
50 x 25 cm (19.7 x 9.8 inches)
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Edna Schonblum: 'transparencie 38', 2016 Oil Painting, Seascape.              sea transparencie     waves   transparencie sand sea studie        transparencie  water  sea waves    ...
Seascape - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Edna Schonblum: 'transparencie  35', 2016 Oil Painting, Seascape.             sea transparencie     waves   transparencie sand sea studie        transparencie  water  sea waves   ...
Seascape - Painting
45 x 27 cm (17.7 x 10.6 inches)
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Luiz Henrique Azevedo: 'Matrioska', 2015 Oil Painting, Still Life.  A Russian doll and chrysanthemums ...
, 2015
Still Life - Painting
33 x 41 cm (13.0 x 16.1 inches)
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Becky Soria: 'La Loba', 2015 Oil Painting, Abstract Figurative.                                        From the series  A Woman and her Symbols       From the series  Totems beyond Patriarchy                                                   ...
, 2015
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Tom Lund-lack: 'Racing Colours 3', 2016 Oil Painting, Equine.  Contemporary racing painting painting was using thicj applications of oil paint to bring out the drama, colours and excitiment of racing.  ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Anita Zotkina: 'Remote viewing', 2016 Oil Painting, Surrealism.  remote viewing, anita, zotkina, abstract, dreaming, dream, art, freedom, universe, harmony, artist, life, alien, space, planet, surrealism, surreal, world, naturemorning, meditationrelaxationlaying, popa...
Surrealism - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'Energy of Nature', 2016 Acrylic Painting, Abstract Landscape. Sea, sky and a tree bursting with energy. Liquid acrylic on stretched and primed canvas....
Abstract Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Austen Pinkerton: 'CLOUDS AT AMROTH', 2015 Acrylic Painting, Clouds.   SEA CLOUDS SEASIDE STORM WEATHER ...
Clouds - Painting
40 x 20 cm (15.7 x 7.9 inches)
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Azhar Shemdin: 'Ancient Journey', 2015 Acrylic Painting, Abstract Landscape.       Liquid acrylic on stretched canvas, but not framed. Prints are available for the asking, maximum size is 11X17 inches.                           ...
Abstract Landscape - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Michael Schaffer: 'Bowl 3', 2013 Acrylic Painting, Abstract. Third of a new series in action art. Liquid acrylics much more pronounced. Reds and yellows , beautiful violets, etc. Wonderful experience to paint. ...
, 2013
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Ron Anderson: 'E New England Avenue and Evening Street 2', 2013 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled E. New England Avenue & Evening Street 2. Painted en plein air in Worthington, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to ...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Ron Anderson: 'E New England Avenue and Evening Street 1', 2013 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled E. New England Avenue & Evening Street 1. Painted en plein air in Worthington, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to ...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Shelly Leitheiser: 'Entering a New World', 2013 Other Painting, Abstract Landscape.  A landscape abstract, referring to the future as people enter a new world of climate and environment. ...
Abstract Landscape - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Becky Soria: 'Mago Sorcerer', 2012 Other Painting, Abstract Figurative.                     from the series Signs. Symbols. Sentinels      from the series : Signs, Symbols, Sentinels             ...
Abstract Figurative - Painting
22 x 34 inches (55.9 x 86.4 cm)
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Ron Anderson: 'Summer in Franklin Park', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Summer in Franklin Park. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Daniel Clarke: 'Asian Study Number One', 2012 Acrylic Painting, Landscape.
Landscape - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Tom Lund-lack: 'Red', 2010 Oil Painting, Equine.  Just a tranquil study in complementary colours. ...
, 2010
Equine - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Pilar Pérez-prado: 'Nocturne', 2006 Acrylic Painting, Abstract Figurative.   100. 0 ...
, 2006
Abstract Figurative - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Ron Ogle: 'April Landscape', 2008 Oil Painting, Undecided.   If thou wilt be observant and vigilant, thou wilt see at every moment the response to thy action. Be observant if thou wouldst have a pure heart, for something is born to thee in consequence of every action.  moment the response to thy action.  [ RUMI ] ...
Undecided - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Lynda Lehmann: 'Rhythm in Blues', 2008 Acrylic Painting, Geometric.  Bright, dynamic, geometric abstract in red, white, and blues, 30 x 40 inches on gallery- wrapped canvas. Lively and rhythmic, with a musical feel. Image c Lynda Lehmann. ...
Geometric - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Stephen Mead: 'Those Were The Shadows That Was The Wall I', 1990 Oil Painting, Surrealism. This large mural piece is a mediation on the actual shadows refracted from window where I was living at the time.  Later I combined it with its sequel and commited it to film in a piece called
Surrealism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lynda Lehmann: 'Figment of Newton', 2006 Acrylic Painting, Abstract. I fantasize a world with no time and no depth, only swirling colors on an infinite plane. Who knows how many paradigms can rival Newton' s truth? Acrylic on canvas, 24 x 30 inches. Image c 2006 Lynda Lehmann....
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Ron Ogle: 'Abstract Renoir Landscape', 1997 Oil Painting, Abstract.
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Roz Zinns: 'Warehouses', 2005 Acrylic Painting, Architecture. Warehouses across from a park with hills behind.  A nice blend of industrial and nature. ...
, 2005
Architecture - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Roz Zinns: 'Docked', 2005 Acrylic Painting, Marine. Two boats docked.  Time out for lunch. ...
, 2005
Marine - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Roz Zinns: 'Warehouses', 2005 Other Painting, Architecture. Warehouses adjacent to a park...
, 2005
Architecture - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Tary Socha: 'Five Poles', 2005 Acrylic Painting, Abstract. An impression of angular boyant poles in contrast with fluidity and movement of ocean waves....
, 2005
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Tary Socha: 'Floating Poles', 2005 Acrylic Painting, Abstract. The fluid movement of oceans and boyant poles, creates an interesting contrast....
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kevin Knuckles: 'Soul Sister 5', 2005 Acrylic Painting, Figurative.
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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(Page 3 of 39) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Anita Zotkina - I have been painting my whole life. Creating art is time-consuming, messy, and underappreciated, but I do it anyway, because this is how I express my understanding of life. My art focuses mostly on women and animals, and their life journeys. Since childhood I was fascinated by strong and independent women. I found them to be generous, wise, and extremely humorous. I enjoyed listening to their stories about the meaning of life and keeping up with the chores. Being a single mother, I recognized how challenging it is to work, take care of the kid, study, and stay open-minded and thoughtful. In my paintings I am trying to capture life, mental torment, enlightenment and peace from a womanaEURtms perspective. Very often I add animals to my paintings, to create a cozy mood. As a child, I spent a lot of time outside, playing with stray dogs and cats, or in a field looking for butterflies and grasshoppers. Those were the best times. The animals I spent time with were my extended family, and I always felt safe with them. So, adding animals to my paintings, is like adding a thought of your favorite relative that conveys nothing ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...