Paintings For Sale - Price Range: $800 - $899

Page 3 of 43
Discover 1,239 original painting artworks for sale between $800 - $899. Contemporary emerging artists: Andrea Mulcahy, Tom Lund-lack, Becky Soria, Suzanne Mcclelland, Michael Schaffer, Jim Lively, Shelly Leitheiser, Lynda Lehmann, Heather Hyatt, Edna Schonblum, Pilar Pérez-prado, Ron Ogle, Michael Pickett, Jose Freitascruz, Donna Gallant are exhibiting their affordable original art. You can buy artwork online and browse 43 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Tom Lund-lack: 'Reynard', 2014 Oil Painting, Wildlife.    The Fox an essential part of British wildlife, common everywhere. Intelligence and exceptional agility are a hallmark of this species, which are not always valued for their beauty.  In this piece Reynard is pretty pleased with himself - chickens of the horizon perhaps! ...
, 2014
Wildlife - Painting
70 x 60 cm (27.6 x 23.6 inches)
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Becky Soria: 'Cycles', 2014 Oil Painting, Abstract Figurative.                      From the series
, 2014
Abstract Figurative - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Becky Soria: 'Adaptations', 2014 Oil Painting, Abstract Figurative.                     From the series
Abstract Figurative - Painting
24 x 22 inches (61.0 x 55.9 cm)
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Suzanne Mcclelland: 'Sochi 2014', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
60 x 20 inches (152.4 x 50.8 cm)
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Michael Schaffer: 'Bowl 1', 2013 Acrylic Painting, Abstract.  First of a new series in action art. Liquid acrylics much more pronounced in this piece. Paint flow more controlled. ...
, 2013
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Suzanne Mcclelland: 'The Conversation', 2013 Acrylic Painting, Abstract.   Two people maybe having a conversation in the back seat.two canvas 36 x 36    ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Jim Lively: 'The Complexity of Cabernet Sauvignon', 2013 Acrylic Painting, Abstract.       Acrylic and Cabernet Sauvignon on canvas. Part of
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jim Lively: 'Red Wine Abstract ', 2013 Acrylic Painting, Abstract.  Acrylic on canvas          ...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Jim Lively: 'Industry', 2013 Acrylic Painting, Cityscape.   metallic acrylics on canvas  ...
, 2013
Cityscape - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Jim Lively: 'Piano', 2013 Acrylic Painting, Abstract Figurative.                                           Acrylic on gallery wrapped canvas                                                                                                                                                       ...
, 2013
Abstract Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Shelly Leitheiser: 'Inevitable Inferno', 2012 Acrylic Painting, Ecological.  This painting is beautiful to look at with its chaotic colors, but it represents a serious situation. Inevitable Inferno refers to the changing climate we humans are creating, and the wild fires this is exacerbating in the Southwest US and other areas of the world that are susceptible to drought...
Ecological - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Becky Soria: 'Umbral Threshold', 2012 Other Painting, Abstract Figurative.                from the series Signs. Symbols. Sentinels              ...
Abstract Figurative - Painting
25 x 36 inches (63.5 x 91.4 cm)
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Michael Schaffer: 'Lifes Beginnings 2', 2005 Acrylic Painting, Abstract. The making of life through love.  Framed. ...
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Lynda Lehmann: 'Electric Landscape', 2009 Acrylic Painting, Abstract Landscape.   Bright, active Abstract Expressionist painting in purple, yellow, green, red- orange and blue. Colorful and humorous, with active biomorphic shapes, 18 x 24 inches on gallery- wrapped canvas. Image c Lynda Lehmann.    ...
Abstract Landscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lynda Lehmann: 'Mad Dogs and Solipsisms', 2009 Acrylic Painting, Abstract.  Bright, active Abstract Expressionist painting in purple, yellow, red- orange and white. Gestural and humorous, and perhaps a commentary on some of the things that are going on in our country at present. Image c Lynda Lehmann. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lynda Lehmann: 'Under the Living Sky', 2008 Acrylic Painting, Abstract.   Active abstract in blue tones, with a touch of violet and sienna. Acrylic on gallery- wrapped canvas. Image c Lynda Lehmann.  ...
Abstract - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Heather Hyatt: 'Empress  Tarot card III', 2007 Oil Painting, Archetypal. ' Empress' is from a series on the theme of the Tarot shown at the Yukon Arts Centre Nov/ Dec 2007.  The medium is oil and gold leaf. ...
Archetypal - Painting
18 x 48 inches (45.7 x 121.9 cm)
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Edna Schonblum: 'Arpoador beach', 2007 Oil Painting, Seascape.   50. 0 ...
Seascape - Painting
50 x 30 cm (19.7 x 11.8 inches)
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Pilar Pérez-prado: 'Musical Experiment III Blues', 2008 Acrylic Painting, Geometric.   130. 0 ...
Geometric - Painting
130 x 163 cm (51.2 x 64.2 inches)
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Pilar Pérez-prado: 'Musical Experiment II Nocturne', 2004 Acrylic Painting, Geometric.   130. 0 ...
Geometric - Painting
130 x 163 cm (51.2 x 64.2 inches)
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Lynda Lehmann: 'Mischief', 2008 Acrylic Painting, Abstract.  Deep blue, violet, and turquoise hues comprise this abstract acrylic painting, 20 x 24 inches on gallery- wrapped canvas. The colors are bright but harmonious, and the painting has a slightly whimsical or surreal feel. Image c Lynda Lehmann. ...
, 2008
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Ron Ogle: 'Home Of Lian Pi', 2008 Oil Painting, Abstract Landscape.  I can relate to the small works Pollock made around 1945. ...
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Pickett: 'Covered Bridge', 2005 Acrylic Painting, Landscape.  This painting will glow in the dark as a night scene. ...
Landscape - Painting
20 x 24 inches (50.8 x 61.0 cm)
Michael Pickett: 'Indian Graveyard', 1991 Acrylic Painting, Abstract. In this painting you can see an Eagle on the right upper corner of the painting and if you turn the painting upside down you can see a skull....
Abstract - Painting
24 x 20 inches (61.0 x 50.8 cm)
Jose Freitascruz: 'galungan x', 2007 Acrylic Painting, Abstract Landscape. Brunei period - The Galungan, a holiday symbolizing the victory of Virtue Dharma over Evil Adharma, is Balis major feast.  During this ten day period all the gods come down to earth for the festivities.  The holiday is specialized by the fitting of penjor, a tall bamboo pole splendidly decorated with ...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'kanopi II', 2007 Acrylic Painting, Abstract Landscape.
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'biru blue', 2007 Acrylic Painting, Abstract Landscape. Brunei inspired - Tree...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'kabus', 2007 Acrylic Painting, Abstract Landscape. Brunei inspired - from the borneo batik series...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Donna Gallant: 'Spring Irises', 2001 Oil Painting, Floral.  A lovely delicate iris is executed in this piece. ...
Floral - Painting
30 x 38 inches (76.2 x 96.5 cm)
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Judith Fritchman: 'Profile of Rebecca', 2004 Oil Painting, Portrait.  Another view of a lovely young woman. ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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(Page 3 of 43) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....