Paintings For Sale - Price Range: $800 - $899

Page 9 of 36
Discover 1,038 original painting artworks for sale between $800 - $899. Contemporary emerging artists: Garry Pisarek, Anindya Roy, Lynn Rupe, Stephen Fessler, Benjie Herskowitz, Sandra Laidley, Yuming Zhu, Marty Kalb, Dilek Degerli, Sinisa Mihajlovic, Richard Wynne, S Tofu, Pegasus Gallery, Lisa Reinke, Claudette Losier, Aldona Rozanek, D. K. Osorio, Alberto Ruggieri, Sara Adrian, Joseph Porus, David Eric Gordon, Laura Walker, Paul Harrington, Artie Abello, Nermin Alpar are exhibiting their affordable original art. You can buy artwork online and browse 36 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Anindya Roy: 'conceptual scape 70', 2010 Acrylic Painting, Conceptual.   A typical land scape , I tryid to catch the game of light and shade of a open field. the relation with living and non- livilg objects.  ...
Conceptual - Painting
30 x 30 inches (76.2 x 76.2 cm)
Lynn Rupe: 'Monkton sheep blue', 2010 Acrylic Painting, Animals.  My sheep. Monkton, Vermont ...
Animals - Painting
36 x 25 inches (91.4 x 63.5 cm)
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Stephen Fessler: 'Lake Dancers', 2010 Oil Painting, Dance.    A circle of dancers around a lake.  They have their origins in accidental marks; these marks suggested the existence of the dancers along with their interactions.  Releasing one dancer from his or her matrix of random marks would suggest the position of the next, and so on around the circle...
Dance - Painting
37 x 24 inches (94.0 x 61.0 cm)
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Benjie Herskowitz: 'The Four Seasons', 2010 Oil Painting, nature. Winter, spring, summer and fall are all represented in the yearly cyle of the leaf. Giclee prints are also available.Benjie Herskowitz...
nature - Painting
23 x 15 inches (58.4 x 38.1 cm)
Sandra Laidley: 'Orchid', 2008 Oil Painting, Still Life.  orchid, orchids, still life, purple  ...
, 2008
Still Life - Painting
200 x 400 cm (78.7 x 157.5 inches)
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Yuming Zhu: 'Reclining Beauty', 2006 Oil Painting, Nudes. Original Oil bar and pastel on board.  Representational, impressionistic and expressive figure.Framed in wood frame. ...
Nudes - Painting
17 x 24 inches (43.2 x 61.0 cm)
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Marty Kalb: 'Niagara Falls 1', 2007 Acrylic Painting, Landscape.
Landscape - Painting
26 x 22 inches (66.0 x 55.9 cm)
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Dilek Degerli: 'inner waves', 2010 Oil Painting, Abstract.    oil on canvas   ...
Abstract - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Sinisa Mihajlovic: 'KOSOVO', 2005 Oil Painting, War.   kosovo suffering trough childrens eyes...
, 2005
War - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Richard Wynne: 'Break Dancer', 2010 Other Painting, Dance.  mixed medium on canvas_ 14X20
Dance - Painting
20 x 14 inches (50.8 x 35.6 cm)
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S Tofu: 'Joshua Tree National Park, Spring Sunset VI', 2008 Acrylic Painting, Landscape.  acrylic on paper  ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Pegasus Gallery: 'Morning Glory', 1997 Oil Painting, Floral.                                  Artist: Ewan Mcanuff   From figure series         Artist: Barrinton Lord                    ...
Floral - Painting
15 x 24 inches (38.1 x 61.0 cm)
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Lisa Reinke: 'Under Construction', 2010 Oil Painting, Figurative.
Figurative - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Claudette Losier: 'Wishing Upon A Star Gazer', 2009 Oil Painting, Floral.
Floral - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Aldona Rozanek: 'Summertime', 2010 Acrylic Painting, Surrealism.
, 2010
Surrealism - Painting
50 x 40 cm (19.7 x 15.7 inches)
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D. K. Osorio: 'Sea Dragon', 2010 Oil Painting, Animals.  Sea Dragon, Seahorse, red, painting ...
, 2010
Animals - Painting
91 x 61 cm (35.8 x 24.0 inches)
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Alberto Ruggieri: 'gulls', 2006 Acrylic Painting, Abstract Figurative. fly, birds, sea, freedom, decorative, ...
, 2006
Abstract Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Alberto Ruggieri: 'bottles', 2009 Acrylic Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Sara Adrian: 'Appalachia High Ground', 2008 Oil Painting, Portrait.  Oil on Wood  ...
Portrait - Painting
8 x 12 inches (20.3 x 30.5 cm)
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Joseph Porus: 'Starlets   After the Storm', 2009 Oil Painting, Portrait.  Oil on stretched linen. Something old. . . a masterpiece called After the Storm merged with something new. . two mystery starlets from Hollywood. Results are a twisted masterpice done in old school lead pigments, black oil and a pinch of good fun! A true double take ...
Portrait - Painting
27 x 15 inches (68.6 x 38.1 cm)
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Joseph Porus: 'My Favorite Place', 2001 Oil Painting, Seascape.    Oil on canvas. Dramatic scene of distant surf through an inviting woodlad. Fog shrouded distant hills with the softest of filteres light.   ...
Seascape - Painting
27 x 19 inches (68.6 x 48.3 cm)
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David Eric Gordon: 'Buildings in Fog', 2009 Acrylic Painting, Landscape.  acrylic on canvas  ...
Landscape - Painting
24 x 16 inches (61.0 x 40.6 cm)
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Laura Walker: 'Saturday', 2009 Oil Painting, undecided.  18
, 2009
undecided - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Paul Harrington: 'Round and Round', 2009 Acrylic Painting, Abstract.     original acrylic painting large abstract    ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
D. K. Osorio: 'Ciencia', 2009 Oil Painting, Architecture.   El Museu de les Ciencies Principe Felipe ( Science Museum) , Valencia, Spain  ...
, 2009
Architecture - Painting
91 x 61 cm (35.8 x 24.0 inches)
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Artie Abello: 'Formication', 2006 Oil Painting, Psychology.
Psychology - Painting
35 x 35 inches (88.9 x 88.9 cm)
Anindya Roy: 'conceptual scape 61', 2009 Acrylic Painting, Conceptual.  This latest creation from the series 'conceptual scape' . A typical landscape converting through my mindscape. that is the way of my work process. ...
Conceptual - Painting
30 x 40 inches (76.2 x 101.6 cm)
Nermin Alpar: 'huzun', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
33 x 43 cm (13.0 x 16.9 inches)
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D. K. Osorio: 'Puerto V', 2009 Oil Painting, Abstract.
, 2009
Abstract - Painting
111 x 61 cm (43.7 x 24.0 inches)
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Barbara Calascibetta Di S. Nicolò E Calascibetta: 'Flowers', 2009 Oil Painting, Floral.  oil and acrylic are a perfect synergy ...
, 2009
Floral - Painting
40 x 60 cm (15.7 x 23.6 inches)
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(Page 9 of 36) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Garry Pisarek - I would like my paintings to be viewed not just as pictures but as emotional responses, or as a collection of feeling about the subject I am trying to represent. In my painting I try to make each line of color represent a speed of light and a direction for the viewer's eye to travel, giving a time-space element to the composition, as opposed to a frozen in time view of a photograph. These elements make up a controlled composition. Each line, color and shape moves the eye through the visual space inviting the viewer into the painting and guiding them in and out of the visual space, "entertaing the eye" along the way....

    Anindya Roy - Here you can see a brief about my painting , my bio- data, and some recent paintings.A BRIEF INTRODUCTION TO MY RECENT PAINTINGS During the period of training my works were mostly the reflectionof the city life, the aspiration and dreams of the urban middle class living in a molt-cultural and multi-lingual society. Those days I crated the works like ' back to the city', 'nagorik' etc., by mixed media. To develop the concept I have been traveling historical, and culturally significant places and try to conceptualize the togetherness of living and non-living objects and a sense of mystery. Things and particular colour encompassed me, thus my creative mind and feelings is blend. Through I have social, ritual relation with my surroundings, I would like to search there hidden relations of mine in my works. It is known there a relation among the living and non- living beings in nature. I saw a rhythm with the costume, ornaments, happiness, sorrow and habits of the rural people, I is wonderful to me when I inhale those things then, I express my feelings of love through my visual art work. Some times ' composition ' starts from my dream, which leads to ...

    Lynn Rupe - "EXPECT DELAYS" URBAN HABITAT Some background on these paintings... The gorillas, lions, rhinos, narwhals, warthogs that inhabit these paintings are passing through the "urban jungle". They show up as very unusual pedestrians on very busy streets or perhaps they are stranded on a bit of grass or water in an otherwise completely hardened, urban situation. Sure, there are animals that can thrive in cities with humans - the pigeons, the rats, the dogs and the cats. And of course there is the stray moose or two that wanders down Main Street. Most wild animals, though, have crawled far away from humans to find some peace and refuge in remnants of forests and swamps. It is absurd to believe that these minuscule islands of habitat are adequate homes for wild animals. On these canvases I depict my fantasies of animals appearing in cities. Cities will be what is left for them so they had just better adapt! ...and there they are--calmly crossing the downtown streets. So I guess we had better expect a few traffic jams and a few delays! Ha! Note: The rhinos, elephants and gorillas that frequent my paintings can be easily identified but I'm not sure most...

    Stephen Fessler - Artist's Statement: Visionism All my images are born accidentally. I tack my studio dropcloths onto the wall once they've become sufficiently splattered with paint, and search the surface for suggestions. I'll discover an image within a tangle of marks, and paint to free it, an archaeologist unearthing an artifact. This process leads to related discoveries, and the more I find, the better I understand the space they inhabit, and a painting is underway. In this way does the painting gradually reveal its content and mood. Everything I like of the art I've seen, Eastern and Western, ancient and modern, sacred and profane, ends up in my work. It must be that, as I gaze at my randomly stained surfaces, these remembered images give clues as to what to look for. The larger canvases are free-hanging, fitted with grommets and intended to be tacked directly to the wall like a tapestry or banner. Smaller works on canvas are mounted and stretched so as to preserve their irregular edges. Stephen Fessler Artists' Statement: Directed Perception My mode of seeing changes when something has caught my attention. My "directed perception" chooses what I will see while obscuring everything...

    Yuming Zhu - I land my brush with the force of a giant rock splashing into the ocean. I am not looking for a beautiful painting, but to express Life itself. Painting is just like a stacking of passions. Painting is a method of striping myself naked and facing the truth of my inner emotion. I invite the viewer to experience through my paintings the joy of being alive right at this moment. I believe I can do lots of things, but painting and poetry are the best beloved channels to express my complicated emotions. Originally from Shanghai, Yuming began studying under the masters at a young age. After his BA from China, Yuming came to the States and graduated from Sonoma State University with his MA in 1991. Working in oils, pastels and ChineseSumi Watercolors, Yumings work is a unique blend of East meets West artistry. It is a style that Yuming refers to as Transism, in reference to the constantly evolving interests, which include observations on modern life, a love of music, and an exploration of his own unique heritage. I paint to achieve balance and harmony. Once I reach that, I will for sure break itaEUR aEURoeMy art is just...

    Marty Kalb - Artists important to me Rembrandt,Cezanne and Matisse,because their work got better with age. Klee, because he makes me realize that simple ideas are the most complex and the most rewarding. Kandinsky, because his work was the first to teach me about the levels of meaning in abstraction. Twachtman,because his landscapes are about how to feel about place and process. Church, because his majestic vision is his own creation. Monet, because I see his hand and eye take risks. Hofmann because he controls the mind and frees the spirit. Heartfield and Goya because they do not look away. There are others, but as Hillel said "the rest is commentary" Subjects I return to. Color filled landscape abstractions. Realistic images of local streams, And waterfalls in other places. The Holocaust as the ultimate moral challenge Each is important My paintings explore realistically and abstractly an interest in landscape from my immediate surroundings, distant places of particular natural beauty, seascapes and undersea forms inspired by many visits to the Caribbean and a long standing interest in Asian art. Most of the paintings of realistic waterfalls are of places in Vermont, New York State and Ohio. The abstract waterfalls are inventions, ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    S Tofu - My artwork has two main focuses; mixed media collage and landscape painting. I have always used old maps in my collages and incorporated map inspired ideas into my art. In January of 2001, I experimented with a collage using only maps. The success of the experiment and the resulting piece changed the direction of my work. Much of the map work takes its inspiration from other traditional art forms using repetitive patterns, in particular quilts and other textiles. In 2009 the patterns used in my collage work started to take on a more painterly appearance. In 2011 I spent the entire year creating a large-scale piece called the 2011 Project. Essentially I created a map of the year by making a piece of art on each and every day of 2011. The work is made up of 365 individual, mixed media pieces, each 4"x4" (10x10 cm) in size. In many ways the 2011 Project was also my sketchbook for future work. I experimented with new materials and subject matter for many of the 365 pieces. Those ideas have been playing out since 2011. 2012 saw a solo show that was a travel-themed mixed media installation called Imagining ...

    Pegasus Gallery - The Gallery Pegasus The Gallery Pegasus was opened in 1989 by Vera Ennis and Pat Ramsay. This was the brainchild of a former General Manager of the Pegasus Hotel, who approached Pat Ramsay, who was then the Curator of the Mutual Life Gallery. From inception, the Gallery Pegasus has always promoted a standard of excellence worthy of its importance on the Jamaican Art scene. At all times we showcase the highest standard of Jamaican paintings and sculptures. The Gallery allows easy accessibility for both local and foreign artists to exhibit their works, as they seek to revolutionise the way forward in the arts. The Gallery continues to discover emerging Artists and promote established Artists. The Gallery Pegasus opened its doors with a cutting edge because of its ideal location. It is located in the lower lobby of the Jamaica Pegasus Hotel which is one of the most popular Hotels in New Kingston. This of course naturally lends itself to more viewers and potential buyers, making us one of the preferred choices. ...

    Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...

    Claudette Losier - Artistic Statement - Claudette Losier (LosiersArt) "Where Beauty Lies " "The artist knows that even though he has created something beautiful, it can be destroyed. His real and innermost satisfaction is not in the object, but in the subject; that thing within him that penetrates the mystic splendor of Beauty itself." (Ernest Holmes pg 39) One of my bodies of work explores the concept of Paradise as something sought after by modern society. My search centres on gardens--as near as our own backyard and as far away as other continents or the imaginary garden in our consciousness. It has been stated that each garden reflects our longing for spiritual peace--a tie with our primeordal beginnings. It is in the beauty of nature where I find this spiritual peace from a homemade garden to a formal garden, from a tree to the vastness of Grand Canyon, from a rocky coast line to the calmness of a man made pond. In Dr. Wayne Dyer's book "Power of Intention" he quotes from Emily Dickson and John Keats(pg 51): "Beauty is not caused. It is " As you awaken to your divine nature, you'll begin to appreciate beauty in everything you see, ...

    Alberto Ruggieri - Ruggieri works in two main areas: as an advertising and editorial illustrator and a painter. For the last ten years his illustrations have been published regularly in most important Italian newspapers and magazines. Ruggieri also illustrates children's books and produces bespoke book covers for several leading publishing houses. His painting are mainly acrylic on canvas, other time mixed media or acrylic on paper; in the last years he use the computer also. Ruggieri's work has been highly commended in industry sponsored awards from all around the world for several years. ...

    Sara Adrian - Iconic art, the symbols of alchemy and the mythology of culture has always held an interest for me. I use color and symbols combined with familiar imagery to talk about social issues and stereotypes. There are specific ideas that I present in my work, but I feel it's very important not to be too specific as I want the viewer to come to their own conclusions as to what my art is trying to say. My purpose is to make the viewer think about what they see and what they believe in, and create a dialogue. The media I use in painting is oil and acrylics mixed in with metallic substances, such as gold or aluminum leafing, iron oxide, or metallic tinted paint, combined with strong design and chroma. I want the work to react to the light changes in the environment, and be an active participant in the space. The strong color combined with the wood I prefer to paint on is to echo the medieval byzantine iconic painting of which I find much inspiration. It's important to me to combine aesthetic with content, and this is what I work to achieve. ...

    Sara Adrian - David Eric Gordon - I try to remain open to all images or visual combinations that inspire me. One consistent element is that my paintings usually involve a process of building up layers through numerous revisions. I often paint over canvases several times, leaving portions of the paintings underneath partly visible. Covering an existing painting rather than starting from a blank canvas can lead to more unusual or interesting compositions by forcing me to make certain choices in responding to the material. The built up layers of paint create a rich surface that becomes an active element, revealing the process of experimentation and revision....

    Laura Walker - I am a quiet observer taking snapshots of occurrences in which subjects are unaware of their exhibitions of solitude or bliss. Everything that enters my focus is perceived in a way that resonates with my work. In my view of subjects in nature and urban settings, both share the common motif of wearing new. I take pleasure in transforming what may be perceived as disparging and portray the matter with an optimistic palate of oil paints, making light of reality....

    Nermin Alpar - Sea and yatchs, fisher bouts, old houses, little mediteranin islands are main source of inspiration for me. Waters color, its light, its reflections--has fascinated me . Also womens, specially miesery womens are source of inspiration for me....