Paintings For Sale - Price Range: $900 - $999

Page 13 of 37
Discover 1,059 original painting artworks for sale between $900 - $999. Contemporary emerging artists: Veronica Shimanovskaya, Animesh Roy, Mima Stajkovic, Louise Weinberg, Nick Stull, Lawrence Buttigieg, Rolando Lambiase, Donald Harter, Gustavo Estrada, Beverly Furman, Stephen Powell, Wayne Montecalvo, Jonathan Benitez, Pete Pierce, Richard Lazzara, Philip Goodrich, Alvaro Zorrilla, Monica Deac, David Cuffari, Flo Flo, Martha Mafiol, Timon Maxey are exhibiting their affordable original art. You can buy artwork online and browse 37 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Animesh Roy: 'Reflection', 2008 Oil Painting, Abstract Landscape.
, 2008
Abstract Landscape - Painting
0 x 0 cm (0.0 x 0.0 inches)
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Mima Stajkovic: 'Just That', 2008 Acrylic Painting, Landscape.
, 2008
Landscape - Painting
40 x 40 cm (15.7 x 15.7 inches)
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Louise Weinberg: 'SphereSeries21', 2008 Oil Painting, Undecided.  Spheres floating in space ...
Undecided - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Nick Stull: 'Ron', 2008 Acrylic Painting, Undecided.
, 2008
Undecided - Painting
32 x 46 inches (81.3 x 116.8 cm)
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Lawrence Buttigieg: 'San Blas Gozo', 2008 Oil Painting, Landscape.
Landscape - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Lawrence Buttigieg: 'Saltpans at Qbajjar', 2008 Oil Painting, Landscape.
Landscape - Painting
61 x 50 cm (24.0 x 19.7 inches)
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Rolando Lambiase: 'Cetara, Amalfi coast', 2008 Acrylic Painting, Seascape.
Seascape - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Donald Harter: 'Purple Mountains Majesty', 2007 Acrylic Painting, Landscape.   Purple Mountains Majesty invokes America the Beautiful. It depicts the beauty of the American landscape and the greatness of our country.  ...
Landscape - Painting
27 x 22 inches (68.6 x 55.9 cm)
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Gustavo Estrada: 'esperanza en brazos', 2008 Acrylic Painting, Abstract.
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Gustavo Estrada: 'alcanzando la paz', 2008 Acrylic Painting, Abstract.
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Gustavo Estrada: 'escapando con la luna', 2008 Acrylic Painting, Abstract.
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Beverly Furman: 'RainierForest,Lft', 2008 Acrylic Painting, Undecided.  This painting works by itself or as a diptych with Rainier Forest, Left. Frame is Illusion - - Composition of some kind, A contemporary' floating' set back black strip with Gold outer strip.  ...
Undecided - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Beverly Furman: 'RainierForest,Rt', 2008 Acrylic Painting, Undecided.  This painting works by itself or as a diptych with Rainier Forest, Right. They are the same size.Frame is
Undecided - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Stephen Powell: 'Emu', 2008 Oil Painting, Wildlife.  Worlds second largest bird from Australia. ...
, 2008
Wildlife - Painting
22 x 26 cm (8.7 x 10.2 inches)
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Beverly Furman: 'THENandNOW', 2008 Acrylic Painting, Undecided.  Horoscope:
, 2008
Undecided - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Wayne Montecalvo: 'youll burn', 2007 Acrylic Painting, Figurative.  backdrop used for video titled Gatekeeper. Painted on Typar. ...
, 2007
Figurative - Painting
12 x 9 feet (3.66 x 2.74 m)
Jonathan Benitez: 'summer', 2008 Acrylic Painting, Satire.  this work is reflective of man's existence- under the mercy of nature. ...
, 2008
Satire - Painting
34 x 26 inches (86.4 x 66.0 cm)
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Jonathan Benitez: 'articles of beginning', 2007 Acrylic Painting, Life.  comparison on the interconnection of all living things. ...
Life - Painting
10 x 12 inches (25.4 x 30.5 cm)
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Pete Pierce: 'Island Getaway', 2008 Oil Painting, Seascape.
Seascape - Painting
20 x 10 inches (50.8 x 25.4 cm)
Richard Lazzara: 'vajra dakini gold', 2008 Other Painting, Buddhism.  vajra dakini gold with 24karat backing on tapestry cloth traditional framing with extra gold pegs ends at bottom, from my personal collection ...
Buddhism - Painting
24 x 34 inches (61.0 x 86.4 cm)
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Richard Lazzara: 'kubera gold', 2008 Other Painting, Buddhism.  Kubera painting done on 24karat gold backing, from my personal collection, with extra gold peg ends at painting bottom ...
Buddhism - Painting
24 x 34 inches (61.0 x 86.4 cm)
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Philip Goodrich: 'Take a Lick', 2006 Oil Painting, Erotic.  Oil on Wood.  Out take from a blk and white Maxim photo spread.   ...
Erotic - Painting
24 x 32 inches (61.0 x 81.3 cm)
Alvaro Zorrilla: 'playa nudista', 2006 Acrylic Painting, Undecided.
Undecided - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Monica Deac: 'Silence', 2008 Oil Painting, Abstract.
, 2008
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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David Cuffari: 'Two Cats', 2008 Acrylic Painting, Cats.
, 2008
Cats - Painting
24 x 24 inches (61.0 x 61.0 cm)
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David Cuffari: 'Big Splash', 2005 Acrylic Painting, Abstract Landscape.  Deep blue water and a mighty splash create interesting patterns.  In this series of water paintings I'm exploring the idea of order + chaos = order redefined.  Here I create aquatic ( and other) imagery in the reflective and turbulent water. ...
, 2005
Abstract Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Flo Flo: 'Les Tricheurs The Cheats', 2005 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
3 x 4 feet (0.91 x 1.22 m)
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Martha Mafiol: 'Manzanas III', 2008 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
43 x 43 inches (109.2 x 109.2 cm)
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Timon Maxey: 'Hungry Dogs', 2001 Acrylic Painting, Humor.   How dare you try to make sence of this painting. This is my painting, and any sence to be had from it belongs to me. Don't even think about thinking about it unless you purchase also the thought- rights from me for $1. 50.  ...
Humor - Painting
1000 x 800 mm ( x )
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Theo Radic: 'Untitled I', 2007 Oil Painting, Undecided.   30. 0 ...
, 2007
Undecided - Painting
30 x 42 cm (11.8 x 16.5 inches)
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(Page 13 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Veronica Shimanovskaya - Shimanovskaya's work is concerned with the interplay of materials, shapes and colours orchestrated into harmonies informed by personal experiences. Aspiring to simultaneously explore the poetry and semantics of the visible world, she is convinced that the the viewer will make his or her own connections. ...

    Animesh Roy - "I don't pretend that I paint because I want to say something or convey a message. So, please don't read any hidden meanings into my paintings. I paint because I like to portray the happier side of life -- beautiful landscapes, for example -- because I think that there are enough artists painting the morbid side." "I love to travel because that's where the so-called inspiration comes, so I hope to travel more, paint and be generally happy." -- Excerpt from an interview....

    Mima Stajkovic - The world I live in today is filled with the most amazing secrets. Personal secrets that cannot be told, those little thoughts that shape your personality and intimacy. Every secret have reason, every reason have shape, influence and interaction. My goal is to recognize each of them with the respect that they deserve. Bringing them to light in full color, making them touchable and visible, I get better understanding of individuals, their apprehension and shame, their desire and potential. While working on a painting over weeks, sometimes months, I found that acrylic on canvas give me the best opportunity to quickly catch my thoughts. Starting with real world and images I continue to explore with symbols and colors emphasizing my impression. The finished work may not resemble the original idea but I always get to know something new during this enjoyable process. In the latest series of paintings I am playing with women's emotions, her fears and wishes developing relations with other people. When people see my work, I'd like them to feel my thoughts and get chance to agree or not with me, but in any way to think about motives that every woman has developing emotional ...

    Louise Weinberg - Louise Weinberg - Artists Statement My work focuses on the issue of containment - the human desire for the safety of enclosure and structure vs. the terror of possible entrapment. My abstract paintings depict an array of containers- grids, buildings, eggs, spheres, circles, squares and cubes.They suggest that a container can protect, imprison or both. In my Spheres Emerging Series, I paint spheres, which are also containers, but the spheres now appear to be free, no longer held down, nor struggling to burst out. These paintings are concerned with the notion of form developing within a space. The spheres are ambiguous -at once huge or molecular. The space that surrounds the form is ambiguous as well -sometimes deep, sometimes shallow. Painting for me is a slow gradual emergence of form into space. Using palette knives, nails, combs, rags -I push, pull, dig and scrape - searching for layers underneath as I continue to add more paint on top of older layers. This way of working always allows me to make surprising discoveries, which I find to be an essential part of the painting process. My paintings emerge gradually and only after much struggle, not unlike the way a person's sense of ...

    Nick Stull - My work involves painting and drawing portraits of'figurative situations' that blend both realistic and abstract elements. I am interested in experimenting with composition, color, and paint application to elicit an emotional response from the viewer. The portraits and figurative scenes I construct serve as a vehicle of expression for aspects of the human condition, such as isolation, fragmentation, and disorientation. With an idea in mind, I often start a painting in reference to a set of photographic sources. Using photos as a point of departure, I then will often work and rework a painting, while letting happy accidents trickle in. The result I aim for is using the paint medium to give my figures an immediate presence that goes beyond the photos documentation of that individual. ...

    Lawrence Buttigieg - "My paintings are a balance of physical form and feeling. I penetrate the character of the person and focus on the inward reflective qualities. I slip my view of the subject between the layers of paint. I want my colours to be the colours of life, rendering likeness and personal stylisation inseparable. I am not concerned with the instantaneous image of the model but rather a prolonged record of his or her character."...

    Rolando Lambiase - Art in general, painting, is feeling & sensations rather than studies, styles & techniques. Any piece of art must convey soul & passion, beauty & everlasting pleasantness. Elite art does not quire convince me, nor do messy & abstruse paintings. Drawing is marginal, chromatic output essential. Land & sea scapes my favourite....

    Donald Harter - Welcome to Donald Harter's portfolio. Like my poetry, I paint to express an emotion. An image stirs in me some elusive feeling and I'm inspired to paint. I paint not because I want to but because I must. The image stays with me until I get it out on canvass. In my painting, I am looking for something I can't seem to find. I suppose that is why I keep on painting and evolving as an artist. Grandmother, by Donald Harter I went to my Grandmother's funeral the other day It wasn't long ago we had so much to say In the park she and I took a long walk She and I in the park had a good talk She told me she had lived a good life and was ready to die We sat by the river and we said good-by She gave me a hug as we sat by the river I told her I loved her it was all I could give her That day in the park was the last time we spoke She went to bed that evening and she never awoke I am thankful each day for ...

    Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....

    Stephen Powell - WILDLIFE ARTIST - PHOTOGRAPHER - TUTOR - SPEAKER - MOTIVATOR - WEBSITE DESIGNER Stephen has been an active environmentalist working in, field work, public speaking and lobbying at all levels of government. He has spoken at school and community gatherings as well as on radio. His comments on environmental issues have appeared in newspapers and newsletters. His love of wildlife and the need for illustrations for news letters lead to an artistic future. After a management career in the ceramic industry for 20 years Steve set his sights on an artistic future. 25 years had elapsed since he last attended High School Art classes and the first step was to undertake VCE Studio Art. The first year of his artistic career resulted in, distinctions in VCE, a proposal from a leading publisher for an illustrated book and the sale of his first Wildlife paintings. This rapid rise has continued, his work has featured in a books, graphic displays, numerous environmental news letters and a R.S.P.C.A. Calendar and an 8 page feature in 'The Artist's Palette magazine' has show cased his work. His work has attracted a number awards, Which include Wildlife Art Society of Australasia & Best Flora or Fauna - Moomba ...

    Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...

    Pete Pierce - The goal of my current work is to capture the greatness and awe of those places where the land is halted by our vast pacific ocean. From the power of large open ocean swells pounding the shore to the peaceful peel of a wave into a secluded, sheltered cove, each location I work from directly touches one's soul with feelings beyond simple description. My task is more than accurately duplicating what the eye sees. The challenge of my work is to express an appreciation for a site's qualities on canvas. The best method for doing this I feel is to experience each location more than just setting up an easel for an afternoon. To take inventory of what composes a loved place in a few hours is unrealistic. Before I can take a piece back to my studio to work and finish, I need to know the landscape like my own backyard. That way when painting I will reach a point where I can step back and realize,'yes, that is what it feels like to be there.' ...

    Pete Pierce - Philip Goodrich - I strive to create lasting images that transcend trends. I want to perpetually travel the earth in search of perfect waves for surfing, and beautiful subjects to immortalize in my paintings. When I push the limits of my physical body, it releases my mind to relive incredible moments of my life. As I stand and draw, these memories guide my hand and I begin to groove and flow....

    Monica Deac - My art work is a result of a strong impact of the North Western American culture on my Eastern European memories. My inspiration is rooted in my childhood, when I spent lots of time with my grand parents in a small village in Transylvania, Romania. Growing up, I learned to love the country's old artistic sites. I discovered fascinating rituals consisting of simple pattern repetitions. Surprisingly, these rituals create a world that is placed somewhere out of the temporal dimension. All of these left indelible impressions in my soul. For me the process of painting is of utmost significance. My work is abstract in nature and contains close ups of traditional patterns used in folk art. Through repetition of these elements I create textural, abstract effects that convey the rhythmic play of colour energies. Vibrant colours signify the vitality of the traditional rituals and ultimately portray the vivid, passionate pulse of life. I use folk patterns in my art because they represent concepts like infinity, harmony and simplicity, thus revealing a balanced yet dynamic day to day life. Some pieces feel symbolic and celebratory of the joy of life while others invite the viewer to meditate and surrender to...

    David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...

    Timon Maxey - My goal in painting is to create images that are humourous and/or interesting or else beautiful and a pleasure to behold. I like to tell stories with my cartoon images. You can see more art on my website www.maxey.co.nz I think that there is high value in art that clearly communicates something useful to the viewer and that, if it is necessary to read an explanation of an artwork in order to understand it, then it has largely failed. I have always been very interested and involved in art. My parents are both artistic and musical, and this inspired me to paint and draw from a very early age. Even while at university studying geography, I spent much of my spare time drawing, and deriving supplementary income from artistic endeavours. I have a very wide range of experiences and knowledge to draw from, and want to incorporate these into my art to produce work that interests and excites both the audience and myself. My goals are to secure exhibitions in public Galleries, and to exhibit outside New Zealand. Late in 2008, I travel to the Grand Canyon to kayak the Colorado River and to take photographs ...