Paintings For Sale - Price Range: $900 - $999

Page 13 of 31
Discover 875 original painting artworks for sale between $900 - $999. Contemporary emerging artists: Iana Sophia, Todd Horne, Yoli Salmona, Marko Janicki, Eric Garingalao, Larry Kaiser, Smeetha Bhoumik, Richard Wynne, Jean Charles Dicharry, Pietro Bellani, Beverly Dudley, Jamnea Jacas, Michelle Mendez, Kathleen Mcmahon, Randy Cousins, Michael Emmert, Alberto Antonucci are exhibiting their affordable original art. You can buy artwork online and browse 31 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Todd Horne: 'Curiosity of a Woman', 2005 Acrylic Painting, Portrait. Blonde woman looking out of a painting with her fingers extending over the painted matte...
Portrait - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Yoli Salmona: 'Greenfieldtree', 2004 Oil Painting, Undecided.
Undecided - Painting
36 x 33 cm (14.2 x 13.0 inches)
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Marko Janicki: 'Main railway station 2', 2004 Oil Painting, Cityscape. This is the main railway station in Prague, a nice Art Nouveau building, on September 2004, 8- 9 o' clock in the morning. ...
Cityscape - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Eric Garingalao: 'ARM', 2004 Oil Painting, Abstract. Abstract...
, 2004
Abstract - Painting
30 x 42 inches (76.2 x 106.7 cm)
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Larry Kaiser: 'The Dimby T', 2004 Acrylic Painting, Marine. The Dimby T is done in a painterly style that balances old world soft poetic edges with sharp contemporary paragraph elements. It depicts early dawn in the commercial fishing world. The Dimby T leaves the old fishing port of Esbjerg, Denmark. ...
Marine - Painting
28 x 35 inches (71.1 x 88.9 cm)
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Smeetha Bhoumik: 'Force Within', 2004 Oil Painting, Life.
Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
Richard Wynne: 'Tango', 2004 Other Painting, Dance. A couple are lost in thier rhythm of the tango. ...
, 2004
Dance - Painting
70 x 81 cm (27.6 x 31.9 inches)
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Smeetha Bhoumik: 'Tea to Jaisalmer', 2003 Oil Painting, Travel. On a State Highway nearing majestic Jaisalmer, where camels could cross the road or peacocks emerge in full colour, stopping at a quaint little dhaba serving hot tea. . . . . the rustic, awed children gape and the smallest one falls in fear as he rushes to join the older ones. . . . ...
Travel - Painting
18 x 16 inches (45.7 x 40.6 cm)
Jean Charles Dicharry: 'Fayoum', 2003 Tempera Painting, Representational. Fresco fragment. Late Egyptian ( Cleopatra period) . Fayoum inspired. Diluted pigments in acrylic medium and varnish. Ageing techniques for authenticity ...
, 2003
Representational - Painting
13 x 27 inches (33.0 x 68.6 cm)
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Pietro Bellani: 'Paesaggio', 1999 Oil Painting, Abstract.
, 1999
Abstract - Painting
40 x 30 cm (15.7 x 11.8 inches)
Beverly Dudley: 'Delta Darling', 2016 Oil Painting, nudes. Delta DarlingThe female figure bask in the glow of twilight. Such a wonderful model. You will see her again in other paintings....
nudes - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Jamnea Jacas: 'Non-challance', 2002 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
Richard Wynne: 'Night Race', 2001 Other Painting, Automotive. In Pattaya ( a popular resort town about 100+klm. from Bangkok) there is a race track sometimes they race at night.Its very thrilling to watch. I tried to capture the feeling of the action. This is painted on plastic/ glass. ...
, 2001
Automotive - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Michelle Mendez: 'Pathway', 1992 Oil Painting, Landscape. Oil on canvas, painted en plein aire, Brookline, Mass....
, 1992
Landscape - Painting
30 x 25 inches (76.2 x 63.5 cm)
Kathleen Mcmahon: 'SeaGull in Surf', 2001 Oil Painting, Seascape. A seagull flies close to the wave in California.More art work available at kathleenmcmahon. com...
Seascape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Randy Cousins: 'Dream', 2002 Acrylic Painting, Animals. A stray dog sleeps outside a temple in Thailand.  Dreaming is to wakefulness as living is to death....
, 2002
Animals - Painting
30 x 36 inches (76.2 x 91.4 cm)
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Michael Emmert: 'Feuerzungen', 1994 Acrylic Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Michael Emmert: 'Traum', 1994 Acrylic Painting, Abstract.
, 1994
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Richard Wynne: 'Hilltribe Woman and Children', 1999 Acrylic Painting, Representational. I really like to visit the hill tribe villages. They are very colorful.This Woman was a very good model but didn't understand why I didn't just use a camera. Maybe thats why I am a Banjo Player....
Representational - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Richard Wynne: 'Monk number one', 1999 Oil Painting, Religious. This is another study of my favorite monk. He is a very wise and kind man. He is at peace in his soul and it shows in his face. I find the contrast between the bright colors of his robe and his calm face fascinating. ...
Religious - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Richard Wynne: 'Dance of the Flower Princess', 1999 Other Painting, Other. :  I have a vivid imagination; sometimes I see something within a picture, which inspires something very different from reality. This work combines the use of watercolors, pastels, acrylics, as well as ink. It was developed from a study I made of some flowers. But I saw a Ballet. ...
Other - Painting
57 x 77 cm (22.4 x 30.3 inches)
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Richard Wynne: 'Elephant', 2000 Other Painting, Animals. : I have an autistic son for whom I do many animal                    Paintings. As I paint we make up stories about the Animal. This is one of them. ...
, 2000
Animals - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Alberto Antonucci: 'POUM', 2000 Acrylic Painting, Political.
, 2000
Political - Painting
91 x 150 cm (35.8 x 59.1 inches)
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(Page 13 of 31) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Iana Sophia - In my work I strive to create a fusion of traditional and experimental, figurative and abstract visions to arrive at a texture, an implication of a landscape, where the familiar dissolves into mostly impressionistic colour fields or configurations with physical, emotional or even cosmic ramifications. Iana Sophias art pulsates between the seen and envisioned, the figurative and abstract. Inspired by a mystical sensitivity and an appreciation of nature, these paintings draw the viewer into a place of contemplation, where the secrets of the work begin to unfold.A(c) DLS ...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Marko Janicki - Instead of speaking about my art in general, I would rather concentrate on a few important issues, the ones I see as biggest threats to a proper understanding of my work. 1) SUBJECT. After presentations of my work I often hear questions: "What does this painting mean?" or "What do you want to say with this painting?" Well, I would like to give a clear answer: nothing. Or, rather, nothing that can be expressed in words. Visual art is beyond the world of words and ideas. Like music or dance, it has its own ways of expressing. I think that people who attempt to use their art as a way of nearly verbal communication should write a book instead. My paintings are here to please your eyes, not to provoke your brain activity. Expressing big ideas is domain of esthetically unimaginative persons. I gave up the originality of ideas for the originality of composition, colours and lines, which represent my personality very well. 2) STYLE. I work in the style of "alla prima", which means I am not covering the cardboard with infinite layers of paint, but rather trying to include the background and structure of the cardboard in the ...

    Eric Garingalao - "Eric Garingalao is one of the new breed of Ilonggo artists whose art embraces the "absolute individualism" dogma. His works are devoid of pretensions. He perceives art as an honest personal conveyance without adversities and distractions from the outside. Experimenting on various mediums, he transforms the mundane into an interesting permutation of genres that deals with the restlessness of the body and the concepts and revolutions of the mind. His collages and abstract orchestrations are re-inscriptions of themes into new context manifesting gestural languages that shocks and provokes but are seductively intimate to the modern eyes. by: Ric Gindap...

    Larry Kaiser - How My Paintings Become Sopwith Camels or the High-Flying Thrills of En Plein-Air. I pilot a painting. Rev it up. Get it off the ground, something--not Inspiration in the traditional mystic, religious, fantastic or legendary sense, but something real in our environment or our humanity that I find inherently splendid to my eye giving it lift. Then I set it on autopilot for a while in the direction I hope it will go. I do check the instruments--draftsmanship, painterliness, color (paying special attention to grays and values), communication and visual balance--rather diligently. If nothing bad happens, I relax and enjoy the flight. There are dangers in the process. Those cliches of habit and art school and patron taste often disguise themselves as that cheap inspiration I mentioned in the first paragraph and try to take over the flight. My job is to prevent that from happening. And I must recognize when the painting has run into a problem that it cannot pilot through by itself. Then, my job is to interfere. A little. Prevent the mutiny. Then hope that my ability, such as it is, has not been insulted, will not sulk, does not...

    Smeetha Bhoumik - Greetings! My canvases are melting pots of imagination, existence and personal quests. With paint and it's possibilities of probing inner and outer worlds, I explore my different universes - as a woman, an artist, a professional, a family member, an intrepid traveller, a lost soul, a dreamer believer, a seeker . With the Universe Series I seek to express my complete enchantment with the luminosity, and unending glory of this huge universe and it's magical ways, in some ways finding tenuous connections to the infinite forces that we are a part of . The magic of nearby constellations, far-away galaxies, supreme supernovae, bright young stars, star forming nebulae and their stories have I tried to explore and capture in the 'Universe Series' - conversations on canvas between the viewer, the artist and the unknown. The birth of young stars in regions rich in gas and dust from exploding stars or supernovae, gigantic collisions of galaxies twisting them out of shape temporarily, huge emissions of heavy metals including gold and platinum spat out by supernovae when they burst, the impossibly beautiful colours of dead stars refusing to fade away . Somehow all this enchants and speaks simultaneously of the transient amazing entity that ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Jean Charles Dicharry - DICHARRY & HARPER Original interiors - Exclusive designs Creation of original frescoes, trompe l'oeil architectural decoration, painted furniture & accessories. International atelier dedicated to creating unique environments for residential and commercial applications. For project proposals CD Rom inter-active presentation of portfolio free on request. Web site: www.jean-charles-dicharry.com Publications: Printed: NEW YORK MAGAZINE NEW YORK TIMES MAGAZINE NEWSDAY MAGAZINE MIRABELLA ARCHITECTURAL DIGEST HOUSE & GARDEN (ORIGINAL, NEW & BRITISH VERSIONS) ELLE DECOR (ITALIAN VERSION) CUMHURIYET METROPOLITAN HOME INTERIOR DESIGN ETC. Multi-media: Japanese broadcast about a frescoe in Soho NY japanese broadcast about a collection in Paris France Broadcast about a frescoe on CNN in New York Design Collaborations (Partial Listing): JID JOHNSON JOHN SALADINO JUAN MONTOYA SAMUEL BOTERO JACQUES GRANGE DAVID HICKS NANCY HUANG HILTON MC CONNICO IKE, KLIEGERMAN & BARKLEY M. GROUP Clients (Partial Listing): STEFANO PILATI, DIRECTOR OF CREATION FOR YVES SAINT LAURENT MRS. EMILY FRICK M. & MRS. MICHAEL & DIANDRA DOUGLAS M. JUAN MONTOYA TIFFANY & COMPANY BERGDORF GOODMAN STUART WEITZMAN - FRETTE - LA PERLA M. & MRS. RESNICK, FRANKLIN MINT MRS DIANA BROOKS, PRESIDENT, SOTHEBY'S THE HON. PERETTY, ATTORNEY GENERAL, STATE OF NEW JERSEY M. & MRS. MARWAN BOODAI, JAZEERA AIRWAYS Contact: Cel: 33 6 61 88 95 27 NEW ...

    Pietro Bellani - Born 1944 Licciana Nardi in the province of Massa-Carrara (Tuscany). In 1960 begins in earnest his artistic activities prevalently dedicated to visual art. In 1961 becomes an active participant of the art group "Lionello Venturi" in La Spezia. During these early years of the Sixties involves himself in experimental research of photography and 8mm film. In 1963 produces several stage designs for the Civic Theatre in La Spezia. Is invited to join the "Promotrice di Belle Arti Di Torino" which is an associate of the international Cultural Exchange in Rome. Is the founder-member of the group "Arte Grottesca" linking the cities of Pisa and Milan. In 1965 moves to Paris and frequents the studios of several artists, one of whom is the noted Abstractist Folmer. From the mid-sixties to the mid-eighties he involves himself more with Figurative Art. For the last fifteen years his work is based on abstraction. Pietro Bellani has been invited to numerous exhibitions and prize showings....

    Pietro Bellani - Jamnea Jacas - Cuban born artist resident of Palm Beach County, Florida. Jamnea knew at an early age she would pursue the life of an artist. She currently works in her prefered medium: oil paints. Her paintings are often abstractions of personal thoughts and feelings. Jamnea's self expressive application of paint creates a non-representational and almost abysmal composition possesing movement and drama....

    Jamnea Jacas - Kathleen Mcmahon - Art has been a life long exploration and I am fortunate to have the opportunity to paint as a professional artist. My recent focus in art has been on oil paintings of the California landscape. As urban sprawl takes away more of the unique and open landscape, I am intriqued by capturing the natural settings that remain as well as the interesting interplay at the intersections of nature and urbanization. Biography Kathleen McMahon has had a lifetime of involvement with art, working in painting medias, ceramics, stained glass and wood craft. She has taught art to developmentally challenged children and adults. She is now a landscape painter focused in oils, painting on location in and around the Bay Area of Northern California and wherever she travels. In most cases, she completes a painting on location in one session. Other paintings are done entirely in the studio. She uses oils and works in an impressionistic style, influenced by past and current California landscape painters. Having a strong business background with the Internet, Kathleen participates in many online communities and organizations for professional artists, is founder of CraftWEB.com, and author of the book, "In Search of Arts & Crafts on the Internet". ...

    Randy Cousins - I love Nature: all plants, animals and the minerals that make the magnificent topography. I feel ashamed at being one of the species that has done such damage to the planet. We have made the air more difficult to breathe and the fresh water less potable, destroyed land habitat and driven to extinction even once common species. While we are on the verge of fishing to extinction the entire ocean system, we dump tons of plastic--that have become submerged islands the size of continents--into it. In addition, the degree that animal agriculture impacts our environment as well as perpetuates suffering on our fellow beings, while increasing healthcare costs due to obesity and related disease is overwhelming. My affinity for Buddhist philosophy has made it impossible for me to look away. I try to live my life making as little impact as I am able. And though I am compromised physically by exposure to toxins and chemicals, I do what I can to help fellow beings--regardless of species (firstly, by not eating them). My art is about the ruined and what it becomes, the impermanent visible and invisible, the balance that is necessary to maintain some kind of ...