Paintings For Sale - Price Range: $900 - $999

Page 14 of 37
Discover 1,059 original painting artworks for sale between $900 - $999. Contemporary emerging artists: Theo Radic, Chris Alcantara, Daniel Blanco, Brian Josselyn, Diane Kastensmith Bradbury, Judyta Bil, Vladana Vitorovic, Ehab Lotfi, Andrew Pichakhchi, Elio Lopez, Theodhoraq Napoloni, Katie Gunther, Juan Carlos Bermudo, Kelie Myers, Stephane Vollmer, Jay W. Ames, Zuzanna Kozlowska, Terrence Marshall, Sylvia Kula, Stephen Powell, Bud Cassiday, Ashraf Jabalameli are exhibiting their affordable original art. You can buy artwork online and browse 37 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Theo Radic: 'Eucalyptus grove', 2007 Oil Painting, Abstract.   30. 0 ...
Abstract - Painting
30 x 42 cm (11.8 x 16.5 inches)
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Chris Alcantara: 'The Farmers', 2004 Acrylic Painting, Abstract.  a portrait of two farmers using one of my favorite format
Abstract - Painting
44 x 40 inches (111.8 x 101.6 cm)
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Daniel Blanco: 'UNTITLED', 2008 Oil Painting, Still Life.  My work shows fragmented realities and interrupted sequences, a strong confrontation happens between color images and black and white fragments, this causes the paint to go beyond its own limits.  ...
, 2008
Still Life - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Brian Josselyn: 'spring view', 2007 Acrylic Painting, Landscape.  girl with lake view in spring ...
Landscape - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Diane Kastensmith Bradbury: 'Trees 178', 2006 Acrylic Painting, Abstract Landscape.  This is an original acrylic painted on canvas.  The subject is abstracted negative and positive trees with an arbitrary color division added as an abstraction.  Please contact me by email with questions. ...
, 2006
Abstract Landscape - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Diane Kastensmith Bradbury: 'Enchanted Forest', 2007 Acrylic Painting, Abstract Landscape.  This is an original acrylic with detail overlaid in gold ink.  The subject is abstracted negative trees.  Please contact me by email with questions. ...
Abstract Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judyta Bil: 'Two and a half pears', 2007 Oil Painting, Still Life.  Richly textured painting. Coat of protective finish gives the painting nice sheen. ...
Still Life - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Vladana Vitorovic: 'CarnivalSelfPortrait', 2008 Oil Painting, Figurative.  kind of artistic statment ...
Figurative - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Ehab Lotfi: ' cairo sceen 2008', 2008 Acrylic Painting, People.  acrylic and charcoal on paper ...
People - Painting
20 x 30 cm (7.9 x 11.8 inches)
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Andrew Pichakhchi: 'out of season in a greek cafe', 1999 Acrylic Painting, Beach.
Beach - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Elio Lopez: 'Composition', 2007 Oil Painting, Abstract.  Oil and collage on canvas ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Theodhoraq Napoloni: 'anatomyforunniversus', 2007 Tempera Painting, Figurative.  Artistic PracticeMy artistic practice generally is oriented toward painiting. in essence the paintings portray teatral situations created by objects and for the formal and esthetic sappereance the image that is servired have a quality and attribute of '' FICTION REALISM''What interests me most is the expressing of situations that...
Figurative - Painting
38 x 60 cm (15.0 x 23.6 inches)
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Katie Gunther: 'Surrender', 2004 Acrylic Painting, Abstract Figurative.
, 2004
Abstract Figurative - Painting
48 x 36 inches (121.9 x 91.4 cm)
Juan Carlos Bermudo: 'Rubato 7', 2007 Oil Painting, Undecided.  RUBATO: ( Musical term. . Origin. . Italian. . meaning
, 2007
Undecided - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Juan Carlos Bermudo: 'Rubato 4', 2007 Oil Painting, Undecided.  RUBATO: ( Musical term. . Origin. . Italian. . meaning
, 2007
Undecided - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Kelie Myers: 'Sunset on the Coast II', 2006 Oil Painting, Landscape.  Sunset on the Florida coast, part of the landscape  series that explores the beauty and wonder of a sunset. ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Stephane Vollmer: 'no title', 2007 Oil Painting, Zeitgeist.
, 2007
Zeitgeist - Painting
61 x 81 cm (24.0 x 31.9 inches)
Stephane Vollmer: 'no title', 2007 Oil Painting, Undecided.
, 2007
Undecided - Painting
61 x 81 cm (24.0 x 31.9 inches)
Stephane Vollmer: 'no title', 2007 Oil Painting, Zeitgeist.
, 2007
Zeitgeist - Painting
61 x 81 cm (24.0 x 31.9 inches)
Stephane Vollmer: ' no title', 2007 Oil Painting, Zeitgeist.
, 2007
Zeitgeist - Painting
61 x 81 cm (24.0 x 31.9 inches)
Jay W. Ames: 'Aftermath', 2004 Acrylic Painting, Abstract.
, 2004
Abstract - Painting
44 x 34 inches (111.8 x 86.4 cm)
Jay W. Ames: 'Dreaming Hearts', 2005 Acrylic Painting, Abstract.
Abstract - Painting
50 x 60 inches (127.0 x 152.4 cm)
Zuzanna Kozlowska: 'Life Drawing', 2005 Acrylic Painting, Figurative. Original Acrylic.  Life drawing painted from observation of nude model ...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Terrence Marshall: 'The Masters Slave', 2007 Acrylic Painting, Erotic.  Acrylic on canvas  ...
Erotic - Painting
130 x 98 cm (51.2 x 38.6 inches)
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Sylvia Kula: 'Blue Eyes', 2007 Acrylic Painting, Children.  Original painting, acrylic on canvas, signed, size 800x1000mm, 18mm deep. NZD 1200. 00, AUD 1020. 00.Posters and Prints of some of Sylvia Kula' s paintings, in many different sizes, mediums and frames, are now available from
, 2007
Children - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Stephen Powell: 'Meerkat', 2007 Oil Painting, Wildlife.  Meerkat on lookout soaking up the sun  ...
, 2007
Wildlife - Painting
20 x 25 cm (7.9 x 9.8 inches)
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Bud Cassiday: 'Hot Dog Vendor ', 2005 Acrylic Painting, Abstract Landscape.  One of my favorites and early pieces.  Hot Dog Vendor.  I still can't see the hot dog stand! ...
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
Ashraf Jabalameli: 'Flowers', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ashraf Jabalameli: 'Relaxation', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ashraf Jabalameli: 'Worried', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
50 x 80 cm (19.7 x 31.5 inches)
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(Page 14 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Theo Radic - Everyone experiences drawing and painting as children. I was perhaps one year old therefore when I was first initiated into the painter's craft. I continued these universal beginnings throughout my school years and sporadic courses in college (which gave me few insights into this art). [...] I had only myself as a teacher in the art of painting. My evolution as a painter paralleled that of art history in general, beginning with my prehistoric period as a one-year-old-clutcher-of-crayolas, groping through Egyptian and Greek periods; a Renaissance period; and then neo-classicism, romanticism and naturalism; impressionism and fauvism; cubism and abstract expressionism. At nineteen I went to Europe, thirsty for scope and depth in Art which America lacks. Having established myself in the south of France, I absorbed the emanations of the modern masters who had lived and painted there. I was profoundly moved by the bizarre snow storm over La Cote d'Azur on the night of Picasso's death. No such storm had ever been seen before in April, as old-timers in Nice told me. [...] Fully acknowledging my debt to 'abstract expressionism', I nonetheless do not consider my art'abstract' - a word ...

    Chris Alcantara - My art has been a part my life, a gift from God and cherish dearly, a blessing that I always wanted to share to many. My style evolve in my mid to late twenties and has it been a manifestation of feelings and emotional expression thru colors, figures & shapes. I view colors as the primal elements that give playful expression to my emotion and feelings that hit you in that particular moment. Using shapes and figure is another way to convey the story behind every piece I made. Some may say my works are just a composition of color, but I see it as reflection in life....

    Daniel Blanco - My work shows fragmented realities and interrupted sequences, a strong confrontation happens between color images and black and white fragments, this causes the paint to go beyond its own limits. It tends to break the stylistic coherence of a traditional stilife, nude or landscape, but also enables me to connect two separate and dissimilar worlds, getting to be the perfect complement for eachother....

    Brian Josselyn - ' I use thick, rich paint to translate the beauty, and excitment of a moment into a lusious vision. The scultural presence of thick paint tempts you to touch it with it's seductive tactile appeal. . Dramitic lightin futher abstracts familar imagery creating a new provocitive view.' ...

    Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...

    Ehab Lotfi - artist ehab lotfi born in egypt 1967 .graduated from faculty of fine arts 1990.work with differant medias : oil..acrylic..water color..charcoal..soft pastel....preferable subjects for him is land scape .sea ..boats..flower..still life....his style is impressionisme and realisme..shared in about 39 exhibitions in egypt .germany.france...he maked 4 private exhibition in egypt......he is an interior designer and had experience in land scape photography and computer art..... ...

    Elio Lopez - Expressionism through color, depth, and the deconstruction of form Sight. Seeing. How do we see? Is it simply through optic sensations that we view and judge the world around us? Our circumstances? Or is there some deeper, psychological process we are/are not aware of at play? To what extent of what we see is colored by our own personal psychology? The psychology of our environment? Our society? What I ultimately love most about painting over all other mediums, is the flexibility allowed the artist. While the same may be said of other mediums, for me, this is especially true with painting. Recent technological developments in materials has decreased the medium's limitations. Now more than ever a wide variety of possibilities to express oneself exists. Currently the images I'm working with come from a long tradition in European (especially Spanish) painting. By searching for new ways to approach and create these archaic images, I seek to find a new way of self-expression. I believe that most, if not all, great art is born of struggle between the things that limit us, that stand between what we want and what we can control. Each attempt at deconstructing the ...

    Theodhoraq Napoloni - Artistic Practice My artistic practice generally is oriented towards painting. In essence the paintings portray theatrical situations created by objects, and for a formal and aesthetic appearance the image that is represented has the quality and attributes of''FICTION REALISM''. What interests me most is the expressing of situations that deal with the unconsciousness, and it is exactly this unconsciouss that gives a lot of importance to the instinctive side and pushes me toward certain actions or pulls my attention towards something. During the realization phase of painting, this''special interest'' becomes more stronger and gives the image more apparent clearness with all the details and characteristics of the object. For me, the content I select to represent is very important. It is a selection that follows intuition primarily, and the psychological stains, putting them all together towards a real ending, that in fact, is an invisible reality whose imprints are hidden deep into fragmentilized moments of our history. All this process for me is the best tool to bring it in surface the deepest content of the truth, and the aesthetic dimension. The nature of the objects that become part of the painting is different. Sometimes the definitive images ...

    Katie Gunther - Art is a way to express our inner emotions and capture our environment on paper or canvas. The color used in my art represents the emotions within my heart or relate to the images used for the pen and ink drawings. My primary mediums are acyrlic paint and pen and ink. I recently began drawing with the pen and ink dirctly on canvas as I continue to evovle the style of my paintings. I use color, texture and selected images to capture the attention of the viewer. My art is filled with movement and a passion for beauty that comes from within....

    Kelie Myers - "Over the last several years I have created a body of work that is both diverse and stylistic. Having come from classical training when approaching a new work I first think of color and composition. However, weather I'm creating an oil painting, fine art print or a mixed-media piece bringing the viewer into the work through emotional response is what inspires me most. Mostly, I paint and create because I love it. Simple as that may be, but so true. I first fell in love with art as a "process" and I believe in the benefits of creating for creation sake. The empowerment and wealth of skills gained through pursuing one own creative spirit is a therapy for the soul unmatched by any other. Through the visual experience and teaching it is my passion to pass on this philosophy."...

    Jay W. Ames - In these abstract works I am exploring the mystery of a moment. The subjects may be personal, a relationship, experience, or question, or an observation of human interactions or natural occurrences. The common theme is the intricacy of moments of intense phenomenon. I leave the work when there is an ambiguous sense of something happening, a suggestion or implication rather than a statement, as in a partially remembered dream. Each piece starts as a journey, an exploration. I consider each piece a conversation, a dialogue. I feel I have succeeded when the ambiguities in a work lead me to question levels of experience--rational, emotional and mystical, which exist simultaneously. A static work of art can "freeze a moment". I want to take the skin off a moment, see inside, and show it. In my latest work I am creating small textural pieces on paper. Most are 5x7 inches. I have found that these pieces create an intimate viewing experience as the viewer is drawn in for a close look by the textural surfaces. I have collaged in a variety of materials including fibers, feathers, dried paint chips, and various papers. ...

    Stephen Powell - WILDLIFE ARTIST - PHOTOGRAPHER - TUTOR - SPEAKER - MOTIVATOR - WEBSITE DESIGNER Stephen has been an active environmentalist working in, field work, public speaking and lobbying at all levels of government. He has spoken at school and community gatherings as well as on radio. His comments on environmental issues have appeared in newspapers and newsletters. His love of wildlife and the need for illustrations for news letters lead to an artistic future. After a management career in the ceramic industry for 20 years Steve set his sights on an artistic future. 25 years had elapsed since he last attended High School Art classes and the first step was to undertake VCE Studio Art. The first year of his artistic career resulted in, distinctions in VCE, a proposal from a leading publisher for an illustrated book and the sale of his first Wildlife paintings. This rapid rise has continued, his work has featured in a books, graphic displays, numerous environmental news letters and a R.S.P.C.A. Calendar and an 8 page feature in 'The Artist's Palette magazine' has show cased his work. His work has attracted a number awards, Which include Wildlife Art Society of Australasia & Best Flora or Fauna - Moomba ...

    Bud Cassiday - Known for his watercolors and colorful abstract acrylics, Bud has always loved art, artists, and their contributions to culture but has been working at it for only about 3 years. In 2004, at the age of fifty-three, Cassiday turned to art. "I'd always wanted to be an artist -so after ending a long time career as a union organizer, I started painting day after day and night after night. A thousand paintings later, I'm still discovering creativity in myself that I thought I had, but needed to dig down to, reveal, and express." On the American scene, I am constantly amazed and influenced by well known artists including Mary Cassatt, John Singer Sargent, Childe Hassam, Maurice Prendergast, Robert Henri, Hans Hofmann, Edward Hopper, Charles Demuth, Georgia O'Keefe, Charles Burchfield, Grant Wood, Stuart Davis, Mark Rothko, Willem De Koonig, Arshile Gorky, Lee Krasner, Franz Kline, Jackson Pollock, Grace Hartigan, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol, Jasper Johns, Frank Stella, David Hockney, and many currently working artists not so well known. On the European side, I am influenced by the modern greats: Matisse, Picasso, Macke, Kandinsky, Cezanne, Roualt, Van Gogh, the Fauvists, the Impressionists, the Expressionists, and many...