Paintings For Sale - Price Range: $900 - $999

Page 2 of 37
Discover 1,050 original painting artworks for sale between $900 - $999. Contemporary emerging artists: Jim Lively, Mac Worthington, Andrea Mulcahy, Peter Seminck, Daniel Clarke, Jennifer Bailey, Marino Chanlatte, Charles Cham, Manuela Facchin Varalda, Austen Pinkerton, Tom Lund-lack, Michael Schaffer, Shoshannah Brombacher, David Larkins, Edna Schonblum, Lois Di Cosola, Roz Zinns, Tiziana Fejzullaj are exhibiting their affordable original art. You can buy artwork online and browse 37 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mac Worthington: 'light spring evening', 2020 Acrylic Painting, Abstract Figurative. Acrylic on stretched canvas. Expressionistic landscape Available. Signed   dated. Certificate of Authenticity. Ready to hang. ...
Abstract Figurative - Painting
57 x 36 inches (144.8 x 91.4 cm)
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Mac Worthington: 'gambling town', 2020 Acrylic Painting, Abstract Landscape. Acrylic on stretched canvas. Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
Abstract Landscape - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Andrea Mulcahy: 'past present future', 2019 Acrylic Painting, Abstract. Distant past, present, and future...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Peter Seminck: 'lady in red', 2019 Oil Painting, People. oil on canvas...
People - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Daniel Clarke: 'stairway to santorini', 2019 Acrylic Painting, Landscape. Bend if you can to the dark sea forgettingthe flute s sound on naked feetthat trod your sleep in the other, the sunken life.Write if you can on your last shellthe day the place the nameand fling it into the sea so that it sinks....
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jennifer Bailey: 'fire', 2019 Acrylic Painting, Abstract. Raging fires on the west coast inspired a fantastical forest filled with light and whimsy in opposition to the tragedy at hand. ...
, 2019
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Marino Chanlatte: 'sunflower 5', 2019 Oil Painting, Abstract. Sun, light, nature and sunflowers have been always present in my mind, and in my heart. Ready to hang...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Charles Cham: '2579 COUPLE OF STRANGERS', 2018 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
38 x 43 cm (15.0 x 16.9 inches)
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Marino Chanlatte: 'ocean 77 ocean ice melting', 2018 Oil Painting, Seascape. With this new series of painting aEURoeOceansaEURtm ice meltingaEUR I am calling the attention to the climate change and the global warming effects that are happening. We need to do something, but not deny the evidence.Some of the thickest sea ice in the entire Arctic, with ridges of ice ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jim Lively: 'heavy metal', 2018 Acrylic Painting, Surrealism. Vinyl, records, contemporary...
Surrealism - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Manuela Facchin Varalda: 'apres la pluie', 2018 Oil Painting, Floral. landscape red blue poppy coquelicot reflects water annecy drops rain flower soir evening...
Floral - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Austen Pinkerton: 'zig zag abstract with eye', 2018 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
294 x 392 mm ( x )
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Jim Lively: '157 record albums', 2018 Acrylic Painting, Figurative. Record, albums, contemporary...
Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Michael Schaffer: 'evolution of the self', 2016 Acrylic Painting, Abstract Figurative. Self Portrait portraying how I have evolved as an artist and how I see myself in the long journey of my personal evolution. ...
Abstract Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Shoshannah Brombacher: 'trial of the shpoler zeide 1', 2017 Oil Painting, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda  or: Zeide . I made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shoshannah Brombacher: 'the shpoler zeide', 2017 Oil Painting, Judaic. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda and i made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. Please ...
Judaic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Michael Schaffer: 'Dancing in the Moonlight', 2004 Acrylic Painting, Abstract Figurative. A dream I had. I represent the love of feeling free that we all strive to experience. ...
Abstract Figurative - Painting
40 x 30 inches (101.6 x 76.2 cm)
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David Larkins: 'hoodies lagoon', 2018 Acrylic Painting, Birds. As a Hooded Merganser forages along a Lake Erie lagoon, reflections of the spring foliage create a colorful abstraction in the water.An almost pure abstract painting becomes a realistic one with the addition of the water fowl, yet another example of my interest in abstract realism ...
Birds - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Edna Schonblum: 'memories', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
100 x 60 cm (39.4 x 23.6 inches)
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Lois Di Cosola: 'SWING', 2012 Acrylic Painting, Abstract. abstract painting on paper...
, 2012
Abstract - Painting
17 x 17 inches (43.2 x 43.2 cm)
Shoshannah Brombacher: 'tea on shabbos afternoon', 2017 Oil Painting, Judaic. An old Chassidic couple cherishes their quiet afternoon tea on Shabbos, with their old samovar, books and memories. ...
Judaic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Daniel Clarke: 'manarola', 2017 Acrylic Painting, Landscape. Manarola Italy is reputed to be the most colorful city in the world.  Set on a rugged cliff this is a most inspirational city to paint.  Acrylic on board.  Artist will sign the work when sold...
, 2017
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Daniel Clarke: 'phi phi islands south thailand', 2017 Acrylic Painting, Landscape. Phi Phi Islands South Thailand. Acrylic on canvas. South seas islands of mystery for all to see. ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Peter Seminck: 'stairway to heaven', 2016 Oil Painting, People. womanstaiarwaybridgeheavenrealism...
People - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Roz Zinns: 'Arenal Volcano', 2016 Acrylic Painting, nature.  Arenal Volcano in Costa Rica         ...
nature - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Manuela Facchin Varalda: 'golden field', 2016 Oil Painting, Landscape.        original artworkunique pieceoil on canvas cm 60 x 80      ...
Landscape - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Tiziana Fejzullaj: 'Nude in Red', 2014 Oil Painting, nudes.  OilAcrylic ...
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Nude in a Poppy Field', 2014 Oil Painting, nudes.  Oil  Acrylic ...
nudes - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Manuela Facchin Varalda: 'TIBET', 2004 Oil Painting, Figurative.      original artworkunique pieceoil on linen canvas cm 40 x 50    ...
, 2004
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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(Page 2 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Marino Chanlatte - Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...