Paintings For Sale - Price Range: $900 - $999

Page 3 of 31
Discover 875 original painting artworks for sale between $900 - $999. Contemporary emerging artists: J. Brombacher, Daniel Clarke, Peter Seminck, Tiziana Fejzullaj, Michael Schaffer, Heather Hyatt, Shelly Leitheiser, Jose Freitascruz, David Larkins, Lorrie Williamson, Luise Andersen, Becky Soria, Harry Weisburd, Judith Fritchman, Franziska Turek, Eve Co, Rita Levinsohn, Richard Lazzara, Micha Nussinov are exhibiting their affordable original art. You can buy artwork online and browse 31 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Daniel Clarke: 'manarola', 2017 Acrylic Painting, Landscape. Manarola Italy is reputed to be the most colorful city in the world.  Set on a rugged cliff this is a most inspirational city to paint.  Acrylic on board.  Artist will sign the work when sold...
, 2017
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Daniel Clarke: 'phi phi islands south thailand', 2017 Acrylic Painting, Landscape. Phi Phi Islands South Thailand. Acrylic on canvas. South seas islands of mystery for all to see. ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Peter Seminck: 'stairway to heaven', 2016 Oil Painting, People. womanstaiarwaybridgeheavenrealism...
People - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Tiziana Fejzullaj: 'Nude in Red', 2014 Oil Painting, nudes.  OilAcrylic ...
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Nude in a Poppy Field', 2014 Oil Painting, nudes.  Oil  Acrylic ...
nudes - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Michael Schaffer: 'Misty Planet', 2009 Acrylic Painting, Abstract.      The original New Action Art painting.  Swirls of paint that look like a planet.    ...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Michael Schaffer: 'Zen Life', 2017 Acrylic Painting, Abstract. This multimedia painting was one of my first to use oil based Pebeo, acrylic inks. and acrylic paint. ...
, 2017
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Shelly Leitheiser: 'River City', 2012 Acrylic Painting, Expressionism.  A river on a city, or a city on a river; expressionistic, abstract, and wild. It' s inspired by this spring' s overflowing rivers and storms. This painting is matted, but not sold framed due to the weight....
, 2012
Expressionism - Painting
30 x 26 inches (76.2 x 66.0 cm)
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Jose Freitascruz: 'Landscapes from Nowhereland 014', 2012 Acrylic Painting, Abstract Landscape. from the series landscapes from now.  hereland on woodthe years spent in japan and inspired by haiku poetry i wrote while i was there...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'Landscapes from Nowhereland 015', 2012 Acrylic Painting, Abstract Landscape.  from the series landscapes from now.  hereland on canvas from the years spent in japan an inspired by haiku poetry i wrote while i was there ...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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David Larkins: 'Rolled Oats', 2012 Acrylic Painting, Americana.    One of the hottest days of this year was around July 4th, which is also when the winter wheat and oats are harvested. The temperature was 104 degrees when I did my study for
Americana - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'The ConchShell Man', 2011 Acrylic Painting, Undecided.  Figurative; Seascape; An interesting portrait of a young man delivering conch shells to sell at the water taxi stand; his way of making a living in the Bahamas.  ...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Luise Andersen: 'Deep', 2004 Acrylic Painting, Abstract.  So much joy to explore possibilities of Acrylic Inks. . . So bold in colors. . .  yet often fragile to work with. .  The temptation of just laying another color glaze. . .  to create all- over different hue. . .  I can notresist. . and carry it to new heigths. .  depth. . . luscious depth. . .  ever heard of this...
, 2004
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Becky Soria: 'Vinculum III', 2007 Acrylic Painting, Abstract.  Vinculum ( isthmus, Link, connection)series ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Lorrie Williamson: 'Mystery of the Red Canoe', 2003 Oil Painting, Scenic.  A narrative that' s best unspoken.  A South Florida land and sea scape for the viewer' s pleasure. ...
Scenic - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Harry Weisburd: 'Women in Bikini at the Beach', 1998 Acrylic Painting, Abstract Figurative.  Painting of a woman in a bikini at the beach with an umbrella.Painting is in acrylics on cardboard, 14 inches wide  x 11 inches high ...
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Judith Fritchman: 'Good Night Moon', 2006 Oil Painting, Children.  Big sister and younger brother enjoy a bed time story together.  ...
Children - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Franziska Turek: 'early', 2007 Other Painting, Abstract.
, 2007
Abstract - Painting
38 x 28 cm (15.0 x 11.0 inches)
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Franziska Turek: 'after flood', 2006 Other Painting, Abstract.
Abstract - Painting
51 x 22 cm (20.1 x 8.7 inches)
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Eve Co: 'Spring in Washington State', 2000 Other Painting, Landscape. Spring in Washington StateStrathmore PaperWindsor  Newton WatercolorsAcrylics LiquitexMay 23, 2003Blossoming trees in spring in Washington state.  I drove for miles and saw the trees and hopped a fence and went and sat in the grass and painted what I saw...
Landscape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Rita Levinsohn: 'The Hidden World of Ponds', 2005 Acrylic Painting, Visionary. Worlds that exist beyond our vision. ...
Visionary - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Luise Andersen: 'Deep', 2004 Acrylic Painting, Abstract. So much joy to explore possibilities of Acrylic Inks. . . So bold in colors. . .  yet often fragile to work with. .  The temptation of just laying another color glaze. . .  to create all- over different hue. . .  I can notresist. . and carry it to new heigths. .  depth. . . luscious depth. . .  ever heard of this? . .  ...
, 2004
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Richard Lazzara: 'center core rising', 1995 Acrylic Painting, Visionary. center core rising 1995  from the folio DRAWING ON SHIVA  is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Richard Lazzara: 'today is art everlasting', 1972 Oil Painting, History. today is art everlasting 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'space around the goal', 1972 Oil Painting, History. space around the goal 1972   from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'seeing is knowledge', 1972 Oil Painting, History. seeing is knowledge 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Micha Nussinov: 'Departure 2', 2004 Oil Painting, Fantasy. The notion of departure as we leave a place, going through a transit to another world.  A journey from life to a spiritual world. ...
Fantasy - Painting
410 x 510 mm ( x )
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Judith Fritchman: 'The Question', 2000 Oil Painting, Portrait. The bright, inquisitive expression on this young woman' s face was a joy to paint.  Even after a long afternoon she never lost  her enthusiasm and interest....
Portrait - Painting
22 x 18 inches (55.9 x 45.7 cm)
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(Page 3 of 31) - MORE ARTWORKS
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  • Artists Describing Their Art:

    J. Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....