Solitude Painting By Hilary J. England

Artwork For Sale  ❯   Paintings  ❯   Hilary J. England  ❯   Seascapes  ❯  Solitude
All Artworks  ❯   Painting Oil  ❯   Hilary J. England  ❯   Seascape  ❯   Solitude
Artist Hilary J. England. 'Solitude' Artwork Image, Created in 2010, Original Pastel. #art #artist
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Artist:

Hilary J. England

Title:

Solitude

Price:
Year:
2010

Medium:

Size - (USA):
16 W x 12 H x 0 D (inches)
Size - (metric):
40.6 W x 30.5 H x 0.0 D (centimeters)

Theme:

Edition:
Original
Artwork ID:
379198
Artwork Description:   "Solitude" Oil on canvas Original Impressionist Seascape by Hilary J. England. About this painting: This painting was done en plein air from a very recent excursion to Avon-by-the-Sea, in New Jersey, USA. It was a brilliant, cool day, and the fog had just lifted. The beach was very empty except for a few dog walkers, a scattering of fishermen. and this lonely figure. The water was rather calm and the entire area serene... I utilized a limited palette of only burnt sienna, french ultramarine blue, and white, thinned by a mixture of 1/2 and 1/2 linseed and turpentine. This painting comes with an EBSQ Certificate of authenticity, and is handsigned. It is also registered/listed on the Fine Art Registry, and bears the official seal on the back of the painting. About my style: I have adopted elements of past artistic movements I admire, as do all artists. I allow them to coexist in my paintings--they cohabitate harmoniously in my work, I like to think... I have always deeply admired the Impressionist movement, and so I utilize some of their ideals... I want my paintings to capture my "impression," my personal take on a scene, subject or situation. I abhor "photo" realism--if I want a photo, I'll take it with my Canon, and not labor over "creating" a painting that looks like one... again, what copy machines and digital photography are for, in my opinion... I make my paintings as my interpretation, my "twist." Impressionism incorporates the quality of a sketch--the work is luminous, spontaneous, abbreviated, capturing a fleeting moment in time. Also, I admire the work of Post-Impressionist Modernism in that color and line quality must be expressive and that an artist's power to determine their palette (hues and tonal ranges) are a seminal element of creativity. I combine a bit of both movement ideals, and I throw in my own "spark" and interpretation, my expression of joy, ambiguity, nostalgia, sadness--whatever touches me about a particular subject I am working on. You can learn a bit more about me from a recent interview I did at www. whohub. com/en/fieldsendart "Solitude" Oil on canvas FRAMED Original Impressionist Seascape by Hilary J. England. Note: This artwork is framed in a museum quality, goldtoned frame. Frame style may vary, and is for illustrative online purposes only. About this painting: This painting was done en plein air from a very recent excursion to Avon-by-the-Sea, in New Jersey, USA. It was a brilliant, cool day, and the fog had just lifted. The beach was very empty except for a few dog walkers, a scattering of fishermen. and this lonely figure. The water was rather calm and the entire area serene... I utilized a limited palette of only burnt sienna, french ultramarine blue, and white, thinned by a mixture of 1/2 and 1/2 linseed and turpentine. This is NOT a reproduction, but is the original work of art, 14" x 18", and is professional framed in a gold leaf traditional wooden frame, ready to hang and will beautify any room or decor! This painting comes with an EBSQ Certificate of authenticity, and is handsigned. It is also registered/listed on the Fine Art Registry, and bears the official seal on the back of the painting. About my style: I have adopted elements of past artistic movements I admire, as do all artists. I allow them to coexist in my paintings--they cohabitate harmoniously in my work, I like to think... I have always deeply admired the Impressionist movement, and so I utilize some of their ideals... I want my paintings to capture my "impression," my personal take on a scene, subject or situation. I abhor "photo" realism--if I want a photo, I'll take it with my Canon, and not labor over "creating" a painting that looks like one... again, what copy machines and digital photography are for, in my opinion... I make my paintings as my interpretation, my "twist." Impressionism incorporates the quality of a sketch--the work is luminous, spontaneous, abbreviated, capturing a fleeting moment in time. Also, I admire the work of Post-Impressionist Modernism in that color and line quality must be expressive and that an artist's power to determine their palette (hues and tonal ranges) are a seminal element of creativity. I combine a bit of both movement ideals, and I throw in my own "spark" and interpretation, my expression of joy, ambiguity, nostalgia, sadness--whatever touches me about a particular subject I am working on. You can learn a bit more about me from a recent interview I did at www. whohub. com/en/fieldsendart


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