Pastel Art

Page 3 of 29
Wayne Wilcox, Emilio Merlina, Christian Culver, Lucille Rella, Edem Elesh, Richard Lazzara, Micha Nussinov, Philip Hallawell, Jose Luis Lazaro Ferre, Michael Ashcraft, Irina Maiboroda, John Tooma offering original Pastel artworks.


Contemporary Art / Pastel / Previous / Next
Emilio Merlina: 'come with us', 2006 Pastel, Inspirational. pastel on canvas...
Inspirational - Pastel
36 x 50 cm (14.2 x 19.7 inches)
Emilio Merlina: 'pride', 2006 Pastel, Inspirational. pastel on paper...
, 2006
Inspirational - Pastel
21 x 29 cm (8.3 x 11.4 inches)
Christian Culver: 'Windows 3', 2011 Pastel, Architecture. Architectural images on paper. Pastel is the major medium....
, 2011
Architecture - Pastel
21 x 27 inches (53.3 x 68.6 cm)
Emilio Merlina: 'too much blue maybe 02', 2006 Pastel, Inspirational. pastel on canvas...
Inspirational - Pastel
41 x 60 cm (16.1 x 23.6 inches)
Emilio Merlina: 'sweet memory 2', 2006 Pastel, Inspirational. red pastel and black charcoal on canvas...
Inspirational - Pastel
52 x 72 cm (20.5 x 28.3 inches)
Christian Culver: 'Mountain 1', 2006 Pastel, Abstract. Pastel on heavy drawing paper with photographic collage...
, 2006
Abstract - Pastel
17 x 23 inches (43.2 x 58.4 cm)
Christian Culver: 'Windows 2', 2006 Pastel, Abstract. Pastel/ mixed media on heavy archival 100 lb drawing paper. Uses
, 2006
Abstract - Pastel
20 x 34 inches (50.8 x 86.4 cm)
Christian Culver: 'Windows 1', 2006 Pastel, Abstract. Pastelmixed media on heavy archival 100 lb drawing paper.  Uses architectural images as part of composition...
, 2006
Abstract - Pastel
20 x 34 inches (50.8 x 86.4 cm)
Lucille Rella: 'Olivea 5', 2006 Pastel, Figurative.
, 2006
Figurative - Pastel
24 x 18 inches (61.0 x 45.7 cm)
Edem Elesh: 'spokes', 2005 Pastel, Abstract. 5 X 7 oil pastel. ...
, 2005
Abstract - Pastel
14 x 14 inches (35.6 x 35.6 cm)
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Richard Lazzara: 'drinking the hala hala', 1995 Pastel, Visionary. drinking the hala hala 1995  from the folio DRAWING ON SHIVA is available at
Visionary - Pastel
22 x 30 inches (55.9 x 76.2 cm)
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Micha Nussinov: 'Light of Darkness 2', 2005 Pastel, Landscape. Pastel on black board. The essence of creating a flow of subtle gradation of color, thus bringing light into darkness....
Landscape - Pastel
1050 x 1240 mm ( x )
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Lucille Rella: 'Red Dress', 2005 Pastel, Figurative.
, 2005
Figurative - Pastel
24 x 18 inches (61.0 x 45.7 cm)
Lucille Rella: 'Beautifuly Hat', 2005 Pastel, Figurative.
Figurative - Pastel
24 x 18 inches (61.0 x 45.7 cm)
Micha Nussinov: 'Light of Darkness 1', 2004 Pastel, Fantasy. In between realities of being in one place and moving to the others. Being led through perspective lines, seeing through multi layers of colours, images and moving objects, that take you to a point of collision.Diversions leads you to other places, more figures and moving objects, another reality ( recognizable ...
Fantasy - Pastel
1240 x 1050 mm ( x )
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Philip Hallawell: 'Aphrodite and the Apple of Discord', 1988 Pastel, Mythology. This drawing done in pastel pencils and is part of the Iliad series. It refers to the judgement of Paris and the vanity of the Gods. ...
Mythology - Pastel
35 x 50 cm (13.8 x 19.7 inches)
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Jose Luis Lazaro Ferre: 'Hat at Night', 2003 Pastel, Figurative.
Figurative - Pastel
70 x 100 cm (27.6 x 39.4 inches)
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Jose Luis Lazaro Ferre: 'Reader', 2003 Pastel, Figurative.
, 2003
Figurative - Pastel
112 x 76 cm (44.1 x 29.9 inches)
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Philip Hallawell: 'The Hand of Aphrodite', 1989 Pastel, Mythology. Drawn with Conte pastel pencils on red Fabriano Murillo paper, this is part of a large series based on Homer' s Illiad. This drawing depicts Aphrodite as Goddess of love and fertility....
Mythology - Pastel
35 x 50 cm (13.8 x 19.7 inches)
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Michael Ashcraft: 'summer', 2020 Pastel, Representational. landscape...
, 2020
Representational - Pastel
26 x 20 inches (66.0 x 50.8 cm)
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Michael Ashcraft: 'pickles', 2015 Pastel, Representational.    still life of canning jars   ...
, 2015
Representational - Pastel
19 x 15 inches (48.3 x 38.1 cm)
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Irina Maiboroda: 'Pine Forest', 2012 Pastel, Landscape.  landscape, abstract, imaginary, impression, colorful, forest, pine, plein airThe work is shipped with a passe- partout 40x30 cm           ...
Landscape - Pastel
25 x 17 cm (9.8 x 6.7 inches)
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Irina Maiboroda: 'Sunset on the Elbe river', 2016 Pastel, Impressionism.  pastel, landscape, nature, sunset, revier, scenic, Elbe, plain air The work is under a passe- partout 50x40 cm        ...
Impressionism - Pastel
30 x 20 cm (11.8 x 7.9 inches)
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Irina Maiboroda: 'An autumn day in the Altai', 2015 Pastel, Impressionism.  pastel, landscape, autumn, fall, Russia, Altai, water, river, colorful, nature, plein- air. The work is under a passe- partout 30x40 cm. ...
Impressionism - Pastel
22 x 30 cm (8.7 x 11.8 inches)
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Irina Maiboroda: 'Rapids Katun River', 2015 Pastel, Impressionism.  pastel, landscape, river, autumn, fall, colorful, nature, Russia, Altai, forest plein- air. The work is under a passe- partout 50x40 cm. ...
Impressionism - Pastel
32 x 24 cm (12.6 x 9.4 inches)
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John Tooma: 'Life Drawing Study', 2014 Pastel, Life.         these are some of my latest works on paper from one of the best Life Drawing Groups in Sydney. Glebe Life Drawing Group, Glebe at the
Life - Pastel
20 x 30 cm (7.9 x 11.8 inches)
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John Tooma: 'Life Drawing Study', 2014 Pastel, Life.        these are some of my latest works on paper from one of the best Life Drawing Groups in Sydney. Glebe Life Drawing Group, Glebe at the
Life - Pastel
20 x 30 cm (7.9 x 11.8 inches)
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John Tooma: 'Life Drawing Study', 2014 Pastel, Life.       these are some of my latest works on paper from one of the best Life Drawing Groups in Sydney. Glebe Life Drawing Group, Glebe at the
Life - Pastel
20 x 30 cm (7.9 x 11.8 inches)
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John Tooma: 'life drawing study', 2014 Pastel, Life.  these are some of my latest works on paper from one of the best Life Drawing Groups in Sydney. Glebe Life Drawing Group, Glebe at the
Life - Pastel
20 x 30 cm (7.9 x 11.8 inches)
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Chad A. Carino: 'Figure with Weight', 2009 Pastel, Figurative.
Figurative - Pastel
11 x 14 inches (27.9 x 35.6 cm)
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(Page 3 of 29) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Christian Culver - Architectural Art Today we see art and architecture of the past as nobody saw it before, we perceive it in a different way. All of us see hundreds of images everyday in the cities in which we live. In no other form of society in history has there been such a concentration of images, such a density of visual messages. One may remember or forget these messages, but briefly one takes them in, and for a moment they stimulate the imagination by way of either memory or expectation. The image belongs to the moment. They never speak of the present, but often refer to the past and always speak of the future. We are so accustomed to being addressed by these images that we scarcely notice their total impact. A person may notice a particular image or piece of information because it corresponds to some particular interest they may have. The fact that these images belong to the moment, but speak of the future, produces a strange effect, which has become so familiar that we scarcely notice it. Usually we pass the image - walking, traveling, or on the TV screen, somewhat different but even then we are theoretically the active ...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Michael Ashcraft - I am a graduate of the San Francisco Art Institute. My work reflects the symbolic metaphors in the world around me. I spend a lot of time finding the right physical objects or settings to build the statements I wish to express. I may spend months or even years with an idea before I ever touch a canvas or piece of paper. Once I begin I let the painting dictate its own style. Only the painting can tell me when it is finished. I will usually set them aside for a long time before I come back and decide if they are truly finished or need more work. I hope you enjoy them....

    John Tooma - This site is only a guide to my artworks, you will appreciate them alot more when they are seen in real life. These prices are set in US currency, hope you could be aware of this. As a Painter and Graphic DesignerIllustrator, art is huge part of my life. Its a great feeling to have the ability to draw and paint what my eye can see. As an observer, I love to sketch in my A5 pads and photograph most subject matter transferring the visual information onto paper, canvas, clay or the computer. I use digital photographic equipment only as a support for my work. I draw and paint virtually everything but my passion lies with the human body. I use dry and wet medium such as graphite pencil, chalk pastel, charcoal, ink, gouache and oil paints. I enjoy experimenting with my subject. I also use the apple computer for retouching and airbrushing technique. You can order Prints from any of these Paintings or Drawings and this would be printed on either Paper or Canvas depending on your preference. It is an absolute pleasure to share my passion with you and to speak about it through art. I enjoy sketching ...