Black and White Photographs

Page 2 of 37
Engelina Zandstra, Corrie Mccluskey, Wayne Quilliam, Lynda Lehmann, Rickie Dickerson, Vincenzo Montella, Wayne Wilcox, Rachel Schneider, Jerry Di Falco, Dude Clark, Stephen Robinson, Linda Lhermite, Orville Robertson offering original Black and White Photographs artworks.


Contemporary Art / Black and White Photographs / Previous / Next
Engelina Zandstra: 'Black and white', 2009 Black and White Photograph, Abstract.  Flowing forms ...
Abstract - Photograph
0 x 0 inches (0.0 x 0.0 cm)
Corrie Mccluskey: 'Tracks, Railroad Square, Santa Rosa, CA', 2007 Black and White Photograph, Cityscape. Image ( from the
Cityscape - Photograph
13 x 19 inches (33.0 x 48.3 cm)
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Corrie Mccluskey: '46 degrees, Railroad Square, Santa Rosa, CA', 2007 Black and White Photograph, Cityscape. Image ( from the
Cityscape - Photograph
13 x 19 inches (33.0 x 48.3 cm)
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Corrie Mccluskey: 'Acme Feed Silos, Roseland, Santa Rosa, CA', 2007 Black and White Photograph, Cityscape. Image ( from the
Cityscape - Photograph
13 x 19 inches (33.0 x 48.3 cm)
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Corrie Mccluskey: 'House of the Pigeons Uxmal Yucatan', 2007 Black and White Photograph, World Culture. Image ( from the
World Culture - Photograph
13 x 19 inches (33.0 x 48.3 cm)
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Wayne Quilliam: 'Garma ', 2008 Black and White Photograph, Culture.  Wayne Quilliam from Garma ...
, 2008
Culture - Photograph
0.2 x 30 cm (0.1 x 11.8 inches)
Lynda Lehmann: 'Before the Soup', 2008 Black and White Photograph, Food.   Onions, before the soup, cut up and making interesting patterns. Image c Lynda Lehmann. Archival print matted to 11 x 14.  ...
Food - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Rickie Dickerson: 'Meet Simon', 2007 Black and White Photograph, Animals.  The newest member of the family. Strikingly beautiful! ...
, 2007
Animals - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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Vincenzo Montella: 'swans', 2007 Black and White Photograph, Undecided.  special black and white print ...
, 2007
Undecided - Photograph
30 x 24 cm (11.8 x 9.4 inches)
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Vincenzo Montella: 'Warrior', 2007 Black and White Photograph, Inspirational.  special black and white print ...
, 2007
Inspirational - Photograph
30 x 24 cm (11.8 x 9.4 inches)
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Vincenzo Montella: 'dancers', 2007 Black and White Photograph, Inspirational.  special black and white print ...
, 2007
Inspirational - Photograph
30 x 24 cm (11.8 x 9.4 inches)
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Vincenzo Montella: 'Buffalo and horse', 2007 Black and White Photograph, Inspirational.  special black and white print ...
Inspirational - Photograph
30 x 24 cm (11.8 x 9.4 inches)
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Rickie Dickerson: 'Concerned', 2006 Black and White Photograph, Animals.
, 2006
Animals - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Color Journey', 2007 Black and White Photograph, Architecture.  Vivid, rich colors sweep across the visual field, commanding the viewer' s attention.  Color is something to revel in, at least for me.  I hope you enjoy it, too!  Image c Lynda Lehmann.  Matted 8 x 10 archival print in archival sleeve, ready for framing.  Matted size is 11 x...
Architecture - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Wayne Wilcox: '498 South Main', 2007 Black and White Photograph, Cityscape.
Cityscape - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Lynda Lehmann: 'Question', 2005 Black and White Photograph, Architecture.  A spiral staircase, for me, evokes questions about our directions in life.  Image c Lynda Lehmann.  Unmatted archival print, 8 x 11.  ...
, 2005
Architecture - Photograph
8 x 11 inches (20.3 x 27.9 cm)
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Rachel Schneider: 'London 21', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
6 x 9 inches (15.2 x 22.9 cm)
Rachel Schneider: 'London 20', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
7 x 10 inches (17.8 x 25.4 cm)
Rachel Schneider: 'London 19', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
9 x 6 inches (22.9 x 15.2 cm)
Rachel Schneider: 'London 18', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
8 x 6 inches (20.3 x 15.2 cm)
Jerry  Di Falco: 'Victorian Tomb Kiss', 2004 Black and White Photograph, Culture. One of my favorite subjects in photography is tombstone- art, especially from the Victorian Period.  This elaborate grave in Philadelphia dates to 1886 and is one of the most interesting I have encountered. It shows both the intered soul escaping into paradise, as well as the person from when they ...
Culture - Photograph
9 x 6 inches (22.9 x 15.2 cm)
Dude Clark: 'Zombie', 2016 Black and White Photograph, . Street style behind an independent coffee shop in Nowhere, Georgia. ...
, 2016
- Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Stephen Robinson: 'low tide on the sea of cortez', 2011 Black and White Photograph, Landscape. A wide beach at low tide:  a photographer images some wonderful thing in the distance...
Landscape - Photograph
9 x 19 inches (22.9 x 48.3 cm)
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Stephen Robinson: 'The Mystical Tree', 2012 Black and White Photograph, Landscape. Magic is the way to describe the scene before me on the Cathedral Rock Trail in Sedona.  The tree lives beside the trail overlooking its majestic setting. ...
Landscape - Photograph
19 x 13 inches (48.3 x 33.0 cm)
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Linda Lhermite: 'SOME CALL HER LENORE', 2017 Black and White Photograph, Surrealism. Surrealism, PortraitPHOTO MANIPULATED IMAGE PRINTED ON METAL This work of a figure that seems to be part raven, part woman was of course Inspired by Edgar Allen Poes lost love Lenore in his haunting unforgettable poem.This work is issued as a single original full size 30aEUR x 45aEUR ...
Surrealism - Photograph
30 x 45 inches (76.2 x 114.3 cm)
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Linda Lhermite: 'NO REALLY ITS NOT A FLAMINGO', 2019 Black and White Photograph, Surrealism. Photo manipulation, Digital art, Photography, Figurative Art, Contemporary Art, Portrait am fascinated by the fact of just how many African Tribes are able to beautifully adorn their bodies with the most simple of things.  Often with no more than items from nature to come up with unbelievably stunning results.  Perhaps ...
Surrealism - Photograph
30 x 45 inches (76.2 x 114.3 cm)
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Orville Robertson: 'Untitled 2018 number 13', 2018 Black and White Photograph, Cityscape. Digital archival ink print...
Cityscape - Photograph
22 x 17 inches (55.9 x 43.2 cm)
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Orville Robertson: 'Untitled 208 number 12', 2018 Black and White Photograph, Cityscape. Digital archival ink print...
Cityscape - Photograph
22 x 17 inches (55.9 x 43.2 cm)
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Orville Robertson: 'Untitled 2018 number 11', 2018 Black and White Photograph, Cityscape. Digital archival ink print...
Cityscape - Photograph
22 x 17 inches (55.9 x 43.2 cm)
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Orville Robertson: 'Untitled 2018 number 10', 2018 Black and White Photograph, Cityscape. Digital archival ink print...
Cityscape - Photograph
17 x 22 inches (43.2 x 55.9 cm)
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(Page 2 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Engelina Zandstra - 'In the labyrinth of my thoughts there are many roads leading to the unknown' LANDSCAPES OF THE MIND Engelina Zandstra is a Dutch artist living in Amsterdam, Netherlands. My way of working is spontaneous. It starts with a concept, an idea in my mind, which is in most cases not well-defined. It can have its origin in the images that are stored in my imagination, or in the impressions of daily life. The paintings made in this way can be considered as'Landscapes of the mind', because they are reproductions of the ideas that are formed in my head. The style of the paintings can best be described as lyrical-abstract. Sometimes they are more figurative, at other times fully abstract. Colour is very important for me : the alchemy of colour. This defines for me the atmosphere of a painting. Usually I work in many thin layers of paint on top of each other. I let myself be guided by the forms and colours that develop during the process of painting. Each new layer gives inspiration for the following one, with new ideas. Because of the different layers and colours, the acrylic paint gets depth and character. Sometimes the...

    Corrie Mccluskey - My photography explores themes of "place" (as a repository of memory and symbol, and as a cultural artifact), the passage of time, looking at the forbidden and forgotten. I've searched out sites that touch the deeper emotions - places that are hard to look at, or where those in charge don't want us to see. This is a commitment to finding the "truth" (if there is such a thing) and a reminder of our choices as human beings. My method is to do a kind of street survey, focusing on buildings & industrial warehouses, prisons, train stations, cityscapes, graffiti and architectural details, using ambient light. I study how people have interacted with their environment and how the space can take on a life of its own, often with ghosts in every corner. Many of my images are of settings that people have left behind like empty skins. It seems the world is increasingly a very difficult place to live for so many - perhaps we've entered a new dark age - and I'm needing to focus my attention (and my camera) on social issues, starting right in my own back yard. I've begun a longterm project, "Within a Ten-...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Rachel Schneider - Rachel Schneider is an American Photographer well received by the American artistic community. Ms. Schneider's works have been regularly exhibited in galleries throughout the state of Texas. Her academic credentials include 5 years of formal study at Sam Houston State University in Texas as well as training at the Texas School for Professional Photography. Ms. Schneider prefers to photograph in Black and White; however, she also uses color film. Her images yield a very different and crisp vantage point of life. A trained eye will find her images to be high in contrast and highly detailed. When photographing, Ms. Schneider contemplates every technical and artistic aspect of the image in her mind before she even considers pushing the shutter. She believes in finding the subject, determining the tonal values, then taking the picture that completely utilizes the negative's space. Ms. Schneider does not believe in wasting any silver on the negative, and therefore, does not crop her images during the printing process. Critics have noted that her photographic style has the characteristics of Straight Photography and Documentary Photography. Ms. Schneider's portfolio contains images from her travels around the United States, England, Singapore, Tokyo and Malaysia. Her passion ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Stephen Robinson - My name is Steve Robinson and have been a photographer in one way or another since college. During that lifetime, I have traveled the world with my camera, photographing and sharing with people who will never have the good fortune to see the wonderful places I have had the good fortune to see. Along the way, my photographers eye changed. My images quieted, and I began to see the world through a very different lens. I no longer sought out the ordinary places the tourists seemed to go, and I began to find the quiet corners of the world where ordinary people lived out their lives. My images are not so much about the people themselves, but more about the places they call home, or about the places near and dear to the heart. In the past, I have visited places like the Galapagos, the deserts of the American Southwest, the wilds of Bolivia, Ecuador, Ireland, Scotland, the timeless tracts of Turkey, and the quiet corners of Italy. I have done all this, and still more. Each of my images is its own story, a poem of color and shape, an expression of soul, a blending of place, seeing, and ...

    Orville Robertson - Street photography possesses a wonderful energy. Passersby and their self-made worlds create dynamic relationships that are continuously changing before and after I have captured a part of this on film. How I photograph these scenes reflects who I am, where I have been, and where I am headed. I love wandering round and seeing all this serendipity....