Artists Describing Their Art:
Enzo Amato - Documentary in style, with an interest that stems from his chronicling of the fall of the Berlin Wall in 1989, the work of Italian photographer Enzo Amato captures his understanding of the correlation between the spontaneity and energy of a fleeting moment between subjects and events. Amato's work is the result of the artist's innate patience, interest and adept ability to witness and capture ephemeral moments in a type of historical archive. Bearing witness to the fall of the Berlin Wall triggered in the mind of the artist the significance and effect of writing on walls - and the impact of seeing messages in the public realm. Street art itself is usually a non-permanent artform executed by unseen, by-night artists, outside of the context of traditional art venues. For Amato, the interest is as much about the artist, and the environment within which it has been painted as it is about the art. Many of his photographs show the artist at work, yet most represent the works themselves after completion, and in the context of everyday life carrying on around them. His work is often juxtaposed against the backdrop of social or political issues, such as his ...
Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...