Photography For Sale - Price Range: $500 - $599 (381)

Page 11 of 14
Discover 381 original photography artworks for sale between $500 - $599. Contemporary emerging artists: Daniel Rabinovich, Nabil William, Reuben Njaa, Menahem Barshalom, Andrew Stanford, Sarah Hadley, Beatrice Van Winden, Michael Crawford, Zei Andrei Meriae, Elio Morandi are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Nabil William: 'Dancer 1', 2006 Color Photograph, Portrait. Artist Description:  Dancer ...
, 2006
Portrait - Photograph
10 x 15 inches (25.4 x 38.1 cm)
Reuben Njaa: 'Tauromaquia 1', 2006 Other Photography, People. Artist Description:   A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
People - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 2', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 4', 2006 Other Photography, . Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
- Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 5', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 7', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 8', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 9', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 11', 2006 Other Photography, Culture. Artist Description:  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore ...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Menahem Barshalom: 'Old City Walls', 2005 Color Photograph, . Artist Description:  The original photo, of a soldier standing guard above Damascus Gate, Jerusalem, was taken by my 15 year old nephew, Roie Hoss.  ...
- Photograph
23 x 23 inches (58.4 x 58.4 cm)
Menahem Barshalom: 'Fort Tryon New York', 2006 Color Photograph, . Artist Description:  A stone staircase in Fort Tryon park in autumn. The
- Photograph
18 x 37 inches (45.7 x 94.0 cm)
Menahem Barshalom: 'Beit Horon Israel ', 2001 Color Photograph, . Artist Description:  A collage of different pix of sunflowers, including a very large one, in the central part of Israel. Can be representative of a clock.  ...
- Photograph
26 x 30 inches (66.0 x 76.2 cm)
Andrew Stanford: 'Little maids in a row', 1996 Color Photograph, Dance. Artist Description: Mayday maypole dancing in London...
Dance - Photograph
14 x 20 inches (35.6 x 50.8 cm)
Sarah Hadley: 'Venetian Calle', 2006 Black and White Photograph, Travel.
Travel - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Beatrice Van Winden: 'alone with the elements', 2005 Black and White Photograph, Sports. Artist Description: This photograh comes on fiber paper. It was taken with a traditional camera and professional b/ w slide. It cean be bought on canvas for the same price. ...
Sports - Photograph
22 x 28 inches (55.9 x 71.1 cm)
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Beatrice Van Winden: 'Grooming Swan', 2005 Color Photograph, Wildlife. Artist Description: Photo on canvas. This photo was scanned on a canvas and varnished by a professional printer. It can be bought streach or not. ...
Wildlife - Photograph
22 x 28 inches (55.9 x 71.1 cm)
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Beatrice Van Winden: 'Sideways Reflection', 2005 Color Photograph, Architecture. Artist Description: This photo is available on canvas. It was taken with a traditional camera and with professional slides. It is a sideways reflection taken off a downtown building glass building around sundown. ...
Architecture - Photograph
28 x 22 inches (71.1 x 55.9 cm)
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Beatrice Van Winden: 'wood Duck', 2005 Color Photograph, Abstract. Artist Description: This photograph comes on canvas. It was taken with a traditional camera with professional slide and  had changes done in the digital darkroom to make it into an abstract. It comes in streach or not. ...
, 2005
Abstract - Photograph
28 x 22 inches (71.1 x 55.9 cm)
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Michael Crawford: 'Stairway', 2005 Color Photograph, Religious. Artist Description: Shadow of a cross seems to glow on the coral colored church wall. A horizontal crack runs along the shadowline of the' ground.' Below the cross is a lamp and a staircase rising. ...
, 2005
Religious - Photograph
22 x 24 inches (55.9 x 61.0 cm)
Michael Crawford: 'Fall', 2005 Color Photograph, Religious. Artist Description: Fall' s leaves blow across a lawn still lush with life while the strong shadow of a cross leans over the scene. ...
, 2005
Religious - Photograph
24 x 22 inches (61.0 x 55.9 cm)
Zei Andrei Meriae: 'No caption', 2005 Black and White Photograph, Abstract.
, 2005
Abstract - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Zei Andrei Meriae: 'Bog', 2005 Black and White Photograph, Portrait. Artist Description: Barytprint BW...
, 2005
Portrait - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Zei Andrei Meriae: 'Catman', 2005 Black and White Photograph, Portrait. Artist Description: B/ W Print Barytpaper, colored...
, 2005
Portrait - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Elio Morandi: 'fiore a stella', 2004 Color Photograph, Figurative. Artist Description: sticked on alluminiumsize on request...
Figurative - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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Elio Morandi: 'fiore blu', 2004 Color Photograph, Figurative. Artist Description: sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
100 x 75 cm (39.4 x 29.5 inches)
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Elio Morandi: 'tulip 2004', 2004 Color Photograph, Figurative. Artist Description: sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'drops', 2004 Color Photograph, Figurative. Artist Description: sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
90 x 69 cm (35.4 x 27.2 inches)
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Elio Morandi: 'rosa rosa', 2004 Color Photograph, Figurative. Artist Description: coloror phtography sticked on alluminium.Size on request from  about 40X50 to 70X100 cm. ...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'tulipano', 2004 Color Photograph, Figurative. Artist Description: coloro photography sticked on alluminiumsizes on request...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'papavero', 2004 Color Photograph, Figurative. Artist Description: sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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(Page 11 of 14) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Daniel Rabinovich - OCEAN IMPRESSIONS - the fine art of underwater photography. This website contains a sample of images from the long term Ocean Impressions project, presented in galleries and public venues. Limited edition, signed & numbered gallery quality prints are available. Please contact me directly for other images, custom work and special projects. danrabfoto-at-yahoo-dot-ca view exhibition video here:

    Reuben Njaa - All my work is dependent on form, color, and composition. I believe the most complex emotions can be evoked from the simplest of forms. My style explores the relationship between man-made structures and the digital world; the idea of recognizable shapes and structures living within irrational thoughts and emotions. I find beauty in things that are cast off. When I find a surface I am intrigued by I bring it back to my studio where I paint on it or scrape parts of the surface and then scan it into Photoshop and begin the transformation process. Occasional I paint directly on to the photograph before scanning using a combination of materials such as pencils, acrylic paint, Marshal Oils or watercolors anything to provide more texture to the surface. I work spontaneously and become more detailed as the composition starts to show itself. I think of my photo-paintings as two separate components, one part non-objective abstract art and one part traditional photography, brought together to fashion something new. As an artist, this combining of two different medias intrigues me. Texture is of primary importance in my pieces. I think of the surface of my photo-paintings as the ...

    Menahem Barshalom - "Photography and Motion" A few years ago I began sending greeting cards to my friends, using my own nature photos and text. In April 2004, I was left with 17 copies of the same picture which I had used for a year as an anniversary "card" (two pigeons on a branch), and wanted to find another picture to use. Rather than throw away the 17 pix,I fanned them out in my hand...and saw the potential for a three-dimensional artform. That's how I began to develop my art style. My work is done painstakingly by hand, not by computer, with alot of planning (usually) and patience (always). I look into each new photo that I feel has the potential to become a new work, and have it developed a few dozen times. Then I experiment until I find the best design. I rely on my eyes to measure accurate distances in the layout, and only at times use a ruler. In most of my works, I glue the photos on top of each other. I have used, to date, 16-96 photos per work. Menahem Bar-Shalom, Israel...

    Andrew Stanford - My images are about discovering the dynamic world of energy, light and colour. After many years of experimenting with photographic film, my primary elements are grain, blur and colour. All of which are created in the camera and then hand printed in my own colour darkroom. No digital work, no photoshop. The wake of movement and energy is all I need. And it's found in so many places, and it reveals so many surprises. Letting the moment being recorded, and not manipulated by the digital. Work is mainly photographed on 35mm film, processed by the artist and also hand printed onto fuji archival paper. ...

    Sarah Hadley - I think every photographer talks about the magic of seeing that first image appear in a tray of developer and of being hooked for life. I believe a good photograph asks more questions than it answers, and my photography is a way for me to constantly challenge myself to really look at the world around me. There is something intangible about the best photographs, something that reminds us of the moment between wake and sleep, and of the beauty that we see and feel but cannot describe, and of our own mortality. These are the kinds of images I try to make....

    Beatrice Van Winden - Artist statement For the last twelve years, Beatrice Van Winden, has lived on Vancouver Island, and has always had an interest in photography and the Arts, for as far back as she can remember the arts. Beatrice studied art and photography throughout her school years, and has continued to do so, on the island: - Traditional photography with Mitch Stringer and Susan Mulgreine-Professional photographers & teachers at various local colleges of photography. - Darkroom processing, & B/W photography with Professional photographer Bradford Stevenson & teacher at the Victoria college of photography. - Digital darkroom with professional photographer Andrew Ciesielski. - She studied art with Wendy Welsh, John Drake, Xane St-Francis at the Vancouver College of art, Camosun . - She studied Art Marketing with Alice Cormier, a well-known Vancouver Art Marketing Consultant. Beatrice combined her knowledge of traditional photography and art to create unique photos. The website Arts of Canada has described her photos as "Photos with a digital edge". Her photos are often thought of as beautiful paintings. She is known for her ability to see and capture colors with her traditional camera in a unique way. She is a member of the: - She is a member of the Canadian Association for Photographic Art. -...

    Michael Crawford - I've always been drawn to rich colors and textures. They seem to punch through clutter and demand attention. And when looking at them I usually end up daydreaming. Those little side trips of the imagination were a great source of relaxation and inspiration and ultimately became the basis for my photography. I like the way a lush color focuses the eye, how textures make you want to reach out and the irony that clean visual structures can expand the imagination rather than inhibit it. Photographs were no longer about defining a wall, but a way of punching a hole through it. Sometimes those qualities are found in big vistas and at other times in extreme close up. These images engage my mind with possibilities. I hope some will punch a hole through your box. ...