Photography For Sale - Price Range: $500 - $599

Page 5 of 12
Discover 344 original photography artworks for sale between $500 - $599. Contemporary emerging artists: Daniel Rabinovich, Nabil William, Reuben Njaa, Andrew Stanford, Beatrice Van Winden, Zei Andrei Meriae, Elio Morandi, Lynda Lester, Corrie Ancone are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Photography / Previous / Next
Daniel Rabinovich: 'Reef Reflections', 2004 Color Photograph, Seascape.
Seascape - Photograph
30 x 45 inches (76.2 x 114.3 cm)
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Daniel Rabinovich: 'Seascape 2', 2004 Color Photograph, Seascape. Ocean Impressions - the fine art of underwater photography. ...
, 2004
Seascape - Photograph
30 x 45 inches (76.2 x 114.3 cm)
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Daniel Rabinovich: 'Seascape 1', 2004 Color Photograph, Seascape.
, 2004
Seascape - Photograph
30 x 45 inches (76.2 x 114.3 cm)
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Nabil William: 'Dancer 1', 2006 Color Photograph, Portrait.  Dancer ...
, 2006
Portrait - Photograph
10 x 15 inches (25.4 x 38.1 cm)
Reuben Njaa: 'Tauromaquia 7', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 5', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 4', 2006 Other Photography, Undecided.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Undecided - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 2', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 1', 2006 Other Photography, People.   A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
People - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Andrew Stanford: 'Little maids in a row', 1996 Color Photograph, Dance. Mayday maypole dancing in London...
Dance - Photograph
14 x 20 inches (35.6 x 50.8 cm)
Beatrice Van Winden: 'alone with the elements', 2005 Black and White Photograph, Sports. This photograh comes on fiber paper. It was taken with a traditional camera and professional b/ w slide. It cean be bought on canvas for the same price. ...
Sports - Photograph
22 x 28 inches (55.9 x 71.1 cm)
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Beatrice Van Winden: 'wood Duck', 2005 Color Photograph, Abstract. This photograph comes on canvas. It was taken with a traditional camera with professional slide and  had changes done in the digital darkroom to make it into an abstract. It comes in streach or not. ...
, 2005
Abstract - Photograph
28 x 22 inches (71.1 x 55.9 cm)
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Beatrice Van Winden: 'Sideways Reflection', 2005 Color Photograph, Architecture. This photo is available on canvas. It was taken with a traditional camera and with professional slides. It is a sideways reflection taken off a downtown building glass building around sundown. ...
Architecture - Photograph
28 x 22 inches (71.1 x 55.9 cm)
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Beatrice Van Winden: 'Grooming Swan', 2005 Color Photograph, Wildlife. Photo on canvas. This photo was scanned on a canvas and varnished by a professional printer. It can be bought streach or not. ...
Wildlife - Photograph
22 x 28 inches (55.9 x 71.1 cm)
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Zei Andrei Meriae: 'No caption', 2005 Black and White Photograph, Abstract.
, 2005
Abstract - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Zei Andrei Meriae: 'Bog', 2005 Black and White Photograph, Portrait. Barytprint BW...
, 2005
Portrait - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Zei Andrei Meriae: 'Catman', 2005 Black and White Photograph, Portrait. B/ W Print Barytpaper, colored...
, 2005
Portrait - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Elio Morandi: 'tulip 2004', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'fiore blu', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
100 x 75 cm (39.4 x 29.5 inches)
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Elio Morandi: 'fiore a stella', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
Figurative - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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Elio Morandi: 'drops', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
90 x 69 cm (35.4 x 27.2 inches)
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Elio Morandi: 'fiore fucsia', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
Figurative - Photograph
90 x 90 cm (35.4 x 35.4 inches)
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Elio Morandi: 'red flower', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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Elio Morandi: 'girasole', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'papavero', 2004 Color Photograph, Figurative. sticked on alluminiumsize on request...
, 2004
Figurative - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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Elio Morandi: 'tulipano', 2004 Color Photograph, Figurative. coloro photography sticked on alluminiumsizes on request...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Elio Morandi: 'rosa rosa', 2004 Color Photograph, Figurative. coloror phtography sticked on alluminium.Size on request from  about 40X50 to 70X100 cm. ...
, 2004
Figurative - Photograph
70 x 100 cm (27.6 x 39.4 inches)
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Lynda Lester: 'Adagio', 2005 Black and White Photograph, Abstract. Lightjet Type C Photographic Print.  Image is 14
, 2005
Abstract - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Corrie Ancone: 'blue nude', 2000 Color Photograph, nudes. Infra Red film....
, 2000
nudes - Photograph
24 x 20 inches (61.0 x 50.8 cm)
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Ellen Rosenberg: 'Vogueing', 2005 Silver Gelatin Photograph, Americana.
, 2005
Americana - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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(Page 5 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Daniel Rabinovich - OCEAN IMPRESSIONS - the fine art of underwater photography. This website contains a sample of images from the long term Ocean Impressions project, presented in galleries and public venues. Limited edition, signed & numbered gallery quality prints are available. Please contact me directly for other images, custom work and special projects. danrabfoto-at-yahoo-dot-ca view exhibition video here:

    Reuben Njaa - All my work is dependent on form, color, and composition. I believe the most complex emotions can be evoked from the simplest of forms. My style explores the relationship between man-made structures and the digital world; the idea of recognizable shapes and structures living within irrational thoughts and emotions. I find beauty in things that are cast off. When I find a surface I am intrigued by I bring it back to my studio where I paint on it or scrape parts of the surface and then scan it into Photoshop and begin the transformation process. Occasional I paint directly on to the photograph before scanning using a combination of materials such as pencils, acrylic paint, Marshal Oils or watercolors anything to provide more texture to the surface. I work spontaneously and become more detailed as the composition starts to show itself. I think of my photo-paintings as two separate components, one part non-objective abstract art and one part traditional photography, brought together to fashion something new. As an artist, this combining of two different medias intrigues me. Texture is of primary importance in my pieces. I think of the surface of my photo-paintings as the ...

    Andrew Stanford - My images are about discovering the dynamic world of energy, light and colour. After many years of experimenting with photographic film, my primary elements are grain, blur and colour. All of which are created in the camera and then hand printed in my own colour darkroom. No digital work, no photoshop. The wake of movement and energy is all I need. And it's found in so many places, and it reveals so many surprises. Letting the moment being recorded, and not manipulated by the digital. Work is mainly photographed on 35mm film, processed by the artist and also hand printed onto fuji archival paper. ...

    Beatrice Van Winden - Artist statement For the last twelve years, Beatrice Van Winden, has lived on Vancouver Island, and has always had an interest in photography and the Arts, for as far back as she can remember the arts. Beatrice studied art and photography throughout her school years, and has continued to do so, on the island: - Traditional photography with Mitch Stringer and Susan Mulgreine-Professional photographers & teachers at various local colleges of photography. - Darkroom processing, & B/W photography with Professional photographer Bradford Stevenson & teacher at the Victoria college of photography. - Digital darkroom with professional photographer Andrew Ciesielski. - She studied art with Wendy Welsh, John Drake, Xane St-Francis at the Vancouver College of art, Camosun . - She studied Art Marketing with Alice Cormier, a well-known Vancouver Art Marketing Consultant. Beatrice combined her knowledge of traditional photography and art to create unique photos. The website Arts of Canada has described her photos as "Photos with a digital edge". Her photos are often thought of as beautiful paintings. She is known for her ability to see and capture colors with her traditional camera in a unique way. She is a member of the: - She is a member of the Canadian Association for Photographic Art. -...

    Lynda Lester - I am on a search for hidden feelings. Abstract images that reveal unknown emotions lurking inside myself and within those who view my work. Like the cacti and succulents featured in this series, we are shielded with tough exteriors. From a distance, and at a comfortable scale, we seem protected and strong, self-sufficient and safe. But a closer look reveals a tempest of unmet needs and conflicting drives. Fear. Aggression. Tenderness. Humor. Tension. Sensuality. This series began with a single photograph. An image that was initially overlooked. Not an accurate representation of a cactus. But I found myself unable to set it aside. Eventually, I realized that it was a very accurate representation of something else. Of passion and sexuality. Of daring and risk. As I worked with the image, it became more than just a plant. And I knew that one photograph was not enough. Employing unconventional composition, seeking stark contrast between light and dark, and using digital techniques to preserve the classic look of film, a single image inspired a series. In the most parched, most alien life forms; I found something undeniably fluid and unavoidably human. In looking at these images, I found I was looking ...

    Corrie Ancone - Artist statement : "I don't care for the certainty of what's in front of my lens, but the creativity, the fantasy, the invention, that can gush from a thought before or thereafter. Between the certain and the uncertain there is a possible space, as in dreams and fables. Heavily influenced by mythology, nature and the techniques and working styles of the early European Dadaists, Impressionists and Baroque artists, my creativity stems from my lust for finding and exploring sympathies between the human body, the landscape and its textures. Oscillating between transparency and opacity, colours and images collide in my work, creating new visual and emotional images, often painterly and somewhat surreal, which affect perceptions of natural reality. This is sometimes described as 'synthetic realism'." Corrie Ancone ...