Photograph of Artist ALINA LELIJAK
ALINA LELIJAK
Cluj-Napoca, Cluj - Romania



Original Artworks (9)

Alina Lelijak; Content As Form Purification, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification, 2006, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2006
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification, 2007, Original Pastel Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Pastel, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification 3, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification 2, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification 1, 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Alina Lelijak; Content As Form Purification , 2007, Original Painting Oil, 120 x 120 cm.
Alina Lelijak
Original Oil Painting, 2007
120 x 120 cm (47.2 x 47.2 inches)
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Artist Statement

“Impossible is not the adjoining of certain things, but the place itself where they could adjoin” Michel Foucault,” Words and things” Why today, more than anytime, the human body configures a space of controversy: attention – on one side, as attraction and routine body – on the other side, as a thematic lacking profoundness? Why all the shops, mass-media, publicity are saturate with the image of the naked body or of the virtual nude? Why are there so many writers and artists who try to enter the subject depth for searching there, in denudation, a precious expression dike seeming lost in a symbolic lacking signification? In a computer era, creation mystery is forced not only to gain new valences, but especially a totally different approach from tradition and/or currents. What puts today the body in the center of debate is not the fashion, but the reconfiguration gesture impetuosity of symbolist as interpretation. “God is dead”, or rather His dissolution announced by Nietzsche’s philosophy has not remained without consequences in ulterior philosophic and/or artistic debates. In its shadow, or rather in its train, the man itself as subject and implicitly as corporality has entered a shadow coin. “More than the death of God – or rather in the train of this death and according to a deep correlation with it – is what Nietzsche really enounced, is the end of God’s killer; is man’s bursting into laughter and masks return, is the wasting of time’s implacable profound course...   Read More