ANTHONY-JOHN LYDALL
Walsall, West Midlands - United Kingdom



Original Artworks (20)

Anthony-John Lydall; Untitled, 2004, Original Photography Black and White, 6 x 4 inches.
Anthony-John Lydall
Original Black and White Photograph, 2004
6 x 4 inches (15.2 x 10.2 cm)
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Anthony-John Lydall; Untitled, 2002, Original Photography Black and White, 8 x 6 inches.
Anthony-John Lydall
Original Black and White Photograph, 2002
8 x 6 inches (20.3 x 15.2 cm)
Not For Sale
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Anthony-John Lydall; Untitled, 2004, Original Photography Black and White, 10 x 8 inches.
Anthony-John Lydall
Original Black and White Photograph, 2004
10 x 8 inches (25.4 x 20.3 cm)
Not For Sale
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Anthony-John Lydall; Untitled, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled, 2004, Original Photography Color, 6 x 4 inches.
Anthony-John Lydall
Original Color Photograph, 2004
6 x 4 inches (15.2 x 10.2 cm)
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Anthony-John Lydall; Plate 5, 2002, Original Photography Color, 6 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2002
6 x 6 inches (15.2 x 15.2 cm)
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Anthony-John Lydall; Plate 7, 2002, Original Photography Color, 6 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2002
6 x 6 inches (15.2 x 15.2 cm)
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Anthony-John Lydall; Untitled, 2003, Original Photography Color, 7 x 5 inches.
Anthony-John Lydall
Original Color Photograph, 2003
7 x 5 inches (17.8 x 12.7 cm)
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Anthony-John Lydall; Untitled, 2003, Original Photography Color, 7 x 5 inches.
Anthony-John Lydall
Original Color Photograph, 2003
7 x 5 inches (17.8 x 12.7 cm)
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Anthony-John Lydall; Untitled 33, 2003, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 12, 2003, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 22, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 18, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 15, 2003, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 13, 2003, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 20, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 10, 2003, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 47, 2003, Original Photography Black and White, 8 x 6 inches.
Anthony-John Lydall
Original Black and White Photograph, 2003
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 35, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Anthony-John Lydall; Untitled 17, 2004, Original Photography Color, 8 x 6 inches.
Anthony-John Lydall
Original Color Photograph, 2004
8 x 6 inches (20.3 x 15.2 cm)
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Artist Statement

“Humans are a fragment of nature, and nature is a figment of humanity” Liz Wells Throughout our history, mankind has always had a tenacious preoccupation with control. We mould the internal and external habitat in an attempt to impose order and structure to a world who’s intrinsic beauty is it's unique randomness, it’s chaos. It is this condition of ‘man’, this harmonious abuse of nature, arresting a utopian vision of the world that is humanities fallacy. Within the seemingly banal and ‘commonness’ of the everyday, myriad relationships between objects are in constant fluctuation; ceaselessly changing, evolving. The world depicted through these photographs is a world of mutability; anonymous, for the lack of signs and written text emphasise feeling rather than fact; place rather than time. The marks we make on the world are only for the briefest of moments. Photography captures these moments, moments where the aura of man is all that remains; the ever present absence of man. anthony-john lydall ...