One of the main tasks for me is to familiarize the viewer with the self-sufficiency of the language of visual images embodied in my works. At the same time, variability, versatility, depth and understatement are an integral feature of this language. Unlike verbal-written communication, such a language does not impose a narrow view on the opponent, does not aim at certain conclusions. I, in a sense, provoke the viewer to joint work, the result of which will be his conclusions and impressions of the work. My fascination with pure geometric shapes can be partially explained by my past activities. For quite a long time I was engaged in design, which taught me to a certain order and strict organization of space. At a certain moment I began to notice that almost all my works are symmetrical. This happens subconsciously, already at the stage of the prime idea.