The viewers interaction and response has become an important aspect of how the work is perceived. The viewer is free to explore their perception through a pictorial view. By reimagining images and visually drawing the audience into a field of light in a series of compositions. The aim is to then naturally draw the audience into this methodology of capturing light and intrigue the viewer by utilising all its different aspects.
Non-specific objects exhibit paradoxically, creating an organic fusion between form and colour. Each painting has a presence that far exceeds its physical dimensions. Space is the purview of our reality. Physical space can pervade our internal space, our mental landscape. Light is explored by looking at how the medium allows non-linearity, shape shifting, fluidity, liquidity and temporality motion. The discordant vibrancy, catching the eye of the viewer is combined with historical references to the history of the ornament, in particular stained-glass windows and their ecclesiastical framing and architectural forms. These are transformed by using abstract structures, reworking and palimpsest sections of layers. The work continuously changes, evolves an responds to the last series.