It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights.
Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane.
I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist.
Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable. ...