Photograph of Artist HABIB AYAT
HABIB AYAT
jersey city, New Jersey - United States



Original Artworks (4)

Habib Ayat;  Cityscape Of Downtown Ma..., 2014, Original Painting Oil, 18 x 24 inches. Artwork description: 241  nyc, cityscape, oil painting, Manhattan, buy art, local art, interior design, love, peace, canvas, downtown, urban, red, streets o fnyc ...
Habib Ayat
Original Oil Painting, 2014
18 x 24 inches (45.7 x 61.0 cm)
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Habib Ayat; City Icons, 2008, Original Painting Oil, 40 x 60 inches.
Habib Ayat
Original Oil Painting, 2008
40 x 60 inches (101.6 x 152.4 cm)
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Habib Ayat; Cityscape Nyc, 2008, Original Painting Oil,   inches.
Habib Ayat
Original Oil Painting, 2008
inches (0.0 x 0.0 cm)
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Habib Ayat; Abstract Landscape, 2007, Original Mixed Media, 60 x 24 inches.
Habib Ayat
Original Mixed Media, 2007
60 x 24 inches (152.4 x 61.0 cm)
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Artist Statement

i have an immortal passion colour, and composition. I believe the most complex emotions can be evoked from the simpliest of forms. My style explores the relationship between colors shapes and structures living within irrational thoughts and emotions. I begin a piece very spontaneously and become more detailed as the composition starts to show itself. The process involves layering. The first layers are the most erratic and freeform, similar to automatic writing. Paint is applied liberally during this time creating thick textures. I sometimes add other elements like pumice, gels, and collage in these early layers. I notice different characters and forms in the middle of the process, which I then nurture and allow to develop almost at their own will. There comes a point in every painting when I surrender control over to the work, and it decides the rest of the composition. I derive titles in the same spontaneous fashion that the work is created. They are intended to give the painting an identity and character. My color theory, which seems to be the most immediate aspect of my work to the viewer, is very instinctive and unorthodox. In recent years I've been using more neutrals and oxide colors to enhance the vivid colors, which would be similar to a less is more technique in a more tradional style. Non objective abstract art is difficult to fathom, and this keeps the viewer interested. As an artist, I am intrigued by this idea. I believe how the viewer interpreets the paintng becomes the reality for that person. I would be reluctant to interject another perspective."...

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