Why do I choose to work in classical realistic style?
Artists learn everything they can about other artists' styles and techniques throughout history, filter this information through their own experience and temperament, and generate their own style.
It can take years for an artist to develop a specific style, reflecting his or her artistic range and personal temperament. But, in my opinion, an artist's work must not stop there. Artists have to
constantly take on new stylistic challenges. In this sense, Iím not afraid of searching for new ways and means of expression. Iím always trying out new subjects, media, and perspectives - to keep my work fresh and original.
Some artists find that the emotional impulse drives them to create, and seek to reveal that emotion in their art. Other artists are drawn to innate logic and order; they are likely to take a rational approach to art. Concerning my art, I would say that Iím seeking to find the balance and accord between emotion and rationality in my paintings.
I think that the art with classical or rational tendencies continues to be very popular because it brings to our busy lives a sense of balance and harmony. With my art I try to persuade the viewers that if we look carefully enough, we can find a certain classical beauty and elegant form in the most ordinary objects and materials. I try to suggest trough my images that perhaps there is a mysterious,underlying order even in our chaotic world.
What is Still Life for me?
On definition a Still life is a picture of inanimate objects. It has always been an important formal exercise for an artist. The aim of the artist is to capture volume, texture and color convincingly
enough to convey an illusion of reality. I always try to create still lifes that are more than just a picture of objects. I would like my still lifes to have a hidden content, to tell a story or to remind us of lifeís brevity.
When I arrange my still lifes, I donít simply choose attractive or interesting objects to depict, but I choose objects that symbolize aspects of our existence and human presence.
My sill lifes have to look like deserted stage sets in a state of suspended animation - just waiting for the next act to begin, like someone has just left or someone will just come.
The creative process
When I decide to create a still life, I always have a plan in my mind. I always have a screenplay for the story I would like to relate. When the idea is clear, I begin to think about the ways to realize it. When I set the scene, I have to find the best and the only one possible composition which should convey my idea, I have to find the most attractive combination of the objects themselves, their location, the lighting conditions and last but not least - the point of view.
In my opinion, the most important and powerful means for the still life is the light. Some still life artists like to use pompous artificial scenic light, their still lifes look like a stage illuminated by light from above. When I arrange my still lifes I prefer to use light which imitate the natural illumination Ėlike in a late summer afternoon or morning, and sometimes - intimate candle lights. This way I achieve warmer and more intimate atmosphere, the feeling of romantic contemplation or dramatic tension in my still lifes.
For the painting - I use canvas prepared myself with hand made ground coat. Following the technology of the old masters, I made my own recipe for the gesso-ground, based on natural organic substances.
I prefer to paint on black or dark gray background. While I paint, I like the objects in my still lifes to appear from the dark. First I make a precise under painting with acrylic, using a small ordinary
brush. Then I continue with oil using airbrush and brush. My latest still lifes are made only with acrylic.
Iíve been often asked with question -
How long does it take to paint one still life like this?
The answer I always give is that each painting is different and it depends on the size and the objects. But it is always at the cost of 25 years painting practice, experience and knowledge.
When do I decide that the painting is completely ready?
As to me - ďThat is the question!Ē It is very important to know when to stop. One painting, especially realistic, could be painted lifetime. You have to believe me that itís a very big temptation and challenge to paint out to the full the painting (especially when you have the experience and knack to do this). To me each painting is like a child who grows and suddenly it gets its own personality and character. And there comes the moment when you have to respect and follow its own life. The key is to realize where to stop, to overcome the artistic narcissism and desire for a skill demonstration, and to... Read More