MANOLO ROLDAN HUMPIERRES
Caracas, Caracas-Venezuela - Venezuela



Original Artworks (15)

Manolo Roldan Humpierres; CABALLOS DE MANDO, 2013, Original Drawing Other, 1.2 x 90 m. Artwork description: 241        COLECCION 2013 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA       ...
Manolo Roldan Humpierres
Original Other Drawing, 2013
1.2 x 90 m (3.94 x 295.28 feet)
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Manolo Roldan Humpierres; CABALLOS DE MANDO, 2013, Original Drawing Other, 1.2 x 90 m. Artwork description: 241       COLECCION 2013 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA      ...
Manolo Roldan Humpierres
Original Other Drawing, 2013
1.2 x 90 m (3.94 x 295.28 feet)
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Manolo Roldan Humpierres; CABALLOS DE MANDO , 2011, Original Painting Other, 1 x 1.5 cm. Artwork description: 241      COLECCION 2011 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA     ...
Manolo Roldan Humpierres
Original Other Painting, 2011
1 x 1.5 cm (0.4 x 0.6 inches)
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Manolo Roldan Humpierres; CABALLOS DE MANDO , 2011, Original Painting Other, 2 x 2 cm. Artwork description: 241     COLECCION 2011 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA    ...
Manolo Roldan Humpierres
Original Other Painting, 2011
2 x 2 cm (0.8 x 0.8 inches)
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Manolo Roldan Humpierres; CABALLOS DE MANDO , 2011, Original Painting Other, 2 x 2 cm. Artwork description: 241    COLECCION 2011 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA   ...
Manolo Roldan Humpierres
Original Other Painting, 2011
2 x 2 cm (0.8 x 0.8 inches)
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Manolo Roldan Humpierres; CABALLOS DE MANDO , 2011, Original Painting Other, 2 x 1 cm. Artwork description: 241   COLECCION 2011 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA  ...
Manolo Roldan Humpierres
Original Other Painting, 2011
2 x 1 cm (0.8 x 0.4 inches)
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Manolo Roldan Humpierres; CABALLOS DE MANDO , 2011, Original Painting Other, 1 x 1 cm. Artwork description: 241  COLECCION 2011 CABALLOS PINTADOS SOBRE GOBELLINO EN TECNICA MIXTA ...
Manolo Roldan Humpierres
Original Other Painting, 2011
1 x 1 cm (0.4 x 0.4 inches)
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Manolo Roldan Humpierres; CABALLO5, 2008, Original Other, 1 x 1 m. Artwork description: 241  SERIE CABALLOS ...
Manolo Roldan Humpierres
Original Undefined Medium, 2008
1 x 1 m (3.28 x 3.28 feet)
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Manolo Roldan Humpierres; CABALLO 4, 2008, Original Other, 2 x 2 m. Artwork description: 241  SERIES CABALLOS ...
Manolo Roldan Humpierres
Original Undefined Medium, 2008
2 x 2 m (6.56 x 6.56 feet)
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Manolo Roldan Humpierres; JESUS, 2008, Original Other, 0.5 x 1.5 m. Artwork description: 241  MUESTRA DE UN JESUS MODERNO, QUERIDO Y DESEADO ...
Manolo Roldan Humpierres
Original Undefined Medium, 2008
0.5 x 1.5 m (1.64 x 4.92 feet)
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Manolo Roldan Humpierres; IRREVERENCIA, 2008, Original Drawing Other, 1 x 1 cm. Artwork description: 241 CABALLO 3...
Manolo Roldan Humpierres
Original Other Drawing, 2008
1 x 1 cm (0.4 x 0.4 inches)
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Manolo Roldan Humpierres; GOLDEN  TATOO, 2004, Original Drawing Other, 1 x 1 mm. Artwork description: 241 GARIMPEIROS...
Manolo Roldan Humpierres
Original Other Drawing, 2004
1 x 1 mm (0.4 x 0.4 inches)
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Manolo Roldan Humpierres; DESAFIO IRREVERENTE 2, 2004, Original Drawing Other, 1 x 1 mm. Artwork description: 241 DESAFIO  IRREVERENTE DEL SER  HUMANO...
Manolo Roldan Humpierres
Original Other Drawing, 2004
1 x 1 mm (0.4 x 0.4 inches)
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Manolo Roldan Humpierres; DESAFIO, 2004, Original Drawing Other, 1 x 1 mm. Artwork description: 241 muestra  del desafio irreverente  del ser humano...
Manolo Roldan Humpierres
Original Other Drawing, 2004
1 x 1 mm (0.4 x 0.4 inches)
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Manolo Roldan Humpierres; FREEDOM, 2004, Original Drawing Other, 1 x 1 mm. Artwork description: 241 LIBERTAD TOTAL...
Manolo Roldan Humpierres
Original Other Drawing, 2004
1 x 1 mm (0.4 x 0.4 inches)
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Artist Statement


MANDO

It draws, to draw, always to draw......
With pride and much admiration to my teachers, great sketchers Dr Pedro Centeno Vallenilla and Roberto González of those who I learned the safe outline in the drawing for the office, movements and color of lemos professor Elisa.
With school, investigation and the constant work I arrived at a full mixed technique from textures and plastic possibilities without limits (fabrics, wood, paper, etc) every day with more discoveries and new encounter.
In the process the thematic one has been varied, until in the year of 1,9991 the Argentine artist Fragnito Daisy invites to me to work with her in a titled project "Root" for the commemoration of the Discovery of America (500 Years). Of the Patagonia until Alaska, I initiate and "descubro"un to me fascinating world in the different indigenous ethnic groups, colors, faces, forms, customs, symbols, music, dances, expressions, rites and the magician. The Children of the Moon (yanomamis) shemales, (histories) Vasijas, particular collections of pre-Columbian ceramics, mud Gods, utilitarian ceramics, all this and but as inexhaustible source for my work.
Beginning with "FRAGILE" in the year of 1.992. Of the pre-Columbian Art la"Venus of Tacarigua


MANDO


Dibuja ,dibujar, siempre dibujar......
Con orgullo y mucha admiración a mis maestros, grandes dibujantes Dr. Pedro Centeno Vallenilla y Roberto González de quienes aprendí el trazo seguro en el dibujo para el oficio, movimientos y color de la profesora Elisa lemos.
Con escuela, investigación y el constante trabajo llegué a una técnica mixta llena de texturas y posibilidades plásticas sin límites ( telas, maderas, papel, etc ) cada día con más descubrimientos y nuevos encuentros.
En el proceso la temática ha sido variada, hasta que en el año de 1.9991 la artista argentina Margarita Fragnito me invita a trabajar con ella en un proyecto titulado “Raices” para la conmemoración del Descubrimiento de América ( 500 Años ). De la Patagonia hasta Alaska, me inicio y “descubro”un mundo fascinante en las diferentes etnias indígenas, colores, rostros, formas, costumbres, símbolos, música ,bailes, expresiones , ritos y lo mágico . Los Hijos de la Luna ( los yanomamis ) shemales, (historias) Vasijas, colecciones particulares de cerámica pre-Colombina, dioses de barro, cerámica utilitaria, todo esto y mas como fuente inagotable para mi obra.
Comienzo con “FRAGILE” en el año de 1.992. Del Arte precolombino la”Venus de Tacarigua” lenguaje escultórico de nuestra producción aborigen, y yo encontré en ella fuerza, belleza , sensualidad y erotismo, es mi modelo , es mi ( Juanita ).
Los “ Garimpeiros” es otro tema que me apasiona y como tal es inagotable..
Están cordialmente invitados a mi taller de exposición permanente.

Luis E. Galdona
(Psiquiatra)



"In a generous unfolding of light, color and movement,la builds us religa with the essences of the native, is to say of the original thing of our America. In that almost onírico route, we found the subjects then to eter itself of the feminine thing, the fertility, the birth, the sacrifice and the death.
The nutricio, the erótico and the asylum are mixed of mysterious and full way of plastic vitality "
Luis And Galdona
(psychiatrist)

"When one observes CONTROL paintings, a sensation must to be hurgando with the artist an important part of the past and the present of Latin America, because CONTROL summons in its paintings the art of the first inhabitants of our history and leaves from the present of many of its descendants.
When writing this thematic with lines and colors CONTROL it leaves spaces so that the spectator discovers the other forces that he does not shape in his linen cloths, in such a way that before the works of CONTROL one lives one double experience: The one of the spectator whom one double experience in the linen cloth observes and the one of that can discover hidden feelings in the purely plastic thing."



“En un despliegue generoso de luz, color y movimiento ,la obra nos religa con las esencias de lo indígena, es decir de lo originario de nuestra América. En ese recorrido casi onírico, encontramos entonces los temas eternos de lo femenino, de la fertilidad, del nacimiento, del sacrificio y de la muerte.
Lo nutricio, lo erótico y lo sagrado se mezclan de manera misteriosa y llena de vitalidad plástica”
Luis E. Galdona
(psiquiatra)

“Cuando uno observa las pinturas de MANDO...