ARTIST STATEMENT
EXHIBITION HISTORY
GALLERIES
MY FAVORITES


Artist Statement -



A painting, statue or other work of art speaks best for itself, without superfluous words, but to say a few words about my opinion about art. Art allows us to live, differently at different periods stages of life. Different already in character, temperament of each individual. Through art I seek man Of course, many painters run away from looking for a man because it is a painstaking job, so it is easier for them to end up in abstractions, concepts, etc. under the pretext that it is modern. Abstraction is a trip to the unknown, but after many years of such a trip to the unknown, one gets tired and realizes that he needs the peace and stability he can find in the knowledge of the world around him, which is right outside of him and if he knows how to look, he can think through it enjoy it here and now
There is a saying that every living being is a snapshot of nature towards man, this can be applied to art ....Any abstraction is an artists shot at figuration.... Of course it can be the other way around, but what a world this would be if it were abstract, that there were no birds, plants of humans, etc., etc. not to mention more. Unfortunately, I have the feeling that many aspire to this, but there is no life or future for human man .
Thanks for Read
Dario R. Orioli

Artist Exhibitions






INDIVIDUAL EXHIBITIONS

1982 Zagreb, Josip Racic Gallery - oils
1983. Zagreb SKUC - watercolors
Zagreb, Student Center Gallery - Watercolors
Zagreb, Mladost, llica 33 - watercolors, drawings
Zagreb, Mladost, Masarykova - watercolors
Biograd, Native Museum - oils
1984. Biograd, Native Museum - Oils
1985. Zagreb, Studio Galleries Forum - oils
1985. Zagreb, INA-Naftaplin - oils, watercolors
1986. Zagreb, Palainovka - oils
1987. Zagreb, Mosa Pijade Gallery, - watercolors
Crikvenica, Outdoor Gallery - watercolors
1988. Zagreb, School Book - Oils
1988. Zadar, cafe Gina - drawings
Zagreb, Gallery Dubrava - oils
Crikvenica, Outdoor Watercolor Gallery
1990. Zagreb,, Chromos Exhibition Space - oils, watercolors
1992. Buzet, Museum of History Augustine Vivoda, oils
Labin, National Museum - oils
1996. Zagreb, Salon of the Karas Gallery, oils, temps
1998 Zagreb, Ulrich Gallery
2001. Poreč, Zuccato Gallery
2002. Poreč, Street art Matije Gupca Park Performance - painting -
drums,
2005. Buzet, Local Museum Augustin Vivoda -Tempere
Pazin, Social home-tempere - photos
2006. Zagreb, Gallery Roland Planet - Exhibition of Musicians of Fine
Artists
Osijek, Pegasus Gallery - oils, temps, watercolors
2015. Zagreb, Bogdan Ogrizović Library - Presentation of own projects
“My Projects” 2019 Zagreb, Vladimir Filakovac Gallery - A small
retrospective of urban works
Zagreb, Academy of Fine Arts - Acts from the Academy - various
techniques
Poreč, Lungo mare promenade - Acts from the Academy - Coal,
acryl - …………… .. combined technique.


COLLECTIVE EXHIBITIONS

1977 Zagreb, Student Center Tites Jubilees
1981 Zagreb, IX Exhibition of Recent Croatian Fine Arts
Samobor, Exhibition of associates of the Workshop
1982 Zagreb, 14th Youth Salon
Cervia, Concorso internationale di Cervia
Zagreb, X Exhibition of Recent Croatian Fine Arts
Zagreb, May Days, Josip Racic Gallery
1983. Zagreb, Exhibition of Associates of the Workshop
Zagreb, XI Exhibition of Recent Croatian Fine Arts
Tuzla, 5th Yugoslav Portrait Exhibition
1984 Zagreb, XII Exhibition of Recent Croatian Fine Arts
Crikvenica, Gorica Outdoor Exhibition
1985. Zagreb, Likum Generations
1987. Amsterdam, Ladenstrat Art Galery, a group of Yugoslav artists
1987. 22. Zagreb Salon
1989. 40. UIL Concorso nazionale di pitura, Ravenna
1990 25th Zagreb Salon 1991 Zagreb, Studio Gallery Forum charity
sales exhibition for Vukovar
1993 28. Zagreb Salon
1995 New York, Inter-continental Hotel - auction for children of
Croatian veterans. Zagreb Zagreb for the anniversary
Pula, Opatija, Kastel Sucurac Watercolor Festival Landscape
Hiromanty
1997. Å ibenik, Zadar, Split, .... Croatian Watercolor Festival
1998. Karlovac - Slavonski Brod - Zagreb, 1 Watercolor Triennial of
Croatia
1999. ÄŒakovec, Fine Arts Orchestra, Exhibition of Musicians of Fine Arts
2005. Slavonski Brod, 25 years of the art colony SAVA - watercolors
Zagreb Roland Planet Gallery, an exhibition of fine art musicians.
Makarska, Antun Gojak Gallery “Drawings”
2006. Osijek, Pegaz Gallery. Zagreb, An Exhibition of Recent Works by
HDLU Members
2007. Karlovac - Slavonski Brod - Sibenik-Zagreb - 4th Croatian
Watercolor Triennial 2010. Sisak - City Museum - Exhibition of
Musician Artists Art Orchestra. Karlovac - Slavonski Brod -
Zagreb 5. Croatian Watercolor Triennial
2011. Sesvete - Prigorje Museum - Exhibition of painters musicians -
Zapresic - Razvid Gallery - VI Watercolor Biennial in Zapresic
2012 Sisak - Art Orchestra Members Exhibition on the occasion of the
4th Sisak Rock Blues Festival
2013. Zagreb, Art Pavilion - HDLU Members Exhibition Zaprešić -
Razvid Gallery - VII Biennale in Zapresic. Sl Brod - Karlovac -
6th Croatian Watercolor Triennial
Sisak - Art Orchestra Members Exhibition as part of the 5th
Sisak Rock Blues Festival
2014. Zagreb, ART Ponint Center AGM exhibition of artist musicians.
Sisak - an exhibition on the promenade on the occasion of the 6th
Sisak Rock Blues Festival
2015. Zaprešić Razvid Gallery VIII. Zagreb Watercolor Biennale
Slovenia, Maribor, Vetrinjski dvor - hosting of the VIII Watercolor
Biennial of Zapresic
2018 Sisak - Exhibition of Art Orchestra members on the occasion of
World Music Day

ART COLONIES - ART WORKSHOPS - PERFORMANCES

1974. Zagreb, Warsaw, Drumming solo
1978. Pulas Art Rises
1979. Ivanjica, Serbia, Youth Art Colony
1980. Ivanjica, Serbia, Youth Art Colony
1985. Srebrenik, BiH, Open City of Art
1988. Zagreb, Pionirski grad
1989 Sisak, XIX colony of the Sisak steelworks 2001. Easter in Zagreb 2002. Poreč - STREET ART - performance and drum performance
2004. Slavonski Brod, Sava Watercolorist Colony -
2006. Osijek, stay and work in arrangement of gallery Pegaz
2011. Zagreb, Summer on Stross 2012. Zagreb, Summer on Stross 2013. Zagreb studio atelier. Zagreb “Summer on Stross”, - Zagreb, ART-wrapper HDLU. - Slavonski Brod “Sava” - watercolor colony - 2014. Zagreb “Summer on Stross”. Zagreb, ART-wrapper HDLU,
Sisak, Walkway Art Workshop and Drum Performance
2015. Sisak - Kutina, “Outdoor Art Workshop”. - Zagreb “Summer on
Stross”
2018 Sisak - art workshop on the occasion of World Music Day
2019. Village of the genus Čigoč - Guest appearing in blues camp, art workshop,
and drumming performance


AWARDS - ACKNOWLEDGMENTS - ACKNOWLEDGMENTS
-PAINTING-


- TITO’S JUBILES plaque 1977
¬- DIPLOMA Pula Artistic Ascents 1978
-TROFEO E DIPLOMA CONCORSO INTERNATIONAL -DARTE CITTA DI CERVIA 82.
- PREMIO SPECIALE - 40 UIL RAVENNA - - -CONCORSO NAZIONALE DI PITURA 89
- ACKNOWLEDGMENT - 2006 for participation in the first exhibition of musician artists

MUSIC-
1983 ACKNOWLEDGMENT - Brigadier Rock Marathon
ACKNOWLEDGMENT - Flight Rock
1994. ACKNOWLEDGMENT for collaboration and participation in the Ruby Teusday Rock Evenings
Saloon Zagreb
2015. DIPLOMA on the occasion of World Music Day Sisak


I promote my painting, the city of Zagreb and the Republic of Croatia on these web portals I list only a small number of specific ones


ABSOLUTEARTS
www.absolutearts.comdrorioli
ARTMAJEUR
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DEVIANT ART
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WIX
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WEBS
www.drorioli.webs.com
WEBLY httpwww.orioli.weebly.com



I promote our music, the city of Zagreb and the Republic of Croatia on these web portals I list only a small number

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THEY SAID ABOUT THE AUTHOR


- In this unreliable and capricious time with so many changing values, this Orioli serious performance has more than a personal attitude . Joseph Depolo, 1982

- While the drawings emphasize the rigor of gesture and the discipline of performance, whether it be dotted lines or parallel stripes, in watercolors and lavas showers, the Orioli indulges in the stain challenge and the saturation of the surface. - Tonko Maroević, 1983

- By deliberately caricaturing motives and turning characters into gloomy, named extras, he moves away from the literalness of illusion and draws on a world of unobtrusive critical thinking
Željko Sabol, 1984.

- Dario Orioli not only ensured a clear and recognizable thematic preoccupation with his distinctive and motivational repre- sentative, but moreover, he jumped out of the generational context. -
Milan Beslic, 1985


- It is up to us to find that the early manifested productive trait of his work has not thinned out, that it is a desire to be present - marking oneself in time and space - has acquired broader horizons.
Josip Å kunca, 1987

- These signposts, signposts, traffic signs and traffic signs are our social alphabet, language and grammar signs, by which we wander, search, find, live, leave, travel, ... and again and again, -
Marin Perković, 1990.

- From the first paintings, from the interior, Dario Orioli amazes the art sweet
the specific bizarreness of his staff. Djuro Vanjura, 1997

- Paradoxically, as much as the Orioli paintings are dominated by roads and promenades, the painter more strikingly captures moments of anticipation and seclusion than the bustle of bustling periods of city traffic. Darko Glavan, 1998.

Orioli, painter from the painting class of the late prof. Raul Goldoni at the Academy of Fine Arts in Zagreb and associate in the Master workshop prof. Ljube Ivančić and Nikola Reiser, the ways of finding themselves in the sociological environment have always been of little or no interest because of the unconditional persistence in the reserves of their own artistic world. And that Orioli art world has taken to the quite clearly profiled adventure the painting of urban Zagrebs spatial environment. Fragmentary elements of the space of the city in which he lives and with which he lives and when he is physically absent, carried by a vagrant instinct everywhere, this painter paints an angle from side to side, parks and intersections that he passes and visits every day. Enes Quen 1998

- Dario Orioli does not invent his world or reduce it, does not divide it into eternal or transient forms, to a permanent coloristic and transient design form.
Just as in songs, rockers sing about ordinary life or are engaged in pointing out injustices and political and environmental disasters, so do Orioli paintings that he sees, with all the elements of transience and temporal encoding. - Branka Hlevnjak, 2001

- The painter surrounds himself with the mermaid call of aesthetic beauty, yet not destructive or sarcastic. Lagahan is Aprgu brush and coats balanced harmoniously and coloristically by interpreting separate stories of a one-dimensional experience. Like Dark Boemhu, America serves him fora springboard for popcultural metabolism. That layer feels more than it doesin fact present in our absolutely domestic of landscapes, beaches and coasts.
A beautifully pleasing presentation, uncluttered and original. Interesting also from the point of view of subcivilization, present in the benign wit that is casually profiled in a very homogeneous cycle of numerous scenes.
Branko Mrkusic 2001

- With all due respect to good parallels, this work would be released to whom,despite its many characters, it loses its description. metric coercion and any goals personally identified most with a haiku poem. He, like a haiku poet and poem, has the right to be null, void and ordinary R. Barthes. It lives in the soft and translucent horizon of its stripped-down signs meaning, and the soft bark of a new poetic enchantment of the world beyond the authoritative urban religion of signs and your obligations to the motive. It is a refinement in which the language of painting replaces meaning - a language beyond the commanding and repressive. Its painting
When you walk, be content to walk - says one female teacher.
And the Orioli, like a hermit in the crowd, came across for all of us, especially for those who were aiming for big goals but never reached
the immediacy and noble ordinaryness of the human trace.
Ive Å imat Banov 2005

- In the mix of his colors, Dario Orioli is first and foremost a street poet. Imagesthey tell us a story too, but the verse is more intrusive.
Dario Orioli proves to us that watercolor can be quite lively, and some imposed night ghosts, and let the coveted saving hand in the early morning haze of station loneliness. and a quite ordinary color that would like to say aloud their pain and desire some
distant. Dejan Rebic, 2006

- By his form of figuration, Orioli connects stylization and expression, with a touch of drawing and painting. Elements of the illustrative component are the stories, convincingly constructed, in the peculiarity of Oriolis poetics. from an artist who knows and feels the pulsation of the city. - Stanko Spoljaric

- Dario Orioli is for those who do not know him the painter who created his own a specific style, an expression that somehow captured very special areas of ordinary human experience, and in this sense it stands out somewhat from those common trends we could follow in the development of fine arts back 30 or 40 years. Orioli is a painter who not only remained on classical subjects but as it became more and more accessible he also switched to those new media by commercializing computers and photographs, video, design
to some extent, he now integrates all of this into his monograph project.
Kruno Kamenov 2015


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Artist Publications



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Artist Collections



Numerous private, corporate, museum, gallery and government collections detailed information coming soon.

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