Photograph of Artist PHILIP HALLAWELL
PHILIP HALLAWELL
Itu, Sao Paulo - Brazil


Artist, writer, educator and visagist


Original Artworks (130)

Philip Hallawell; Contemplation, 1980, Original Drawing Pen, 70 x 50 cm. Artwork description: 241 Pointilism pen and ink over watercolour wash. The theme is about contemplating the three realities that involve all people: one s inner reality, one s private habitat and one s public habitat. To know oneself is to be liberated. ...
Philip Hallawell
Original Pen Drawing, 1980
70 x 50 cm (27.6 x 19.7 inches)
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Philip Hallawell; Behold The Lilies Of The Field, 2002, Original Painting Oil, 120 x 150 cm. Artwork description: 241 Inspired by the sermon on the mount...
Philip Hallawell
Original Oil Painting, 2002
120 x 150 cm (47.2 x 59.1 inches)
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Philip Hallawell; Visagism 2 Melancholic Beauty, 2005, Original Pastel, 32 x 50 inches.
Philip Hallawell
Original Pastel, 2005
32 x 50 inches (81.3 x 127.0 cm)
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Philip Hallawell; Function Ever Preceeds Form, 2005, Original Watercolor, 38 x 56 cm. Artwork description: 241 An artistic interpretation of Louis Sullivan' s maxim, applied to visagism. ...
Philip Hallawell
Original Watercolor, 2005
38 x 56 cm (15.0 x 22.0 inches)
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Philip Hallawell; Visagism 3 Phlegmatic Beauty, 2005, Original Pastel, 32 x 50 cm.
Philip Hallawell
Original Pastel, 2005
32 x 50 cm (12.6 x 19.7 inches)
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Philip Hallawell; Visagism 4 Sanguine Beauty, 2005, Original Pastel, 32 x 50 cm.
Philip Hallawell
Original Pastel, 2005
32 x 50 cm (12.6 x 19.7 inches)
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Philip Hallawell; Beauty Within, 2005, Original Watercolor, 37 x 56 cm.
Philip Hallawell
Original Watercolor, 2005
37 x 56 cm (14.6 x 22.0 inches)
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Philip Hallawell; Visagism 1 Choleric Beauty, 2005, Original Pastel, 32 x 50 cm. Artwork description: 241 First pastel drawing for an exhibition at the Hair Brasil 2005 trade show, interpreting the four basic temperaments: sanguine, choleric, melancholic and plegmatic ( according to Hippocrates' ) ....
Philip Hallawell
Original Pastel, 2005
32 x 50 cm (12.6 x 19.7 inches)
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Philip Hallawell; Equilibrium Triptych, 1976, Original Drawing Pen, 150 x 70 cm. Artwork description: 241 These three drawings in pen and ink wash, watercolor and pen pointilhism form a triptych representing the equilibrium between masculine and feminine forces. Part of the Brian and Gladys Sinclair collection. ...
Philip Hallawell
Original Pen Drawing, 1976
150 x 70 cm (59.1 x 27.6 inches)
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Philip Hallawell; Equilibrium Triptych Right, 1976, Original Drawing Pen, 50 x 70 cm. Artwork description: 241 Right work of the triptych...
Philip Hallawell
Original Pen Drawing, 1976
50 x 70 cm (19.7 x 27.6 inches)
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Philip Hallawell; Encounter I, 1971, Original Drawing Pen, 18 x 25 cm. Artwork description: 241 The first of the Encounter Series, it represents an encounter with a non- evident reality. Roger Skuropat Collection....
Philip Hallawell
Original Pen Drawing, 1971
18 x 25 cm (7.1 x 9.8 inches)
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Philip Hallawell; Lautreamont III Chants De..., 1972, Original Drawing Pen, 25 x 35 cm. Artwork description: 241 The third work based on lautreamont' s Chants de Maldoror. All three are part of the Luis Pinto da Silva Fo collection, and of my first works sold. ...
Philip Hallawell
Original Pen Drawing, 1972
25 x 35 cm (9.8 x 13.8 inches)
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Philip Hallawell; Will To Power, 1975, Original Painting Oil, 45 x 55 cm. Artwork description: 241 One of my first paintings. ...
Philip Hallawell
Original Oil Painting, 1975
45 x 55 cm (17.7 x 21.7 inches)
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Philip Hallawell; Equilibrium Triptych Left , 1976, Original Drawing Pen, 50 x 70 cm. Artwork description: 241 Left side of the triptych...
Philip Hallawell
Original Pen Drawing, 1976
50 x 70 cm (19.7 x 27.6 inches)
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Philip Hallawell; Equilibrium Triptych Center, 1976, Original Drawing Pen, 50 x 70 cm. Artwork description: 241 Center of the triptych...
Philip Hallawell
Original Pen Drawing, 1976
50 x 70 cm (19.7 x 27.6 inches)
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Philip Hallawell; Ecstasy XVI Bolero By Ravel, 2004, Original Mixed Media, 38 x 56 cm. Artwork description: 241 Inspired by Ravel' s
Philip Hallawell
Original Mixed Media, 2004
38 x 56 cm (15.0 x 22.0 inches)
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Philip Hallawell; Aphrodite And The Apple O..., 1988, Original Pastel, 35 x 50 cm. Artwork description: 241 This drawing done in pastel pencils and is part of the Iliad series. It refers to the judgement of Paris and the vanity of the Gods. ...
Philip Hallawell
Original Pastel, 1988
35 x 50 cm (13.8 x 19.7 inches)
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Philip Hallawell; Zeus, 1988, Original Painting Oil, 39 x 49 cm. Artwork description: 241 This painting in oils on canvas over wood was initially a sketch for
Philip Hallawell
Original Oil Painting, 1988
39 x 49 cm (15.4 x 19.3 inches)
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Philip Hallawell; The Hand Of Ares, 1986, Original Painting Oil, 40 x 50 cm. Artwork description: 241 Part of the Iliad series, this one of the drawings that focuses on the Gods of the ancient Greeks, namely Ares ( Mars) the God of war. The triangular composition represents the danger of war. Done in oil on canvas over wood....
Philip Hallawell
Original Oil Painting, 1986
40 x 50 cm (15.7 x 19.7 inches)
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Philip Hallawell; The Orphan, 1987, Original Drawing Pen, 54 x 75 cm. Artwork description: 241 Part of the Iliad series, this is one of the works which focuses on the victims of war. Homer is perhaps the first author to write about the horrors of war and this drawing alludes to the part where he writes about Hector' s son. Done mostly ...
Philip Hallawell
Original Pen Drawing, 1987
54 x 75 cm (21.3 x 29.5 inches)
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Artist Statement

I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....