Photograph of Artist TIMOTHY KING
TIMOTHY KING
Elgin, Illinois - United States



Original Artworks (20)

Timothy King; Wing Park Roadway, 2008, Original Pastel, 16 x 12 inches.
Timothy King
Original Pastel, 2008
16 x 12 inches (40.6 x 30.5 cm)
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Timothy King; Tabletop View Of Lake Michigan, 2008, Original Pastel Oil, 40 x 30 inches.
Timothy King
Original Oil Pastel, 2008
40 x 30 inches (101.6 x 76.2 cm)
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Timothy King; Redbuds By Highway 20 Ove..., 2008, Original Pastel, 12 x 16 inches.
Timothy King
Original Pastel, 2008
12 x 16 inches (30.5 x 40.6 cm)
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Timothy King; Lords Park Path By Large Pond, 2008, Original Pastel, 12 x 16 inches.
Timothy King
Original Pastel, 2008
12 x 16 inches (30.5 x 40.6 cm)
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Timothy King; Iceburg On Lake Michigan, 2008, Original Pastel, 25 x 19 inches.
Timothy King
Original Pastel, 2008
25 x 19 inches (63.5 x 48.3 cm)
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Timothy King; Band Shell With Snow, 2008, Original Pastel, 25 x 19 inches.
Timothy King
Original Pastel, 2008
25 x 19 inches (63.5 x 48.3 cm)
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Timothy King; Airlite Street, 2008, Original Pastel, 16 x 12 inches.
Timothy King
Original Pastel, 2008
16 x 12 inches (40.6 x 30.5 cm)
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Timothy King; Wing Park Band Shell In Autumn, 2008, Original Pastel, 25 x 16 inches.
Timothy King
Original Pastel, 2008
25 x 16 inches (63.5 x 40.6 cm)
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Timothy King; Wing Park Creek 3, 2008, Original Pastel, 14 x 12 inches.
Timothy King
Original Pastel, 2008
14 x 12 inches (35.6 x 30.5 cm)
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Timothy King; Elgin Overlooking RR Fox River, 2008, Original Pastel, 25 x 22 inches.
Timothy King
Original Pastel, 2008
25 x 22 inches (63.5 x 55.9 cm)
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Timothy King; Elgin Fox River Low Dam Winter, 2008, Original Pastel, 25 x 22 inches.
Timothy King
Original Pastel, 2008
25 x 22 inches (63.5 x 55.9 cm)
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Timothy King; Wing Park Band Shell In Winter, 2008, Original Pastel, 25 x 22 inches.
Timothy King
Original Pastel, 2008
25 x 22 inches (63.5 x 55.9 cm)
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Timothy King; Wing Park Out Look, 2007, Original Pastel, 25 x 20 inches.
Timothy King
Original Pastel, 2007
25 x 20 inches (63.5 x 50.8 cm)
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Timothy King; Loyola Campus Lake View, 2007, Original Pastel, 25 x 20 inches.
Timothy King
Original Pastel, 2007
25 x 20 inches (63.5 x 50.8 cm)
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Timothy King; Wink Park Creek 2, 2007, Original Pastel, 12 x 16 inches.
Timothy King
Original Pastel, 2007
12 x 16 inches (30.5 x 40.6 cm)
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Timothy King; Kelsy Arm Across Lap, 2007, Original Pastel, 16 x 12 inches.
Timothy King
Original Pastel, 2007
16 x 12 inches (40.6 x 30.5 cm)
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Timothy King; KelseyRestingHeadonArm, 2007, Original Pastel, 18 x 12 inches.
Timothy King
Original Pastel, 2007
18 x 12 inches (45.7 x 30.5 cm)
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Timothy King; Kelsey Reclined Hand On Knee, 2007, Original Pastel, 14 x 10 inches.
Timothy King
Original Pastel, 2007
14 x 10 inches (35.6 x 25.4 cm)
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Timothy King; Wing Park Swimming Pool, 2007, Original Pastel, 14 x 11 inches.
Timothy King
Original Pastel, 2007
14 x 11 inches (35.6 x 27.9 cm)
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Timothy King; Fox River St Charles, 2007, Original Pastel, 14 x 11 inches.
Timothy King
Original Pastel, 2007
14 x 11 inches (35.6 x 27.9 cm)
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Artist Statement

ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is “nothing but “ a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this “Push-Pull”. Matisse referred to this as the convexity of pictorial space. In this “meta-vision” or “minds-eye” the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cézanne understood these logical relationships as they rejected the establishment of a new French academic painting style that had begun to incorporate a photo-centric aesthetic. We see in these revolutionary painters an understanding of classical painting where the reality or meta-reality of a long tradition is almost lost. This tadition, ...   Read More