Photograph of Artist TUPPER MALONE
TUPPER MALONE
Beaverton, Oregon - United States



Original Artworks (7)

Tupper Malone; TERRA VIII, 2008, Original Watercolor, 28 x 22 inches. Artwork description: 241  Facimile of maps & symbols to describe unknown lands rendered in watercolor and India ink. ...
Tupper Malone
Original Watercolor, 2008
28 x 22 inches (71.1 x 55.9 cm)
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Tupper Malone; OPUS I NUMBER 4, 2007, Original Watercolor, 28 x 22 inches.
Tupper Malone
Original Watercolor, 2007
28 x 22 inches (71.1 x 55.9 cm)
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Tupper Malone; OPUS I NUMBER 2, 2006, Original Watercolor, 28 x 22 inches.
Tupper Malone
Original Watercolor, 2006
28 x 22 inches (71.1 x 55.9 cm)
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Tupper Malone; TECHNICOLOR COWS XVI, 2007, Original Watercolor, 22 x 28 inches.
Tupper Malone
Original Watercolor, 2007
22 x 28 inches (55.9 x 71.1 cm)
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Tupper Malone; TECHNICOLOR COWS XV, 2007, Original Watercolor, 28 x 22 inches.
Tupper Malone
Original Watercolor, 2007
28 x 22 inches (71.1 x 55.9 cm)
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Tupper Malone; SACRED WORDS IMPERFECT Nu..., 2007, Original Watercolor, 30 x 22 inches. Artwork description: 241  Using an airbrush technique to display the contorted word
Tupper Malone
Original Watercolor, 2007
30 x 22 inches (76.2 x 55.9 cm)
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Tupper Malone; SACRED WORDS IMPERFECT Nu..., 2007, Original Watercolor, 30 x 22 inches.
Tupper Malone
Original Watercolor, 2007
30 x 22 inches (76.2 x 55.9 cm)
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Artist Statement

I have come to painting by a circuitous route having worked for over 25 years as a sculptor. In 2000, I took up watercolor and collage as my creative outlets. In recent work, I am creating Journies. In the Terra Series I am using imaginary mapping and symbols to focus on exploration. I have done ten of the pieces to date and intend to continue adding definition to this work. In Sacred Words Imperfect, I am employing two primary techniques—air brush and watercolor pours. I use airbrush to create and array of angles criss-crossing the jumble of letters creating words and mystery. In Technicolor Cows and the Opus Series, I use a “watercolor pour”-- permitting a spontaneous reaction to the color as it is set down on paper. Using watercolor crayons along with negative painting draws the subject off of the paper as I work on the painting. Using the watercolor crayons on top of a pour, the colors layer on top of one another in an ever changing the dimension. The layering of the crayon, pour and negative painting adds a depth to the visual work that creates excitement. I enjoy working in these styles and feel I can communicate a sense of the subject. These are powerful animals yet, in their leisure in the pasture, they are languid—a contradiction that isn’t often considered. In Technicolor Cows I am able to depict the soulfulness of a lone creature with a contemporary twist. ...