VERONICA FASCIE
Miami, Florida - United States



Original Artworks (8)

Veronica Fascie; Crossing The Blue, 2001, Original Painting Acrylic, 100 x 73 inches.
Veronica Fascie
Original Acrylic Painting, 2001
100 x 73 inches (254.0 x 185.4 cm)
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Veronica Fascie; Asking, 2000, Original Painting Acrylic, 55 x 103 inches.
Veronica Fascie
Original Acrylic Painting, 2000
55 x 103 inches (139.7 x 261.6 cm)
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Veronica Fascie; Life, 2000, Original Painting Acrylic, 58 x 100 inches.
Veronica Fascie
Original Acrylic Painting, 2000
58 x 100 inches (147.3 x 254.0 cm)
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Veronica Fascie; Restless, 2000, Original Painting Acrylic, 95 x 59 inches.
Veronica Fascie
Original Acrylic Painting, 2000
95 x 59 inches (241.3 x 149.9 cm)
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Veronica Fascie; Light At The Corner, 1999, Original Painting Acrylic, 63 x 98 inches.
Veronica Fascie
Original Acrylic Painting, 1999
63 x 98 inches (160.0 x 248.9 cm)
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Veronica Fascie; Connecting, 1999, Original Painting Acrylic, 91 x 58 inches. Artwork description: 241  Studying The buddhism concepts this series it was growing in forms and meanings. ...
Veronica Fascie
Original Acrylic Painting, 1999
91 x 58 inches (231.1 x 147.3 cm)
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Veronica Fascie; Strong, 1999, Original Painting Acrylic, 91 x 58 inches. Artwork description: 241  These series of trees represent an internal look through the forms of the Banyan trees. ...
Veronica Fascie
Original Acrylic Painting, 1999
91 x 58 inches (231.1 x 147.3 cm)
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Veronica Fascie; Going To The Forest, 1999, Original Painting Acrylic, 66 x 112 inches. Artwork description: 241  This is the piece with start the tree series. ...
Veronica Fascie
Original Acrylic Painting, 1999
66 x 112 inches (167.6 x 284.5 cm)
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Artist Statement

My paintings capture the emotions transmitted by organic forms, which permanently live among us. I initiate change in my primary sketch, photographs and collages by singling out the forms until I have a scene that reveals its meaning.
The painting process begins by focusing on the light which is the first connection point between the audience and the work. I then connect two tones which have been chosen to contrast the light.
Sensuality and eroticism are revealed through form magnification and color saturation.
The huge scale of my work is another resource I use to increase the power of the expression.
I want to present to the spectator elements of emotion that allow them to discover their own worlds.
My work is influenced by Baroque artists for their harsh light and dark shadows (chiaroscuro), Impressionist, Postimpressionist and Fauvism for their visual effects of
light and vigorous brushstrokes, Expressionists for their vibrant expression of emotions, powers of colors, line and form and the Surrealists for the liberation of the unconscious, creating a new reality.
My work is a conjunction of all these artistic movements with the firm intention to create something original from my own experience.
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