Contemporary Art For Sale Price Range: $100 - $199

Page 5 of 200
Over 5800 works of original contemporary art for sale in the price range $100 - $199. On this page you can find works by John Sims, William Christopherson, Marino Chanlatte, Lynda Lehmann, Denise Dalzell, Rhoda Taylor, Diana Carey, David Larkins, Lora Vannoord, Larysa Uvarova, Markus Kruse, Suzanne Mcclelland, Azhar Shemdin, C. Mari Pack for the follwing mediums: 1. Links to more artwork and 200 pages for works in the price range $100 - $199 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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John Sims: 'red head', 2016 Watercolor, Abstract Figurative. Small watercolour on paper. She just appeared in my head. ...
, 2016
Abstract Figurative - Watercolor
15 x 20 cm (5.9 x 7.9 inches)
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John Sims: 'very hot day whitstable', 2016 Watercolor, Seascape. After walking on West Beach in Whitstable, Kent UK. A very hot day. Watercolour on Paper. ...
Seascape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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William Christopherson: 'Time Tree', 2017 Giclee, Cityscape. The iconic historical restaurant The Crystal, founded in 1925.  Portrayed by the artist from the early years leftward, traveling trhough time to the modern era of the historic Lincoln Building, in downtown Watertown, NY. 16 x 20 giclee on Hannemeule brand 120lb.  watercolor paper.  Numbered, signed, and dated, with certificate, ...
, 2017
Cityscape - Giclee
12 x 16 inches (30.5 x 40.6 cm)
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William Christopherson: 'October Night', 2017 Giclee, Cityscape. An October fall night on Public Square, Watertown, NY.  Giclee printing on stretched Hahnemeulle cotton canvas gallery wrapped.  Is prepared for hanging incl. wire, hooks, and hanger.  Signed and sequentially numbered by the artist, with certificate of authenticity. ...
Cityscape - Giclee
20 x 20 inches (50.8 x 50.8 cm)
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Marino Chanlatte: 'water lilies 12', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Edge of painting 1. 5 inches depth, painted to match with painting. Ready to hang.   flowers, water lilies, monet style, impressionism, blue, decor...
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'deeper', 2017 Acrylic Painting, Abstract. In creating this work I navigated deeper experimenting with different layers of colors. The shapes came out spontaneously as when the water drips down the earth after the rain. The painting extends to the edges of the canvas, ready to hang.  Keywords: contemporary, decor, expressionism, abstract, gray, brwn, nature...
, 2017
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'water lilies 11', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.   Water, lilies, Monet, flowers, nature, impressionist ...
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Lynda Lehmann: 'water study 4', 2017 Mixed Media, Beauty. Ripples make a beautiful overall  and infinitely changing  texture on lake water as twilight falls, and reflected sunlight plays in luminous bangles of light, creating its own magic.Matted 8 x 10 Print   120. 00KEYWORDS: glimmer, shimmer, beauty  water  lake  energy  flowing  light  mirroring  movement  natural  nature  nautical  optical  ...
Beauty - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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Denise Dalzell: 'lighting', 2017 Color Photograph, Abstract. for page banner...
, 2017
Abstract - Photograph
8 x 4 inches (20.3 x 10.2 cm)
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Rhoda Taylor: 'c', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'b', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'a', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'f', 2017 Ink Painting, Fantasy. Detailed Flora...
, 2017
Fantasy - Painting
6 x 12 inches (15.2 x 30.5 cm)
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Diana Carey: 'circles squares', 2017 Steel Sculpture, Abstract. Tabletop steel sculpture. Rugged. Gray. ...
Abstract - Sculpture
9 x 6 inches (22.9 x 15.2 cm)
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Marino Chanlatte: 'new morning 2', 2017 Acrylic Painting, Abstract. Mixed colors of the sun and sky in an abstract new morning. This work is comprised of two canvases 8 X 10 each. you can arrange them in any order you prefer. You can also match them with the two canvases of Morning 1, making and arrangement of a painting ...
Abstract - Painting
16 x 10 inches (40.6 x 25.4 cm)
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Lynda Lehmann: 'plantasia 17', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, gestural, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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Lynda Lehmann: 'plantasia 18', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, gestural, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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Lynda Lehmann: 'plantasia 20', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  KEYWORDS:  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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David Larkins: 'fishtown tugs', 2017 Giclee, Boating. Anyone whom has traveled to the Sleeping Bear Dunes area and Leland, Michigan will recognize the storied fish tugs that harbor in Fishtown.These steel hulks which have been around for generations still sail out of Fishtown a working fishing village to net the Whitefish in Lake Michigan.Once prevalent ...
Boating - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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David Larkins: 'Bella Venezia', 2016 Giclee, Architecture. Venice, an archipelago of islands and canals is one of the few cities that was never
Architecture - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Lora Vannoord: 'Sailing', 2016 Oil Painting, Sailing.  Original oil painting on canvas board of sail boats on Lake Champlain and Vermont mountains, as seen from New York.  Includes a 1 and 34 inch wooden frame...
, 2016
Sailing - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Larysa Uvarova: 'Painting Purple Sunset', 2016 Oil Painting, nature.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes and palette knife, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to...
nature - Painting
35 x 18 cm (13.8 x 7.1 inches)
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Markus Kruse: 'test sunday 3', 2016 Color Photograph, undecided.                testing only, please ignore a description goes here. . . and then some more description.blah                       ...
undecided - Photograph
1 x 3 feet (0.30 x 0.91 m)
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Markus Kruse: 'test sunday 3', 2016 Color Photograph, undecided.                testing only, please ignore a description goes here. . . and then some more description.blah                       ...
undecided - Photograph
1 x 3 feet (0.30 x 0.91 m)
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Suzanne Mcclelland: 'Abstract glass Mosaic Tray', 2016 Mosaic, Abstract.  The flow of glass in a artist fashion of glass....
Abstract - Mosaic
19 x 2 inches (48.3 x 5.1 cm)
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Azhar Shemdin: 'Teepee Woman and the Blue Pyramid', 2016 Reproduction Artwork, Abstract Landscape. The artist has personally placed the original painting on a printer to preserve the original colours and control the quality of the print.  The original was painted in 2012. ...
Abstract Landscape - Reproduction Artwork
12 x 18 inches (30.5 x 45.7 cm)
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Markus Kruse: 'test upload free', 2016 Color Photograph, undecided.               testing only, please ignore a description goes here. . . and then some more description.blah                      ...
undecided - Photograph
1 x 3 feet (0.30 x 0.91 m)
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Markus Kruse: 'test upload free', 2016 Color Photograph, undecided.               testing only, please ignore a description goes here. . . and then some more description.blah                      ...
undecided - Photograph
1 x 3 feet (0.30 x 0.91 m)
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C. Mari Pack: 'Once Upon a Dream', 2014 Acrylic Painting, Abstract.      One of a kind original poured acrylic abstract painting on a canvas panel surface, using: Magenta, Lime Green and Titanium White.  All materials used are archival. Abstract, energy, fluid, pouring, movement, spiritual          ...
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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C. Mari Pack: 'Energy and Movement', 2014 Acrylic Painting, Abstract.  One of a kind original poured abstract acrylic painting on a canvas surface, using: Yellow, Orange, Green, and Purple. All materials used are archival. energy, fluid, bold, spiritual....
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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(Page 5 of 200) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Creative Artists Guild, and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL...

    Markus Kruse - An artist statement is a must for any serious artist. An artist uses the artist statement to communicate their ideas and intentions of their artwork to the public, collector, buyer, gallery and anyone interested in your artwork. It is important to take care in writing your artist statement. It will take time and rewrites this is not something that you write in five minutes. You want your artwork to be taken seriously - you want your artwork to be included in exhibitions - you want your artwork to be bought by buyers -- so take the time to write a good artist statement. ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...