Contemporary Art For Sale Price Range: $100 - $199

Page 7 of 169
Over 4887 works of original contemporary art for sale in the price range $100 - $199. On this page you can find works by Jim Lively, William Christopherson, Ruth Zachary, Michael Pickett, Edward Guzman, Bonie Bolen, Robert H. Stockton, Ron Ogle, David Bechtol, Tom Lund-lack, Rickie Dickerson, Wayne Wilcox for the follwing mediums: 1. Links to more artwork and 169 pages for works in the price range $100 - $199 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Jim Lively: 'Weim and Blindfolded Woman', 2009 Acrylic Painting, Erotic.
Erotic - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jim Lively: 'After A Long Night', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jim Lively: 'Signals', 2009 Acrylic Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
9 x 12 inches (22.9 x 30.5 cm)
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William Christopherson: 'Florida Fort Meyers Beach Shells', 2008 Acrylic Painting, Seascape.  Artists impression of a walk along Fort Meyers Beach, coming upon shells at low tide.  Image 8 x 10, mounted on 38 foam board, and matted sized for 11 x 14 frame.  Artwork comes matted, and shrink wrapped, with artists certificate.  Shipment rigid flat, securely packaged, 2- day USPS Priority...
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Ruth Zachary: 'Sky Over Keepers House', 2006 Color Photograph, Landscape.
Landscape - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Ruth Zachary: 'Full Sail', 2006 Color Photograph, Sailing.  Three- masted schooner in full sail, off the coast of Monhegan Island, Maine. Blue sky dappled with clouds, deeper blue ocean, rocky coast.  11 x 14
, 2006
Sailing - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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Ruth Zachary: 'Sylvias Sky', 2006 Color Photograph, Sky.  Big blue sky mottled by white and gray clouds over the spot of red roof of the old lighthouse keepers house. Surreal, atmospheric.  Remote Monhegan Island 10 miles off the coast of Maine, USA.  11 x 14
Sky - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Michael Pickett: 'Ugly Mutt ', 2008 Acrylic Painting, Dogs.  This Dog is so ugly he's cute ...
, 2008
Dogs - Painting
8 x 10 inches (20.3 x 25.4 cm)
Edward Guzman: 'West Shield', 2008 Giclee, Mystical.  West Shield is an opposite gender representation of my Warrior Spirit. Very personal and filled with images and words that deal with wisdom from my lineage.This is a Giclee print but the original which is larger is also available. Please contact me directly if you are interested.  ...
Mystical - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Bonie Bolen: 'Bluebird Eggs', 2007 Pencil Drawing, Birds.
Birds - Drawing
5 x 7 inches (12.7 x 17.8 cm)
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Robert H. Stockton: 'Waking Hour', 2008 Collage, Abstract.  This small collage is made from found, worn and weathered papers and fabric, including old letters, maps, botanical illustrations, newspaper, labels, and canvas.  It is matted with white museum board, under glass, in a black metal frame to a finished size of 9 x 12 inches.  The actual size of...
Abstract - Collage
9 x 12 inches (22.9 x 30.5 cm)
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Ron Ogle: 'sunlit trees I walked by half an hour ago', 2008 Color Photograph, Landscape.  springtime in western north carolina ...
Landscape - Photograph
18 x 24 inches (45.7 x 61.0 cm)
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Ruth Zachary: 'Fire Sky', 1998 Color Photograph, Seascape.  Dramatic, rich orange and gold sunset, striking black pine tree silhouette.  Our over the ocean from Sunset Hill, Monhegan Island, Maine.  11 x 14 limited edition print in 16 x 20 acid free mat.  Signed, numbered and titled.  Smaller size available.  Enjoy! ...
, 1998
Seascape - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Ruth Zachary: 'Stopping For Soup', 1996 Color Photograph, Cityscape.  Charming storefront of cafe, leaning bicycle.   Brussels, Belgium. Welcoming you to warm up and have some lunch. Romantic, very European. 11 X 14
Cityscape - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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Michael Pickett: 'Rufous Sided Towhee', 1982 Acrylic Painting, Birds.
Birds - Painting
8 x 10 inches (20.3 x 25.4 cm)
Michael Pickett: 'Great Crested Flycatcher', 1982 Acrylic Painting, Birds.
Birds - Painting
8 x 10 inches (20.3 x 25.4 cm)
David Bechtol: 'Goosetopia: Thirst', 2007 Color Photograph, nature.  Nikon D70. Part of Goosetopia Exhibition ...
nature - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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David Bechtol: 'Goosetopia: Flight', 2007 Color Photograph, nature.  Nikon D70. Part of Goosetopia Exhibition ...
nature - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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David Bechtol: 'Goosetopia: Apprehension', 2007 Color Photograph, nature.  Nikon D70. Part of Goosetopia Exhibition ...
nature - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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David Bechtol: 'Goosetopia: Takeoff', 2007 Color Photograph, nature.  Nikon D70. Part of Goosetopia Exhibition ...
nature - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Bonie Bolen: 'Human Heart  study', 2001 Pencil Drawing, nature.
nature - Drawing
8 x 11 inches (20.3 x 27.9 cm)
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Michael Pickett: 'Melting Snow', 2008 Acrylic Painting, Landscape.
Landscape - Painting
10 x 10 inches (25.4 x 25.4 cm)
Tom Lund-lack: 'Hard Blow', 2008 Reproduction Artwork, Sailing.  Valsheda in her original rig and hull colour.  I got the idea for this painting from a contemporary black and white photograph taken perhaps in the early 1930's. I researched the history of the yacht and reproduced it as an oilo painting.  The original is in a private collection...
, 2008
Sailing - Reproduction Artwork
31 x 42 cm (12.2 x 16.5 inches)
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Tom Lund-lack: 'Whitehall afternoon 13 April 2007 ', 2007 Reproduction Artwork, Cityscape. I captured this image on my phone and a few days later cropped the image and then painted it.  It was last time I was with some friends before my life was turned upside down, we had been to the Renoir exhibition at the National Gallery in London and this ...
Cityscape - Reproduction Artwork
297 x 384 mm ( x )
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Rickie Dickerson: 'Stress', 2007 Computer Art, Abstract.
, 2007
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Wayne Wilcox: '498 South Main', 2007 Black and White Photograph, Cityscape.
Cityscape - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Wayne Wilcox: 'E13', 2007 Other Photography, Abstract Figurative.
, 2007
Abstract Figurative - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Wayne Wilcox: 'E8', 2007 Other Photography, Abstract Figurative.
, 2007
Abstract Figurative - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Edward Guzman: 'Perfect Seeking', 2006 Giclee, Visionary. Perfect Seeking about seeing something new in something old. The old is Einstein' s e=mc/ 2 or energy equals mass times the speed of light squared. The new is my definition of Ecstacy Equals Magick Times Cohesion Squared or rather the coming together of two beings in blissful in ...
Visionary - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Ted Schaal: 'Bronze Star', 2005 Bronze Sculpture, Geometric.  Releif carving of an eight pointed star.  Designed for wall decoration or as architectural detail. ...
Geometric - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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(Page 7 of 169) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate click of Yes. I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich. I show my art summers on Monhegan Island ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Edward Guzman - Painting is one of the ways that I express my soul to the world. It is through a deep felt connection to spirit that enables me to envision the images that eventually become paintings. My style is best described as Shamanic. In this mystical,spiritual style I move the viewer to a deeper level of experience as the images transport one to other realms of existence, to places within and long forgotten. The images, energy and intent may also elicit a healing of sorts. By accessing deeper levels of awareness we become attuned to higher levels of ourselves and if the time is right we are able to heal our many facets of existence. My work has also been described as Contempory Southwest as well as Visionary. My paintings are Mixed Media. I use watercolor, acrylic and 22K gold leaf. I have originals as well as Giclee prints that are hand embellished with 22k gold leaf available. Most recently I was in the 2013 Ontario Open Art Exhibition at the Ontario Museum of History and Art in Ontario, Ca. This is the fifth time my work has been shown at this wonderful little gem of a museum. For more information ...

    David Bechtol - Photography is an integral part of my life. Each image captured attempts to take the viewer on a journey, to transport them to that place of wonder and grandeur as I experienced it, to feel the sense of awe, beauty and peacefulness. As a boy growing up in rural Michigan, I had many chances to take long, slow walks in the forest, soaking in all the beauty a child sees in nature. Now I use photography to slow down life and try to take in all that nature has to offer as I once did those many years ago. I am a self-taught photographer and have studied the photographic process for over 50 years. My interest includes the digital realm where my technical background lets me exploit all that the camera can capture. Throughout my travels, I try to bring back and share a vision of some of the awe-inspiring vistas I encounter. No matter where you are in the world, natures extraordinary beauty is around every corner. I believe that great images are always around us. They are ours to capture with our vision and share with the world. ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...