Artists Describing Their Art:
Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereAC/a,!a,,C/s no predicting what theyAC/a,!a,,C/ll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...
Paulo Medina - Para miA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca fragil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento util, pero nada mas... For me, art has been like a small boat in which Ive crossed the sea many times. A fragile and small boat, yet capable of sailing towards vast horizons. The boat has been a useful tool, but nothing more...La pintura es poesia silenciosa MaimonidesArtistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience ...
Cheryl Carr - I found painting at a later time in life than most. I have always been creative. Sketching was a favorite of mine. I started taking classes in oil painting in 2023. My instructor was amazing. I quickly moved on to find my passion for photo-realism. Portraits are a favorite of mine. I absolutely love recreating a photo in oil . I look for photos that speak to me. My greatest joy is in seeing the faces of people for whom I have created paintings. Their excitement is amazing to me I hope that you enjoy my paintings as much as I have enjoyed creating them....
Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its AC/a,!A"voice.AC/a,!A Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...
Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...
Joanna Pettit-Almasude - My art work centers on my concern for humans, animals and our planet. I tend to focus on expressive portrayals of the human condition. In many of my previous works, I was especially motivated to describe the challenging position of marginalized peoples in the world. I am currently concentrating on conservation and environmental issues as well as the importance of moving toward eating a whole non-processed plant based diet. I also plan to work on artwork that discusses how we humans need to care for all animals including the human animal and work to sustain our earth that we all depend on. All of these issues tend to be interrelated and merge into one holistic approach to life, not only through mind, body spirit but also through our relationships with and responsibility to the world around us....
Jose Freitascruz - Borneo 2003The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I have lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be fixed triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesnt allow me to settle with the tools or the style I am already familiar with - I am constantly on the move and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in AC/a,!aEURoe from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire to ...