Contemporary Art For Sale Price Range: $1000 - $1999

Page 1 of 359
Over 10389 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Yosef Reznikov, Jerry Di Falco, Vladimir Volosov, Stefan Fiedorowicz, John Gamache, Becky Soria, Anita Zotkina, Michael Schaffer, Mac Worthington, Igor Shulman, Leo Evans, Paulo Medina, Steven Lamb for the follwing mediums: 1. Links to more artwork and 359 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Yosef Reznikov: 'composition abstract 4', 2019 Mixed Media, Geometric. Geometric style  also known as the Geometric  was characteristic of Greek vase painting at the end of aEURoedark agesaEUR of about 900- 700 years. BC. e. and drove protogeometrichesky style. Centre spread this style was Athens. Gradually, it spread in commercial cities on the islands of the Aegean Sea.In ...
Geometric - Mixed Media
100 x 80 cm (39.4 x 31.5 inches)
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Jerry  Di Falco: 'stainded glass window ii', 2021 Intaglio, History. Di Falco created three drawings from the work entitled, Diagram of the Brookes Slave Shipfrom the British MuseumaEURtms Collectionbefore he began to transfer his selected drawing to two zinc etching platesaEUR
History - Intaglio
12 x 24 inches (30.5 x 61.0 cm)
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Yosef Reznikov: 'composition guitarists', 2018 Mixed Media, Music. Abstract art can be considered the beginning of modern energy painting. Abstraction bears no specific meaning aEUR
Music - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Jerry  Di Falco: 'stained glass window', 2021 Mixed Media, History. full title- - STAINED GLASS WINDOW AT THE CATHEDRAL OF THE LILY WHITE SLAVE OWNERSDiFalco created three drawings from this work, Diagram of the Brookes Slave Ship, from the British MuseumaEURtms Collection, before he transferred his drawing onto two etching plates, which were later developed in Nitric acid.  The ...
History - Mixed Media
18 x 26 inches (45.7 x 66.0 cm)
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Vladimir Volosov: 'the girl on the sand', 2021 Oil Painting, Nudes. My way to art was a lengthy one. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep knowledge of the laws of light and color that surround us, at different times of day and times of year. Only by gaining all this ...
Nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vladimir Volosov: 'anxiety', 2020 Oil Painting, Abstract. .       Painting aEURoeAnxietyaEUR aEUR
, 2020
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Stefan Fiedorowicz: 'part lies part heart part truth', 2021 Oil Painting, Abstract.  All Go Back to Where We Belong.  I was inspired by a Canadian group called Collective Soul.  Music has an ability to exude magic from within us and within me.  The bold spirit usually comes my way when I stand before a blank canvas. ...
Abstract - Painting
100 x 70 cm (39.4 x 27.6 inches)
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John Gamache: 'Snowy Fields and Mustard Skies', 2017 Oil Painting, Representational. Stark winter corn field, colorfull sky gives it to life. ...
Representational - Painting
20 x 16 ( x )
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John Gamache: 'Lucifers Creek', 2018 Oil Painting, Representational. insperation of colorfull sunset, reflecting on the landscape. ...
Representational - Painting
20 x 16 ( x )
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Becky Soria: 'prelude to a dream', 2021 Acrylic Painting, Abstract Figurative. from the Collection   Consequential Journey ...
Abstract Figurative - Painting
40 x 20 inches (101.6 x 50.8 cm)
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Becky Soria: 'corona', 2020 Acrylic Painting, Abstract Figurative. from the collection  Consequential Journeys ...
, 2020
Abstract Figurative - Painting
41 x 20 inches (104.1 x 50.8 cm)
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Becky Soria: 'sitting the pandemic', 2020 Acrylic Painting, Abstract Figurative. from the collection   Consequential Journeys ...
Abstract Figurative - Painting
37 x 23 inches (94.0 x 58.4 cm)
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John Gamache: 'after an early morning shower', 2020 Oil Painting, Representational. Series: Ancesters, since 800 AD settled in Normandy France from Norweigen viking stock. Love the History. ...
Representational - Painting
24 x 12 ( x )
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Becky Soria: 'evolving samsara', 2021 Acrylic Painting, Abstract Figurative. From the new collection that Opened April 2021   Consequential Journeys ...
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Anita Zotkina: 'taking a break', 2021 Oil Painting, Surrealism. This painting was inspired by the chaotic reality that drives a human into deep despair. Taking a break from the reality, and exposing its ephemeral value, brings a sobering clarity, that reconnects human with its path within the rest of the creation. I draw this painting on another painting, that ...
Surrealism - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Stefan Fiedorowicz: 'breath of a phrygian sky', 2019 Oil Painting, Abstract. Let s go out and feel the earth. It will keep us alive. We all need to become friends of the Mother Earth.  In view of the current trend of climate warming, I was inspired to paint this particular work.  Our planet has been wounded big time and she needs ...
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Vladimir Volosov: 'loneliness in the big city', 2021 Oil Painting, Figurative. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Figurative - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Vladimir Volosov: 'autumn forest', 2017 Oil Painting, Landscape. This artwork is an original unique textured oil painting on Nanvas on a wooden frame, painted using a palette knife. Original artistaEURtms style aEUR
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Michael Schaffer: 'Nighttime at Eagle Beach', 2021 Mixed Media, Abstract. This is the second of my organic nighttime beach paintings.  I use sand, pumice rocks, and inks.The first of this series of nighttime beach series isNighttime Storm . ...
Abstract - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Mac Worthington: 'misplaced stranger', 2021 Acrylic Painting, Abstract. Acrylic on stretched canvas. - May be hung vertically or horizontallyAvailable. Signed   dated. Certificate of Authenticity.Delivery, installation   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Painting
72 x 23 inches (182.9 x 58.4 cm)
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Igor Shulman: 'let off', 2021 Oil Painting, Atmosphere. There are situations where forgiveness is not possible. This process is very stressful and unpleasant for everyone.But in most cases, we are willing to forgive. It s very nice to forgive. Especially a loved one. And the point here is not even the severity of the offense. And in ...
, 2021
Atmosphere - Painting
20 x 27 inches (50.8 x 68.6 cm)
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Leo Evans: 'babe ms jones', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'kristina', 2021 Mixed Media, Digital. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Digital - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'grace', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'cr', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Paulo Medina: 'emmaus', 2021 Acrylic Painting, Religious. This is the time to go back to Emmaus...
, 2021
Religious - Painting
77 x 97 cm (30.3 x 38.2 inches)
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Steven Lamb: 'cafe chat', 2017 Mixed Media, Figurative. The Cafe and BistroaEURtms scenes have always inspired me. I often observe these scenes and they get printed in my memory. Sometimes, IaEURtmve been watching these events closely, trying to explain the situation psychologically. I am aware that this is my interpretation, but this is the art, seen ...
, 2017
Figurative - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
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Mac Worthington: 'needles eye', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Sculpture
36 x 38 inches (91.4 x 96.5 cm)
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Mac Worthington: 'waiting', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract - Sculpture
20 x 61 inches (50.8 x 154.9 cm)
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Nancy Bechtol: 'multimix peoples engaged', 2019 Other Photography, Abstract Figurative. Pattern People show the variety of visuals to engage the subject. here is abstract humans in pattern...
Abstract Figurative - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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(Page 1 of 359) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Anita Zotkina - I have been painting my whole life. Creating art is time-consuming, messy, and underappreciated, but I do it anyway, because this is how I express my understanding of life. My art focuses mostly on women and animals, and their life journeys. Since childhood I was fascinated by strong and independent women. I found them to be generous, wise, and extremely humorous. I enjoyed listening to their stories about the meaning of life and keeping up with the chores. Being a single mother, I recognized how challenging it is to work, take care of the kid, study, and stay open-minded and thoughtful. In my paintings I am trying to capture life, mental torment, enlightenment and peace from a womanaEURtms perspective. Very often I add animals to my paintings, to create a cozy mood. As a child, I spent a lot of time outside, playing with stray dogs and cats, or in a field looking for butterflies and grasshoppers. Those were the best times. The animals I spent time with were my extended family, and I always felt safe with them. So, adding animals to my paintings, is like adding a thought of your favorite relative that conveys nothing ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Mac Worthington - Mac Worthington - Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...