Contemporary Art For Sale Price Range: $1000 - $1999

Page 10 of 358
Over 10354 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Geo Sipp, David Larkins, Environmental Artist Apollo, Edem Elesh, Roz Zinns, Lorrie Williamson, John Sims, Vincenzo Montella, Cathy Dobson, Hans-ruedi Kammermann, Hyacinthe Kuller-baron, Rosalyn M. Gaier, C. A. Hoffman, Robert H. Stockton, Micha Nussinov, Ted Schaal, Jean Judd, Donna Gallant, Wayne Wilcox, Asbjorn Lonvig for the follwing mediums: 1. Links to more artwork and 358 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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David Larkins: 'St Andrews Harbor', 2012 Acrylic Painting, Marine.  While vacationing in Scotland and being an avid golfer we had to visit the historic St.  Andrewi? 1/2s Golf Club, after all i? 1/2 this is the birthplace of golfTo our astonishment the golf course was not the highlight of our visit.  Walking down by the sea we came across what...
Marine - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Environmental Artist Apollo: 'Brush Stroke Angel', 2012 Acrylic Painting, Fish.    Brush Stroke Angel- Original Acrylic on watercolor Paper by ApolloCircle of Life SeriesThe painting Leap of freedom depicts an Orca Whale Leaping in a circle superimposed over an underwater view of orcas. This image painted in 1991 has been on beach towels, note cards, puzzles, bookmarks, pogs and...
Fish - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Environmental Artist Apollo: 'Laughing Dolphin', 2012 Other Painting, Animals.  Chinese Brush stroke Art also called Sumi Art by Apollo. The Dolphin is one of Apollo's favorite subjectsApollo' s mother was a very well know Fine Arts Ceramics her name was Katherine Harmon. She received numerous Awards. She is in the the Duncan's Ceramics Who's Who...
Animals - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Environmental Artist Apollo: 'The Wise One', 2012 Other Painting, Animals.  Chinese Brush stroke Art also called Sumi Art by Apollo. The Great Owl iconized  for it' s silent wisdomFramed dimensions 21. 5 x 25. 5A tribute to Mom,Apollo' s mother was a very well know Fine Arts Ceramics her name was Katherine Harmon. She received numerous Awards...
Animals - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Edem Elesh: 'Summer', 2012 Mixed Media, Visionary.
, 2012
Visionary - Mixed Media
24 x 23 inches (61.0 x 58.4 cm)
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Roz Zinns: 'Nebula', 2011 Acrylic Painting, Astronomy.   Forces that form bodies in the universe ...
, 2011
Astronomy - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Lorrie Williamson: 'The Diploma', 2007 Acrylic Painting, Still Life.   Diplomas given to 3 year olds at PreSchool Graduation made me think how much value we tend to place on the piece of paper that is often so meaningless. ...
Still Life - Painting
22 x 28 inches (55.9 x 71.1 cm)
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John Sims: 'Ressurection in the Life Room', 2011 Oil Pastel, Figurative. The same model in the life room Am and PM pose. She sat up in the afternoon and one leg changed position. This was a measured graphite drawing that I made in 2005 and then added colour, oil pastel in 2012...
Figurative - Oil Pastel
54 x 41 cm (21.3 x 16.1 inches)
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Vincenzo Montella: 'reading', 2002 Color Photograph, Inspirational.
, 2002
Inspirational - Photograph
100 x 70 cm (39.4 x 27.6 inches)
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Cathy Dobson: 'The Full Moon of Gemini', 2010 Oil Painting, Astronomy.   Original Illuminated Oil Painting.Gemini Twin Mermaids. Glows in the dark....
Astronomy - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Hans-ruedi Kammermann: 'lifes dance academy', 2011 Oil Painting, Gestalt.
Gestalt - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Hans-ruedi Kammermann: 'singel contemplation', 2011 Oil Painting, Gestalt.
Gestalt - Painting
50 x 80 cm (19.7 x 31.5 inches)
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Hans-ruedi Kammermann: 'madonnona', 2008 Oil Painting, Gestalt.
, 2008
Gestalt - Painting
50 x 53 cm (19.7 x 20.9 inches)
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Hyacinthe Kuller-baron: 'DOGS OF WAR', 2011 Giclee - Open Edition, Archetypal.    This work of art is available from the artist's Collection. $140,000 for oringal painting in oil. Giclee, limited edition, signed and numbered, on canvas, hand touches by Hyacinthe $1500. 00ea.  For more information contact barongallery@ aol. com or visit www. barongallery. comor call: 760 408 1881   ...
Archetypal - Giclee - Open Edition
40 x 30 inches (101.6 x 76.2 cm)
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Rosalyn M. Gaier: 'Two Measures of Forte with Particularities', 1990 Other Printmaking, Abstract.  This hand- pulled collagraph was inspired by the artists experience as a member of a Cleveland Orchestra chorus under direction of Robert Shaw. ...
Abstract - Other Printmaking
38 x 28 inches (96.5 x 71.1 cm)
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C. A. Hoffman: 'Got My Eye On You', 2011 Color Photograph, Abstract Landscape.   This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                                                                                                                                                         ...
Abstract Landscape - Photograph
12 x 9 inches (30.5 x 22.9 cm)
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C. A. Hoffman: 'Innie and Outie', 2011 Color Photograph, Abstract Landscape.  This an original photo that has been digitally- enhanced to create an original work of art. All pieces are available in sizes up to 16 x 20 inches.                                                                                                                                                                        ...
Abstract Landscape - Photograph
12 x 9 inches (30.5 x 22.9 cm)
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Robert H. Stockton: 'Fall Into Place', 2011 Mixed Media, Abstract Landscape.   This mixed media piece combines collage, acrylics, opaque watercolors, and a variety of vintage ( and other) papers.  The artwork area is 8 x 8, and it is matted, under glass, in white museum board, to a framed size of 14 x 14 .  ...
Abstract Landscape - Mixed Media
14 x 14 inches (35.6 x 35.6 cm)
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Cathy Dobson: 'Unconditional  Love', 2010 Oil Painting, Beach.   Original oil painting....
Beach - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Ted Schaal: 'Portal', 2010 Bronze Sculpture, Abstract Landscape.  Inspired by desert arches and windows or passages. ...
, 2010
Abstract Landscape - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Ted Schaal: 'Configuration', 2010 Bronze Sculpture, Abstract Figurative.  Bronze combined with polished stainless passage way invites study.  This sculpture received a merit award from the Sculpture at the River Market Show and Sale. ...
Abstract Figurative - Sculpture
14 x 21 inches (35.6 x 53.3 cm)
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Jean Judd: 'Diamond 3 Block on a Rock', 2011 Textile Art, Abstract.  Textile artwork featuring geometric diamond shapes.  Hand stitching adds physical and visual texture.  Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - 	All Fiber Exhibition at the Arts Alliance Gallery in Elk River, Minnesota, June 8, 2011 through July 9, 2011.- - Gateway to Imagination exhibition...
Abstract - Textile Art
16 x 22 inches (40.6 x 55.9 cm)
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Vincenzo Montella: 'red', 2011 Color Photograph, Inspirational.   print on plexiglas  ...
, 2011
Inspirational - Photograph
70 x 50 cm (27.6 x 19.7 inches)
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Vincenzo Montella: 'blu parking', 2011 Color Photograph, Inspirational.  print on plexiglas ...
Inspirational - Photograph
70 x 50 cm (27.6 x 19.7 inches)
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Donna Gallant: 'Internal rose', 2010 Oil Painting, Floral.  A floral piece from my Close Up series exposing the interanl working of a rose.  Cool and myterious painted on 4 16 x 20
Floral - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Wayne Wilcox: 'Beale Street Juke Joint', 2011 Oil Painting, Cityscape.  Beale Street Memphis    ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Wayne Wilcox: 'Blues Man', 2010 Oil Painting, Figurative.   Beale Street Blues Player  ...
, 2010
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Asbjorn Lonvig: 'Teacher of Today', 2010 Etching - Open Edition, Abstract.  Asbjorn Lonvig's words: The teacher of today must simultaneously be able to entertain, communicate with parents, using a computer, reading aloud from a book, write on a blackboard, etc. while she, as a tightrope walker keeps balance. ...
Abstract - Etching - Open Edition
59 x 84 cm (23.2 x 33.1 inches)
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Asbjorn Lonvig: 'Teacher of Today', 2010 Etching - Open Edition, Abstract.  Asbjorn Lonvig's words: The teacher of today must simultaneously be able to entertain, communicate with parents, using a computer, reading aloud from a book, write on a blackboard, etc. while she, as a tightrope walker keeps balance.  ...
Abstract - Etching - Open Edition
59 x 84 cm (23.2 x 33.1 inches)
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(Page 10 of 358) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Hans-Ruedi Kammermann - Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    C. A. Hoffman - Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...