Contemporary Art For Sale Price Range: $1000 - $1999

Page 11 of 358
Over 10361 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Asbjorn Lonvig, Marie-france Busset, Lynda Lehmann, Grace Auyeung, Marcia Freedman, Franziska Turek, Cathy Dobson, Kichung Lizee, Jean Judd, Van De Ven, Manuela Facchin Varalda, Edem Elesh, Vincenzo Montella, Robert Arnold, Yoli Salmona, William Christopherson, Micha Nussinov, Lou Posner, Maciej Hoffman, Judith Smith Wilson, Wayne Wilcox, Donna Gallant, Hana Grosova for the follwing mediums: 1. Links to more artwork and 358 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Marie-france Busset: 'PLACE SOUS LES PLATANES', 2010 Oil Painting, Landscape.
Landscape - Painting
24 x 35 inches (61.0 x 88.9 cm)
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Lynda Lehmann: 'Festival', 2008 Acrylic Painting, Abstract Landscape.  Active and colorful abstract acrylic painting, lighthearted and slightly humorous, evokes a carnival or festival. ...
, 2008
Abstract Landscape - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Grace Auyeung: 'Impressio of Jiuzhaigou', 2009 Ink Painting, Landscape.   landscape, rapids, waterfall, Chinese landscape, ink wash painting  ...
Landscape - Painting
69 x 68 inches (175.3 x 172.7 cm)
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Marcia Freedman: 'JT  2', 2009 Printmaking, Abstract.   JT_ 2 is an abstract multi- media drawing on paper whose source was influenced by rock formations in the landscape.               ...
, 2009
Abstract - Printmaking
29 x 41 inches (73.7 x 104.1 cm)
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Franziska Turek: 'breath of life', 2010 Other Painting, Abstract.
Abstract - Painting
44 x 33 cm (17.3 x 13.0 inches)
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Franziska Turek: 'into the unknown', 2010 Other Painting, Abstract.
Abstract - Painting
31 x 41 cm (12.2 x 16.1 inches)
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Cathy Dobson: 'Dawn', 1990 Oil Painting, Floral. Original Oil Painting.Beautifully framed. ...
, 1990
Floral - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Kichung Lizee: 'Petroglyph Series 4', 2010 Mixed Media, Indiginous.  American South Western Petroglyph with Tibetan prayers ...
Indiginous - Mixed Media
36 x 62 inches (91.4 x 157.5 cm)
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Jean Judd: 'Serenity Tree', 2004 Textile Art, Abstract.  Reflective piece on mediation, sanctuary, and peace.  Hand quilted and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Mixed Sampler Quilt Guild Show, Siren Wisconsin, September 30- October 1, 2006.- - Arts in Harmony 07, Sherburne County Government Center in Elk River, MN...
Abstract - Textile Art
31 x 31 inches (78.7 x 78.7 cm)
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Jean Judd: 'Royal Pinwheels', 2004 Textile Art, Abstract.  One of several textile artworks featuring pinwheels as the design element.  Hand quilted and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Manchester National Juried Fine Art Exhibition at the 12 12 Gallery in Richmond, VA.  February 23, 2007 through March 18...
Abstract - Textile Art
28 x 28 inches (71.1 x 71.1 cm)
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Jean Judd: 'Coffee Time', 2005 Textile Art, Abstract. Isnt It Coffee Time is a birds eye view of a coffee cup with a clock inside.  Hand appliqued, heavily hand quilted, and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Additional juror selection for Not Your Grandmothers Quilt Show exhibition at ...
Abstract - Textile Art
22 x 22 inches (55.9 x 55.9 cm)
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Van De  Ven: 'The Garden in Spring digital raster vector ', 2013 Digital Painting, nature. This is an original vector and raster painting, made in two different programs. It is an abstract expression of spring blossom, and it explores the contrast between a faded photographic layer underneath, covered with a semi- trasparent layer of soft raster forms and bold vector shapes. It was created with ...
nature - Digital Painting
60 x 90 cm (23.6 x 35.4 inches)
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Manuela Facchin Varalda: 'Icon 7', 2010 Mixed Media, Figurative.  original artworkunique piecemixed nedia on canvas cm 100 x 100 ...
, 2010
Figurative - Mixed Media
40 x 40 inches (101.6 x 101.6 cm)
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Edem Elesh: 'burgundy goodbye', 2009 Mixed Media, undecided.
undecided - Mixed Media
48 x 24 inches (121.9 x 61.0 cm)
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Vincenzo Montella: 'Dragon in the city', 2009 Computer Art, Inspirational.
Inspirational - Computer Art
120 x 60 cm (47.2 x 23.6 inches)
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Robert Arnold: ' A House on Wahl Court', 2009 Monoprint, undecided.   Ink on paper  ...
undecided - Monoprint
7 x 5 inches (17.8 x 12.7 cm)
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Yoli Salmona: 'Blue river revisited', 2009 Mixed Media, Landscape.  From the Australian red west country ...
Landscape - Mixed Media
50 x 45 cm (19.7 x 17.7 inches)
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William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson. Title: 2009 Strathmore Series # 1 - The Res. The Woodland Reservoir, in the Strathmore area of Syracuses, the artists'boyhood home. A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Micha Nussinov: 'Obstructions', 2009 Other Photography, Abstract Figurative.  Colors in variable densities and light sources are juxtaposed and filtered through, to make obstructed image with fuzzy edges a dreamy world.The image is printed on canvas'Giclee print' , can be printed on other materials. ...
Abstract Figurative - Photograph
111 x 80 cm (43.7 x 31.5 inches)
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Micha Nussinov: 'Driftwaves', 2008 Other Photography, Fantasy.  The use of photographic images of nature, of man made items and of paintings, to lay out a beach scene with a space invader as the centre feature.The image is printed on canvas'Giclee print' , can be printed on other materials. ...
, 2008
Fantasy - Photograph
90 x 61 cm (35.4 x 24.0 inches)
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Lou Posner: 'Doc Theo Remembers Greece', 1998 Oil Painting, Ethereal.  Doc Theo psychiatrist strolls the palisades at his Palos Verdes, California, estate and remembers his homeland, Greece, pictured in the distance....
Ethereal - Painting
20 x 12 inches (50.8 x 30.5 cm)
Maciej Hoffman: 'Curve', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Judith Smith Wilson: 'Heads or Tails', 2009 Watercolor, Animals.  Lemurs - Open Edition Prints available for $35. 00. Original l200. 00 ...
Animals - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Wayne Wilcox: 'Upheaval', 2009 Oil Painting, Abstract Landscape.
, 2009
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
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Donna Gallant: 'Gladiola', 2008 Oil Painting, Floral.  Another piece from the UP CLOSE AND PERSONNEL SERIES.  This time it' s of a reddish, pink gladiola.  It' s created on three canvas panels - 16 x 20 each.It' s vibrant and rich. ...
, 2008
Floral - Painting
48 x 20 inches (121.9 x 50.8 cm)
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Donna Gallant: 'Amaryllis', 2008 Oil Painting, Floral.  Part of the series UP CLOSE AND PERSONNEL, this piece portrays the amaryllis.  Soft pinks and green intermngle creating a very lust and inviting image. It is actually created on 4 16 x 20 canvases and are put together to create the image. ...
, 2008
Floral - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Hana Grosova: 'Holy family', 2005 Oil Painting, Children.  Jesus Child with his family and persons around. ...
Children - Painting
24 x 28 cm (9.4 x 11.0 inches)
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Lynda Lehmann: 'Colliding Orbs Detail', 2009 Acrylic Painting, Abstract.  Bright, intense Abstract Expressionist painting, 24 x 36 inches on gallery- wrapped canvas.  This painting has an active, layered surface, with lots to look at.  The rich colors were made with only one red, one blue, and one yellow, and I added the violet and the white calligraphy at the...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lynda Lehmann: 'Colliding Orbs', 2009 Acrylic Painting, Abstract.  Bright, intense Abstract Expressionist painting, 24 x 36 inches on gallery- wrapped canvas.  This painting has an active, layered surface, with lots to look at.  The rich colors were made with only one red, one blue, and one yellow, and I added the violet and the white calligraphy at the...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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(Page 11 of 358) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I don't because of the obvious political implications. Let's just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that don't involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I don't understand ...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25 dollars. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know, buying here on absolutearts cuts ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....