Contemporary Art For Sale Price Range: $1000 - $1999

Page 2 of 346
Over 10008 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Becky Soria, Stefan Fiedorowicz, Michael Schaffer, Mac Worthington, Igor Shulman, Leo Evans, Paulo Medina, Steven Lamb, Nancy Bechtol, Ben Hotchkiss, Denise Dalzell, David Larkins, Philip Taylor for the follwing mediums: 1. Links to more artwork and 346 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Stefan Fiedorowicz: 'breath of a phrygian sky', 2019 Oil Painting, Abstract. Let s go out and feel the earth. It will keep us alive. We all need to become friends of the Mother Earth.  In view of the current trend of climate warming, I was inspired to paint this particular work.  Our planet has been wounded big time and she needs ...
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Michael Schaffer: 'Nighttime at Eagle Beach', 2021 Mixed Media, Abstract. This is the second of my organic nighttime beach paintings.  I use sand, pumice rocks, and inks.The first of this series of nighttime beach series isNighttime Storm . ...
Abstract - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Mac Worthington: 'misplaced stranger', 2021 Acrylic Painting, Abstract. Acrylic on stretched canvas. - May be hung vertically or horizontallyAvailable. Signed   dated. Certificate of Authenticity.Delivery, installation   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Painting
72 x 23 inches (182.9 x 58.4 cm)
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Igor Shulman: 'let off', 2021 Oil Painting, Atmosphere. There are situations where forgiveness is not possible. This process is very stressful and unpleasant for everyone.But in most cases, we are willing to forgive. It s very nice to forgive. Especially a loved one. And the point here is not even the severity of the offense. And in ...
, 2021
Atmosphere - Painting
20 x 27 inches (50.8 x 68.6 cm)
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Leo Evans: 'babe ms jones', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'kristina', 2021 Mixed Media, Digital. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Digital - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'grace', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'cr', 2021 Mixed Media, Abstract. Six Mixed Media Abstract drawings of women I once knew. ...
, 2021
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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Paulo Medina: 'emmaus', 2021 Acrylic Painting, Religious. This is the time to go back to Emmaus...
, 2021
Religious - Painting
77 x 97 cm (30.3 x 38.2 inches)
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Steven Lamb: 'cafe chat', 2017 Mixed Media, Figurative. The Cafe and BistroaEURtms scenes have always inspired me. I often observe these scenes and they get printed in my memory. Sometimes, IaEURtmve been watching these events closely, trying to explain the situation psychologically. I am aware that this is my interpretation, but this is the art, seen ...
, 2017
Figurative - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
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Mac Worthington: 'needles eye', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Sculpture
36 x 38 inches (91.4 x 96.5 cm)
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Mac Worthington: 'waiting', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract - Sculpture
20 x 61 inches (50.8 x 154.9 cm)
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Nancy Bechtol: 'multimix peoples engaged', 2019 Other Photography, Abstract Figurative. Pattern People show the variety of visuals to engage the subject. here is abstract humans in pattern...
Abstract Figurative - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Igor Shulman: 'the alleged portrait', 2021 Oil Painting, People. Another middle- aged painting from the storeroom.It so happened that I do not have a single photograph of my grandfathers.They were killed many years before I was born. In the 30s in the Soviet Union. In different parts of the country, at about the same time.I know ...
People - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ben Hotchkiss: 'Composition 2268', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series of abstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2267', 2011 Oil Painting, Abstract. It is a painting that is a part of a 2 foot by 2 foot series that i paintedabout ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2266', 2011 Oil Painting, Abstract. It is a painting that is part of a 2 foot by two foot series that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Ben Hotchkiss: 'Composition 2259', 2011 Oil Painting, Abstract. It is a painting that is part of a series of 2 foot by 2 footabstract oils that I painted about ten years ago. ...
Abstract - Painting
2 x 2 feet (0.61 x 0.61 m)
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Steven Lamb: 'sold winter in montreal', 2018 Mixed Media, Figurative. Typical Montreal winter scene. ...
Figurative - Mixed Media
12 x 24 inches (30.5 x 61.0 cm)
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Igor Shulman: 'freelance', 2014 Oil Painting, Atmosphere. The era of freelancing is long overdue. And some all think that this is some kind of misunderstanding. Global changes have improved my life. But I ve been freelancing all my life. And for many, this is a novelty.Fear nothing, much less freedom. Freedom is never too much Where ...
, 2014
Atmosphere - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Steven Lamb: 'not yet', 2021 Mixed Media, Figurative. A man in a bar looked subdued and hesitated. All his Face projected that he is not ready. What was that all about , who knows, but it became an inspiration for that small painting. ...
, 2021
Figurative - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
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Steven Lamb: 'now or never', 2020 Mixed Media, Figurative. One of my favorite places to observe people is in in the Bar. Again a couple having argued finished with the woman giving orders to her Husband or Boyfriend. My wild guess was that s about stopping drinking, because the woman did not have a drink. ...
Figurative - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
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Denise Dalzell: 'union square', 2021 Acrylic Painting, Impressionism. An illustration of a memory and looking forward to being out together. ...
Impressionism - Painting
30 x 24 inches (76.2 x 61.0 cm)
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David Larkins: 'a trippen of goats', 2021 Oil Painting, Farm. One of our frequent places to visit and purchase our dairy is Calder Dairy Farm s.A leisurely groupTrippenof goats and a donkey enjoy a sunny afternoon.The blue sky reflection tells us the weather without seeing the sky.  ...
Farm - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Philip Taylor: 'every thing plus 26 secs', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You can ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'mason dixon line', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'downstairs blues upstairs', 2021 Acrylic Painting, Abstract. Painting Acrylic, Conte on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'quail hunting', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Mac Worthington: 'horizontal reflection', 2021 Aluminum Sculpture, Abstract. Custom metal wall sculpture polished with a machine brush finish painted acrylic enamel flame red   chrome yellow. ...
Abstract - Sculpture
55 x 28 inches (139.7 x 71.1 cm)
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Michael Schaffer: 'mans earth', 2021 Mixed Media, Abstract. A painting about Global Warming.  It s a story about man creating a new and polluted world from a clean and pristine earth. ...
, 2021
Abstract - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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(Page 2 of 346) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Mac Worthington - Mac Worthington - Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Philip Taylor - Statement By applying abstraction, Taylor creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His paintings do not reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Through experimentation, he finds that movement reveals an inherent awkwardness and echoes our own vulnerabilities. His works feature coincidental, accidental and unexpected connections. By questioning the concept of movement, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective, and unfiltered, are frequently revealing. aEURoeThe process of making art for me is emotionally charging and spiritual.aEUR Bio Taylor grew up in the Mississippi river valley along the legendary highway 61 corridor in southern Minnesota as well as summering along the east cost. In the mid 1990s Taylor first became interested in abstract painting after being confronted with a Jackson Pollock work during a pivotal visit to the National Gallery of Art in Washington D.C. He has a B.A. in Studio Art and attended classes at the Arts Students League of ...