Contemporary Art For Sale Price Range: $1000 - $1999

Page 3 of 345
Over 9991 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Ben Hotchkiss, Igor Shulman, David Larkins, Philip Taylor, Mac Worthington, Michael Schaffer, Jerry Di Falco, Peter Seminck, William Christopherson, William B Hogan, Stefan Fiedorowicz, Joyce Waddell Bailey, Larysa Uvarova, Teri Paquette, Rhoda Taylor, Everet Lucero, Jim Lively for the follwing mediums: 1. Links to more artwork and 345 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Igor Shulman: 'freelance', 2014 Oil Painting, Atmosphere. The era of freelancing is long overdue. And some all think that this is some kind of misunderstanding. Global changes have improved my life. But I ve been freelancing all my life. And for many, this is a novelty.Fear nothing, much less freedom. Freedom is never too much Where ...
, 2014
Atmosphere - Painting
24 x 18 inches (61.0 x 45.7 cm)
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David Larkins: 'a trippen of goats', 2021 Oil Painting, Farm. One of our frequent places to visit and purchase our dairy is Calder Dairy Farm s.A leisurely groupTrippenof goats and a donkey enjoy a sunny afternoon.The blue sky reflection tells us the weather without seeing the sky.  ...
Farm - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Philip Taylor: 'every thing plus 26 secs', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You can ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'mason dixon line', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'downstairs blues upstairs', 2021 Acrylic Painting, Abstract. Painting Acrylic, Conte on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Philip Taylor: 'quail hunting', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Mac Worthington: 'horizontal reflection', 2021 Aluminum Sculpture, Abstract. Custom metal wall sculpture polished with a machine brush finish painted acrylic enamel flame red   chrome yellow. ...
Abstract - Sculpture
55 x 28 inches (139.7 x 71.1 cm)
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Michael Schaffer: 'mans earth', 2021 Mixed Media, Abstract. A painting about Global Warming.  It s a story about man creating a new and polluted world from a clean and pristine earth. ...
, 2021
Abstract - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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Jerry  Di Falco: 'ancestral dreams', 2021 Mixed Media, Archetypal. FULL TITLE IS ANCESTRAL DREAMS AND UNDERGROUND STARSPainting on two canvases.DiFalcoaEURtms two- panel paintingaEUR
Archetypal - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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Michael Schaffer: 'global warming', 2020 Mixed Media, Abstract. This work is a symbolic abstract piece.  To the right, the world is a pristine blue. To the left, modern forces cause the blue to fade into a variety of colors to symbolize man s muddy and careless impact. And above, in a yellow haze, the people are trapped to ...
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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Peter Seminck: 'mediterranean kiss', 2020 Acrylic Painting, People. Always nice to be surprised by a spontaneous sign of affection...
People - Painting
47 x 32 inches (119.4 x 81.3 cm)
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Peter Seminck: 'kiss from a rose', 2020 Acrylic Painting, Love. Paris is not the only city of love . . . ...
Love - Painting
32 x 39 inches (81.3 x 99.1 cm)
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William Christopherson: 'Melissa Desgagnes 2020', 2020 Oil Painting, Seascape.  This artwork completed forthe Un Masked - Impressions of a Pandemicartist s exhibit at the River Muse Art Gallery Studio in Clayton NY.  This special event invited artist s creations inspired by and during the 2020 Covid- 19 pandemic period.  Here, the journey of the Melissa Desgagnes symbolicly represents the challenging...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Peter Seminck: 'private kiss', 2020 Oil Painting, People. Come rain or shine, an umbrella can be useful...
People - Painting
39 x 39 inches (99.1 x 99.1 cm)
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William B Hogan: 'self with friends', 2020 Acrylic Painting, Animals. self portrait with friends...
Animals - Painting
23 x 34 inches (58.4 x 86.4 cm)
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William B Hogan: 'magrittes pipe dreams', 2020 Acrylic Painting, Fantasy. Magrittes Pipe dreams of other images...
Fantasy - Painting
30 x 30 inches (76.2 x 76.2 cm)
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William B Hogan: 'wound up in lala land', 2020 Acrylic Painting, Surrealism. I find LA to be surreal, colorful, majestic, warm, crazy, absurd, ceative, fast with the rhythms of highways and busy angelenos. An exciting city.  ...
Surrealism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Peter Seminck: 'la vie en rose', 2020 Acrylic Painting, People. Covid19 will not stay forever . . . ...
People - Painting
32 x 47 inches (81.3 x 119.4 cm)
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Stefan Fiedorowicz: 'daylight kissing the sky', 2020 Oil Painting, Abstract. Daylight Kissing The SkyBetween reality on the one hand, and the point where the mind strikes reality, thereaEURtms a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blue to provide what life does not: and this is the space ...
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Joyce Waddell Bailey: 'Civilization and Culture', 2020 Digital Photograph, Representational. Civilization and Culture was a pleasure to work on because I could combine botanical icons with a well- known communication tool.  This all started after a long night in a cave in Hunter MountainSedona, AZ.  see Power of the Pencil description.  The sleekness of the pencil contrasts with the more ...
Representational - Photograph
36 x 27 inches (91.4 x 68.6 cm)
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Igor Shulman: 'dangerous meeting', 2020 Oil Painting, Atmosphere. Agree, such a meeting can only be seen in the movies. Well, also in my pictures. This picture is about the collision of energies, the clash of destinations, the clash of civilizations and cultures. A painting about the collision of life and death.You and I do not know how ...
Atmosphere - Painting
27 x 27 inches (68.6 x 68.6 cm)
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Larysa Uvarova: 'deep nature', 2018 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Larysa Uvarova: 'purple deep', 2018 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Larysa Uvarova: 'gold memories', 2019 Mixed Media, Abstract. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
Abstract - Mixed Media
60 x 80 cm (23.6 x 31.5 inches)
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Larysa Uvarova: 'infinite memories', 2017 Oil Painting, Abstract. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
Abstract - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Teri Paquette: 'home garden', 2020 Oil Painting, Landscape. ORIGINAL OIL FEATURES A PATH TO HOME WITH FLOWERS- TREES- HOME IN BACKGROUND- SIGNED- FRAMED- - VARNISHED...
Landscape - Painting
23 x 28 inches (58.4 x 71.1 cm)
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Rhoda Taylor: 'reminisce', 2020 Ink Drawing, Fantasy. Detailed penwork   colour Gouache   Fantasy...
, 2020
Fantasy - Drawing
24 x 19 inches (61.0 x 48.3 cm)
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Everet Lucero: 'the body is gentle', 2019 Oil Painting, Beauty. The Body Is Gentle The Breath Is SweetPart of a small series I did last year, which became the main focus for most of the oil paintings from 2019. An eroticism based not around an idea of glamor or really, consumerism. I wanted to look at skin, at flesh ...
Beauty - Painting
29 x 40 inches (73.7 x 101.6 cm)
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Jim Lively: 'industrial moon', 2020 Acrylic Painting, Abstract. Acrylic on Gallery Wrapped Canvas...
Abstract - Painting
30 x 48 inches (76.2 x 121.9 cm)
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Teri Paquette: 'early morning fishing', 2020 Oil Painting, Landscape. DRIVING EARLY ONE MORNING- WE CAME UPON THIS SIGHT OF MEN FISHING- THE MORNING DEW WAS STILL ON AL THE FOLIAGE- IT WAS GLISTENING AND STRIKING TO SEE- FRAMED- PAINTED ON STRETCHED CANVAS- SIGNED...
Landscape - Painting
22 x 14 inches (55.9 x 35.6 cm)
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(Page 3 of 345) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    Ben Hotchkiss - David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Philip Taylor - Statement By applying abstraction, Taylor creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His paintings do not reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Through experimentation, he finds that movement reveals an inherent awkwardness and echoes our own vulnerabilities. His works feature coincidental, accidental and unexpected connections. By questioning the concept of movement, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective, and unfiltered, are frequently revealing. aEURoeThe process of making art for me is emotionally charging and spiritual.aEUR Bio Taylor grew up in the Mississippi river valley along the legendary highway 61 corridor in southern Minnesota as well as summering along the east cost. In the mid 1990s Taylor first became interested in abstract painting after being confronted with a Jackson Pollock work during a pivotal visit to the National Gallery of Art in Washington D.C. He has a B.A. in Studio Art and attended classes at the Arts Students League of ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    William B Hogan - Statement My paintings are inventions form my imagination and start where my mind, eyes, conscious and unconscious meet. I start by sketching ideas that inspire my imagination and design them into a composition of my unusual visual reality. With pen and ink on 8x11 paper I sketch my ideas until I reach a satisfactory visual compositional solution. Transforming a blank canvas has always been a magic, challenging and exciting journey. My images in composition always seems to be in some state of magic and discovery. The magic begins by taking a visual idea and creating a composition that embraces my ideas on a blank surface and the creative discovery is building the painting with color one brush stroke after another until my idea meets my visual reality. The last brush stroke of my finished painting is the stimulus to begin the journey of another. Biography When I was in 6th grade I won a competition to do the cover for the Christmas pageant. The size was 5 12 x 8- 12, vertical. I drew the driver sitting in a sleigh wearing a cap with ear flaps, not ear muffs. It was snowing of course. I thought the flaps looked neat. ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...