Contemporary Art For Sale Price Range: $1000 - $1999

Page 4 of 358
Over 10355 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Paulo Medina, Jinsheng You, Stefan Fiedorowicz, C. A. Hoffman, Wayne Quilliam, David Larkins, Becky Soria, Denise Dalzell, Deborah Paige Jackson, Eileen Seitz, Andrew Wielawski, Judith Fritchman, Tracy Brown, Daniel Clarke for the follwing mediums: 1. Links to more artwork and 358 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Jinsheng You: 'abstract 540', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
60 x 90 cm (23.6 x 35.4 inches)
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Jinsheng You: 'party 538', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
, 2019
Abstract - Painting
60 x 120 inches (152.4 x 304.8 cm)
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Paulo Medina: 'moises y la zarza ardiente', 2020 Acrylic Painting, Religious. Burning bush...
Religious - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Stefan Fiedorowicz: 'messing up the roses', 2018 Oil Painting, Abstract. I offer my work so that people can perhaps see some parts of themselves reflected in the work. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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C. A. Hoffman: 'painted love', 2020 Digital Painting, Abstract. This is an original photo that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Digital Painting
20 x 16 inches (50.8 x 40.6 cm)
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Wayne Quilliam: 'linali', 2020 Infrared Photograph, Nature. Indigenous artist Wayne Quilliam listens to his ancestors as they share the stories of creation.  ...
, 2020
Nature - Photograph
80 x 60 cm (31.5 x 23.6 inches)
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Wayne Quilliam: 'connection', 2020 Color Photograph, Nature. australian aboriginal photographer wayne quilliam captures the essence of land and culture through his photography...
, 2020
Nature - Photograph
60 x 60 cm (23.6 x 23.6 inches)
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Wayne Quilliam: 'art of wayne quilliam', 2020 Other Photography, Nudes. Indigenous artist wayne quilliam decodes and deciphers culture through photographic art...
Nudes - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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David Larkins: 'lake michigan cold front', 2020 Oil Painting, Seascape. Snow squalls pass and the brisk cold air advances from the northwest across thr big lake.Capturing the cold clean atmosphere was my goal when I painted this amazing scene in Elberta, Michigan. ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Wayne Quilliam: 'djwarr', 2020 Mixed Media Photography, Nudes. aboriginal artist wayne quilliam captures the spirit of the land and sea through his photographs. ...
, 2020
Nudes - Photograph
110 x 80 mm ( x )
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Becky Soria: 'dancing muse', 2020 Mixed Media, Abstract Figurative. From the collection Muses and Godesses...
Abstract Figurative - Mixed Media
12 x 36 inches (30.5 x 91.4 cm)
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Becky Soria: 'aura gracilis', 2020 Acrylic Painting, Abstract Figurative. from the collection of Muses and Goddesses...
Abstract Figurative - Painting
20 x 37 inches (50.8 x 94.0 cm)
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Denise Dalzell: 'approaching', 2020 Acrylic Painting, People. A view from within  an approaching march, London 2019...
People - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Becky Soria: 'crescent moon goddess', 2019 Mixed Media, Abstract Figurative. from the Collection  Recalling the Goddess ...
Abstract Figurative - Mixed Media
20 x 40 inches (50.8 x 101.6 cm)
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Becky Soria: 'missummer goddess', 2019 Mixed Media, Abstract Figurative. From the collection Recalling the Goddess...
Abstract Figurative - Mixed Media
16 x 40 inches (40.6 x 101.6 cm)
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Deborah Paige Jackson: 'tulip time', 2018 Watercolor, Floral. A garden in the park full of tulips. ...
, 2018
Floral - Watercolor
16 x 12 ( x )
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Deborah Paige Jackson: 'michigan snow', 1982 Watercolor, Landscape. Snow scene from photograph taken by me during a visit to Michigan State, East Lansing. ...
Landscape - Watercolor
28 x 36 inches (71.1 x 91.4 cm)
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Eileen Seitz: 'Fin Tasia', 2020 Watercolor, Fish. watercolor, of angel fish, blue tang, clownfish, harmony tropical colorful...
, 2020
Fish - Watercolor
30 x 18 inches (76.2 x 45.7 cm)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Judith Fritchman: 'end of day october', 2018 Oil Painting, Landscape. An October sunset illuminates a Bucks County barn. ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Judith Fritchman: 'january sunrise', 2018 Oil Painting, Landscape. A January sunrise in Bucks County gilds the neighbors  farm with gold. ...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Judith Fritchman: 'thespian dreams', 1997 Oil Painting, Portrait. A young theater director dreams of her next play. ...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Judith Fritchman: 'crab patrol', 2018 Oil Painting, Figurative. Three young cousins make a happy discovery at the beach. ...
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Tracy Brown: 'the heavens in blue grey', 2011 Other Photography, Abstract. Signed fine art work with certificate of authenticity.  Printed on Hahnemuhle Museum Etching paper with HDX Inks, archival certified.  The image isprinted without watermark and is signed.  There is a 3 inch diameter white boarder surrounding the 20 x 20 inch image for framing. A ...
Abstract - Photograph
20 x 20 inches (50.8 x 50.8 cm)
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Tracy Brown: 'rebuilding the warrior', 2018 Other Photography, History. Signed fine art work with certificate of authenticity.  Printed on Hahnemuhle Museum Etching paper with HDX Inks, archival certified.  The image isprinted without watermark and is signed.  There is a 3 inch diameter white boarder surrounding the 18 x 12 inch image for framing. A ...
History - Photograph
18 x 12 inches (45.7 x 30.5 cm)
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Deborah Paige Jackson: 'fierce ii', 2019 Watercolor, Figurative. The second piece depicting women in a role of power. ...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Deborah Paige Jackson: 'fierce I', 2019 Watercolor, Figurative. This piece is part of a series showing power in women.women, woman, powerful, control, fierce...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Stefan Fiedorowicz: 'secrets make you lonely', 2019 Acrylic Painting, Abstract. We share more than words when we share a secret.  Revealing a deep one releases a tremendous burden. ...
Abstract - Painting
80 x 70 cm (31.5 x 27.6 inches)
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Daniel Clarke: 'northern michigan colors', 2019 Acrylic Painting, Landscape. The green elm with the one great bough of goldLets leaves into the grass slip, one by one, - -The short hill grass, the mushrooms small milk- white,Harebell and scabious and tormentil,That blackberry and gorse, in dew and sun,Bow down to  and the wind travels too light...
Landscape - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Andrea Mulcahy: 'journey within', 2019 Acrylic Painting, undecided. Journey into your deepest thoughts...
undecided - Painting
25 x 37 inches (63.5 x 94.0 cm)
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(Page 4 of 358) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Deborah Paige Jackson - I love art and design in all forms and medium, in every aspect of my life. It's a part of who I am and something I can't get away from. I try to use true to life situations when possible. My favorite medium is watercolor because of the beauty of it. It seems to have a life of it's own as it flows and connects with the paper. Yet, the medium forces me to think and use extraordinary control. I am at a point in my life where the thought of art, design, and all the components involved in them consume my thinking. It shows up in my home in decorating, in my garden with landscaping, in my work, even with my family. I look forward to increasing my art presence in my portfolio here and in as many venues as possible. To all who view my work, I wish you much enjoyment. ...

    Eileen Seitz - I was born and raised on the Island of Manhattan, NYC. My spirit learned early about the concrete jungle with its melting pot of cultures and the grand variety of NYC's architecture . It was at the age of 16 that I first traveled to the tropical green jungles OF THE Caribbean. I saw the turquoise seas, the foliage, the flowers when i felt the truth and beauty there overwhelming while inspiring me. Seeing the flow of nature with its colors and harmonies,I feel to bring to life both on paper and canvas. My true joy, comes from two things, the acutal art of painting of letting the spirit speak through my brush, and seeing that spirit reborn in the faces and hearts of the people who come to share my anonymous gift....

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Tracy Brown - The photographer, Tracy Brown, has a wide range of photographic subject matter in her portfolio.A Life has many paths which she has explored.A She started her passion in photography while doing medical and humanitarian work many years ago. The joy of capturing the people and places visited by the few, inspired the concept of sharing these things with the world. She plans to continue her medical and humanitarian work by financing projects through her photography endeavors. She looks forward to you joining her on the new Poetry In Pictures website coming online the beginning of 2020. TracyA is excited to share the stories of the people and places which have blessed her life, to be featured on the website.A The birth of this dream would not have been possible without the whole team at Poetry In Pictures. From everyone at Poetry In Pictures, thank you for sharing with us lifes journey in pictures. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...