Contemporary Art For Sale Price Range: $1000 - $1999

Page 7 of 358
Over 10356 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Van De Ven, Marino Chanlatte, Michael Fornadley, Austen Pinkerton, Edna Schonblum, Marsha Bowers, Rhoda Taylor, Francisco Landazabal, Bonie Bolen, Azhar Shemdin, Sangeetha Bansal, Terri Higgins, Nancy Bechtol, Daniel Clarke, Robert H. Stockton, Kathryn Arnold, John Sims, Luiz Henrique Azevedo, Walther Von Krenner for the follwing mediums: 1. Links to more artwork and 358 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Marino Chanlatte: 'ocean 63', 2017 Acrylic Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born on an island the ocean has always been ...
, 2017
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Fornadley: 'The first born', 2017 Oil Painting, Figurative.
Figurative - Painting
55 x 38 inches (139.7 x 96.5 cm)
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Austen Pinkerton: 'jumping fish', 2017 Handbuilt Ceramics, Fish. Fishing Water Jumping Trout Rivers Streams Sport...
Fish - Ceramics
350 x 300 mm ( x )
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Edna Schonblum: 'shadows 6', 2017 Oil Painting, Urban.
, 2017
Urban - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Marsha Bowers: 'parrot with magnolias', 2017 Oil Painting, Birds. Oil on canvas, Parrot withMagnolias...
Birds - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Rhoda Taylor: 'unseasonal seasons', 2017 Ink Drawing, Fantasy. Using not only pen ink but gouache to enhance Life as we imagine...
Fantasy - Drawing
22 x 30 inches (55.9 x 76.2 cm)
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Marino Chanlatte: 'the angel', 2006 Oil Painting, Religious. The Angel is inspired on the Gospel of Luke account of the Annunciation, when the angel Gabriel appeared to Mary and announced her divine selection to be the mother of Jesus.This painting is framed and ready to hang, the dimensions with frame are: 36  vertical by 41. 5  horizontal. ...
, 2006
Religious - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Rhoda Taylor: 'snap dragons', 2017 Pen Drawing, Fantasy. Imagination...
Fantasy - Drawing
22 x 30 inches (55.9 x 76.2 cm)
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Francisco Landazabal: 'beetle', 2017 Acrylic Painting, Automotive. Beetle, old car, old city, blue tones...
, 2017
Automotive - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Bonie Bolen: 'peace', 2017 Other, nature. Oil painting of scene kayaking in the Wayne National Forest, OH...
, 2017
nature - Other
48 x 48 inches (121.9 x 121.9 cm)
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Azhar Shemdin: 'fresh', 2017 Acrylic Painting, Abstract Landscape. Liquid acrylic on stretched canvas...
, 2017
Abstract Landscape - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Sangeetha Bansal: 'bath', 2016 Oil Painting, Fantasy.  Original oil painting of an apsara celestial dancer, about to take a bath. Her handmaidens are helping her prepare for it. Its a very regal piece of art with shades of black and white and color. Its set against the backdrop of a starry night.apsara, bath, handmaidens, night, lamps...
, 2016
Fantasy - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Terri Higgins: 'Passenger in a Taxicab', 2017 Oil Painting, Geometric.  When you allow others to make all the decisions, you are not in control of your life. ...
Geometric - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Nancy Bechtol: 'grassgalsmellgoodsmell', 2017 Other Photography, Abstract Figurative. noses, funny, grass, person...
Abstract Figurative - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Daniel Clarke: 'after the spring rain', 2017 Acrylic Painting, Landscape. After a cool spring rain near Palm Springs the California landscape looks so inviting full of flowers desert joy and impressionism blissfulness...
Landscape - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Robert H. Stockton: 'Gleneden Avenue Oakland 1968', 2016 Mixed Media, Other.
Other - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Kathryn Arnold: 'inspiration', 2016 Mixed Media, Abstract. Kathryn Arnold, Black   White, contemporary, Abstractiion, on paper...
Abstract - Mixed Media
43 x 45 inches (109.2 x 114.3 cm)
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Kathryn Arnold: 'a lot of birds outside today', 2016 Mixed Media, Abstract. Mixed Media, on paper, Abstract, Kathryn Arnold, Black   White...
Abstract - Mixed Media
60 x 52 inches (152.4 x 132.1 cm)
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Azhar Shemdin: 'Lake Ontario at Night', 2016 Acrylic Painting, Cityscape.  From my studio window this is how I see the city of Hamilton located by Lake Ontario, at night. ...
Cityscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Azhar Shemdin: 'Flowering', 2016 Acrylic Painting, Abstract.  Liquid acrylic on stretched canvas using resist materials to spread the paint and control its flow. ...
, 2016
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Kathryn Arnold: 'Central flower in trinagle', 2016 Mixed Media, Abstract.               Kathryn Arnold, black  white on paper, mixed media, Abstract, Abstraction               ...
Abstract - Mixed Media
51 x 51 inches (129.5 x 129.5 cm)
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John Sims: 'After walking in the woods, Autumn', 2015 Watercolor, Abstract Landscape.  Landscape Made from memory after walking in the woods...
Abstract Landscape - Watercolor
45 x 39 cm (17.7 x 15.4 inches)
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John Sims: 'Playing with Rubens ', 2015 Watercolor, Mythology.          Animalfantasyfigure  figurative, nude, girl, arthistory, mythology          ...
Mythology - Watercolor
56 x 45 cm (22.0 x 17.7 inches)
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Marino Chanlatte: 'Labyrinth 2', 2016 Oil Painting, Abstract. I started working on this series of abstract paintings guided by my instinct, from the inside out. Leaving my hand flow with the pallet knife as a sculpting tool, mixing colors directly on the canvas until I get the results that make me feel pleased. UNSTRETCHED CANVAS ROLLED IN A ...
Abstract - Painting
36 x 46 inches (91.4 x 116.8 cm)
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Sangeetha Bansal: 'Celebrating the goddess', 2016 Oil Painting, People.  Original oil painting celebrating the Hindu festival of Navratri. These nine days of festivities celebrate the various forms of the goddesses. This art is my interpretation of the goddess. Shes at the center of the art as Sita in a scene from the Ramayana. Shes seen as Laxmi- the giver...
People - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Azhar Shemdin: 'Golden Marine', 2016 Acrylic Painting, Fish. Free flowing marine figures in golden atmosphere. Liquid acrylics. Original painting on stretched canvas. ...
Fish - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Luiz Henrique Azevedo: 'Memories', 2012 Oil Painting, Abstract Landscape.  Memories of my youth. ...
, 2012
Abstract Landscape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Walther Von Krenner: 'Running Water', 2016 Acrylic Painting, Abstract.                                         Abstract Expressionist running stream and waterfall in landscape                                                                           ...
Abstract - Painting
13 x 9 inches (33.0 x 22.9 cm)
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Bonie Bolen: 'Christmas Eve', 2016 Oil Painting, nature.
nature - Painting
48 x 72 inches (121.9 x 182.9 cm)
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Youri Messen-jaschin: 'ARTIFACT I', 2016 Serigraph, Optical. 2 awards in USA 20193D effects can not be perceived by the photo objective, you have to see the original to discover all effects, the red is metallic. 115 prints15 prints | Print 69 x 69,5 cm | Mirriboard Paper 365 gm2 | 2016 | Packaging, insurance, transport not include in the ...
, 2016
Optical - Serigraph
70 x 69 cm (27.6 x 27.2 inches)
(Page 7 of 358) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Daniel Clarke - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...