Contemporary Art For Sale Price Range: $1000 - $1999

Page 7 of 303
Over 8771 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Jim Lively, Valda Fitzpatrick, Dr. Muberra Bulbul, Rhoda Taylor, Tom Lund-lack, Youri Messen-jaschin, Nancy Bechtol, Harry Weisburd, Isaac Brown, Jose Freitascruz, Grace Auyeung, Carlos Camus, Sheri Smith, Rita Levinsohn, Edna Schonblum, Daniel Clarke, Nicholas Down, Steven Lamb for the follwing mediums: 1. Links to more artwork and 303 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Valda Fitzpatrick: 'snow covered swiss alps', 2019 Oil Painting, Landscape. Swiss alps during winter, one of my favorite countries to visit. I paint it often which often serves as an  inspiration for me. I chose to paint this landscape in larger size , as it reflects the beauty of the gigantic mountains so well, which also permitted me to addmore ...
Landscape - Painting
38 x 16 ( x )
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Dr. Muberra Bulbul: 'Natural ', 2019 Acrylic Painting, Abstract. Mix technical on canvas...
, 2019
Abstract - Painting
35 x 50 cm (13.8 x 19.7 inches)
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Dr. Muberra Bulbul: 'Nude man', 2019 Other Painting, Abstract Figurative. Acrylic, mix media, mix technical on canvas...
, 2019
Abstract Figurative - Painting
1 x 40 cm (0.4 x 15.7 inches)
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Rhoda Taylor: 'suggestion of winter', 2019 Other Painting, Fantasy. Winter Thoghts...
Fantasy - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Tom Lund-lack: 'energy 27', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper.  This is a somewhat disorganised field of scattred riders and horses.  ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Youri Messen-jaschin: 'serendipity', 2019 Serigraph, Optical. Op art15 print 1 15Paper 55 x 75 cmPrint 31 x 31 cmSomerset | Velvet | 100 coton | 280 g m2Packaging, insurance, transport not include in the price.A(r) 2019 Prolitteris 8024 ZA1/4richA(c) 2019 Youri Messen- Jaschin...
Optical - Serigraph
55 x 75 cm (21.7 x 29.5 inches)
Nancy Bechtol: 'spirit of lee groban', 2010 Mixed Media Photography, Famous People. Lee Groban.  the Cure for Insomnia.  RIPartist.  Archival Print Epson.  framed limited edition 2 of 5  COA   collector item...
Famous People - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Tom Lund-lack: 'Uninhibted Joy ', 2019 Pastel, Equine. The uninhibited joy of being a grey hound able to run like thewind.  Pastel on 300gsm Mi Teinte pastel paper...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'jump a little higher please', 2019 Pastel, Equine. The athleticism of the greyhound is something elseThis piece aims to capture the essence of their agility.  The medium is Terry Ludwig soft pastels and charcoal on Mi Teintes 300 gsm pastel paper. ...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Harry Weisburd: 'happy hour love and romance', 2018 Watercolor, Figurative. Happy Hour Love and Romance...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'strangers in the nigh', 2018 Watercolor, Figurative. Strangers in the might  love and romance met at happy hour ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Isaac Brown: 'static rhythm', 2015 Oil Painting, Abstract.
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'the secret', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Nancy Bechtol: 'digitalmindsetonron', 2018 Digital Art, Portrait. Digital Mindset Series explores the depths of transposing the original photo with digital vibes  2 of 5 with COA...
Portrait - Digital Art
16 x 20 inches (40.6 x 50.8 cm)
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Jose Freitascruz: 'le chant des rizieres 02', 2018 Acrylic Painting, Abstract Landscape. Laos, the song of the rice fields - the vietnamese plants the rice fields, the cambodian watches it grow, the lao listens to its song, the thai harvests the crop, the chinese sells the rice. . . ...
Abstract Landscape - Painting
196 x 60 cm (77.2 x 23.6 inches)
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Jose Freitascruz: 'japonisme 02', 2018 Acrylic Painting, Abstract Landscape. japan - waves crashing on a stormy sea with distant hills and torii running through. . . ...
Abstract Landscape - Painting
126 x 32 cm (49.6 x 12.6 inches)
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Grace Auyeung: 'land of rivers 1', 2011 Other Painting, Abstract Landscape. LAND OF RIVERS depicts the main substance, the abundance and beauty of Nature on which human existence rely on. ...
Abstract Landscape - Painting
61 x 79 cm (24.0 x 31.1 inches)
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Grace Auyeung: 'compassion', 2012 Ink Painting, Portrait. A FACE PORTRAYING MOTHER THERESA, S COMPASSIONATE EXPRESSION WITH DOLEFUL EYES...
, 2012
Portrait - Painting
26 x 36 cm (10.2 x 14.2 inches)
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Carlos Camus: 'figuras', 2010 Digital Painting, Abstract. arte, pintura, original, decoraciA3n, regalo...
, 2010
Abstract - Digital Painting
10 x 12 inches (25.4 x 30.5 cm)
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Sheri Smith: 'enchanted by larry gray', 2009 Giclee, Music. Enchanted by Larry Gray...
Music - Giclee
24 x 63 inches (61.0 x 160.0 cm)
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Rita Levinsohn: 'last look', 2018 Acrylic Painting, Animals. These animals are facing possible extinction...
, 2018
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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Daniel Clarke: 'pamplin grove ca', 2018 Acrylic Painting, Landscape. The redwood is the glory of the Coast Range. It extends along the western slope, in a nearly continuous belt about ten miles wide, from beyond the Oregon boundary to the south of Santa Cruz, a distance of nearly four hundred miles, and in massive, sustained grandeur and closeness of ...
Landscape - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Nicholas Down: 'northern shadows', 2018 Acrylic Painting, Abstract Landscape. Acrylic Medium and Charcoal on Gesso Board...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Jim Lively: 'the white album and friends', 2018 Acrylic Painting, Landscape. contemporary, viny, album...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Steven Lamb: 'SOLD witness', 2016 Mixed Media, Figurative.
Figurative - Mixed Media
16 x 24 inches (40.6 x 61.0 cm)
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Steven Lamb: 'street in montreal', 2017 Mixed Media, Figurative.
Figurative - Mixed Media
24 x 16 inches (61.0 x 40.6 cm)
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(Page 7 of 303) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...

    Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Grace Auyeung - Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...