Contemporary Art For Sale Price Range: $1000 - $1999

Page 8 of 358
Over 10354 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Youri Messen-jaschin, Eric Jacobson, Tiziana Fejzullaj, Marsha Bowers, Marino Chanlatte, Kathryn Arnold, Luiz Henrique Azevedo, Shelly Leitheiser, Charles Cham, Lou Posner, Franziska Turek, Ron Anderson, Daniel Clarke, Raul Canestro Caballero, Claudia Nierman, C. Mari Pack, Jane Mcnichol for the follwing mediums: 1. Links to more artwork and 358 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Eric Jacobson: 'Notes and Bars', 2015 Other Sculpture, Abstract.  This is an abstract constructed sculpture. It is inspired by music. It is also inspired by abstract painting such as that of Kandinsky. ...
Abstract - Sculpture
36 x 48 inches (91.4 x 121.9 cm)
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Tiziana Fejzullaj: 'Leaning by the Tree', 2016 Oil Painting, nudes.  Leaning by the Tree ...
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marsha Bowers: 'Spring Floral', 2016 Oil Painting, Floral.  Original painting.  Large scale floral art.  Medium used oil on canvas.  Artist used many layers of glazes to build depth into painting.  Artwork copyright by Marsha Bowers 2016 ...
Floral - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Tiziana Fejzullaj: 'Spring', 2016 Oil Painting, nudes.  Spring ...
, 2016
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'Ocean 37', 2016 Oil Painting, Abstract Landscape.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2016
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Kathryn Arnold: 'Unusual Landscape', 2015 Oil Painting, Abstract.       Kathryn Arnold, Painting, Oil on Canvas, Small Art, Abstract, Abstraction       ...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Tiziana Fejzullaj: 'In Shower', 2016 Oil Painting, nudes.
, 2016
nudes - Painting
36 x 70 inches (91.4 x 177.8 cm)
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Tiziana Fejzullaj: 'In the Woods', 2016 Oil Painting, nudes.
nudes - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Luiz Henrique Azevedo: 'The chinese vase in my parents house', 2015 Oil Painting, Still Life. An old Chinese vase bought by my father as a present to my mother when I was a child. Is still there and I really appreciate the care of its elaboration. ...
Still Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Shelly Leitheiser: 'Turbulence', 2015 Acrylic Painting, Impressionism.  This is a turbulent cloud and ocean landscape scene in natural, moody colors. Painted in 2015, it is 24
, 2015
Impressionism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Charles Cham: '2315 YELLOW HEART', 2015 Oil Painting, Romance.  Charles CHAMs works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually two paintings on one canvas and with two signatures, each facing in the opposite direction.  I believe that drawing is thinking and...
Romance - Painting
61 x 61 cm (24.0 x 24.0 inches)
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Lou Posner: 'Nude of Abby', 1982 Oil Painting, nudes.  Reclining studio nude.  ...
nudes - Painting
16 x 10 inches (40.6 x 25.4 cm)
Luiz Henrique Azevedo: 'Vases and khakis', 2013 Oil Painting, Still Life. My chinese vases and khakis....
Still Life - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Franziska Turek: 'hiding place', 2015 Other Painting, Abstract.
Abstract - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Franziska Turek: 'woman and shadow', 1999 Other Painting, Abstract.
Abstract - Painting
47 x 65 cm (18.5 x 25.6 inches)
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Ron Anderson: 'Palm House in Summer', 2014 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Palm House in Summer. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Franklin Park Across The Way', 2014 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Franklin Park Across The Way. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Daniel Clarke: 'Kapalua Bay', 2015 Watercolor, Landscape.
Landscape - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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Claudia Nierman: 'Blooming Beauty', 1996 Other Photography, Fashion. This image can be printed in several seizes including47 x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic no frame. I am happy to ...
Fashion - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'La Donna de la Posta Vechia', 1999 Other Photography, nudes.  This image can be printed in several formats including 57
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Marquez de Pombal', 2002 Other Photography, Body.    This image can be printed in several formats including 57
Body - Photograph
32 x 47 inches (81.3 x 119.4 cm)
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Claudia Nierman: 'Sensual Architecture', 2015 Other Photography, Body.   This image is also available printed on canvas 57
Body - Photograph
32 x 47 inches (81.3 x 119.4 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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C. Mari Pack: 'Tierra Misteriosa', 2013 Acrylic Painting, Abstract.      Original poured diptych acrylic painting. Deep tones, with contrasting black, white, turquoise and gold. All materials used are archival.     ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Vase Bowl Cup', 2012 Oil Painting, Still Life.   This is a still life painting of a vase, bowl and cup by my Brooklyn studio window ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jane Mcnichol: 'Tulips By My Studio  Window', 2012 Oil Painting, Still Life.  This is a painting of a vase containing tulips by the window in my Brooklyn studio ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Walther Von Krenner: 'root and rocks', 2015 Ink Painting, Abstract Figurative.            monochrome Chinese style brush painting, essence of nature, abstract detail, black and white                                ...
Abstract Figurative - Painting
23 x 15 inches (58.4 x 38.1 cm)
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(Page 8 of 358) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Shelly Leitheiser - Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25 dollars. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know, buying here on absolutearts cuts ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...