Contemporary Art For Sale Price Range: $1000 - $1999

Page 8 of 345
Over 10001 works of original contemporary art for sale in the price range $1000 - $1999. On this page you can find works by Tiziana Fejzullaj, Marsha Bowers, Marino Chanlatte, Luiz Henrique Azevedo, Shelly Leitheiser, Charles Cham, Lou Posner, Franziska Turek, Ron Anderson, Daniel Clarke, Raul Canestro Caballero, Claudia Nierman, C. Mari Pack, Jane Mcnichol, Sangeetha Bansal, Edgar Bonne for the follwing mediums: 1. Links to more artwork and 345 pages for works in the price range $1000 - $1999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Marsha Bowers: 'Spring Floral', 2016 Oil Painting, Floral.  Original painting.  Large scale floral art.  Medium used oil on canvas.  Artist used many layers of glazes to build depth into painting.  Artwork copyright by Marsha Bowers 2016 ...
Floral - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Tiziana Fejzullaj: 'Spring', 2016 Oil Painting, nudes.  Spring ...
, 2016
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'Ocean 37', 2016 Oil Painting, Abstract Landscape.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2016
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Tiziana Fejzullaj: 'In Shower', 2016 Oil Painting, nudes.
, 2016
nudes - Painting
36 x 70 inches (91.4 x 177.8 cm)
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Tiziana Fejzullaj: 'In the Woods', 2016 Oil Painting, nudes.
nudes - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Luiz Henrique Azevedo: 'The chinese vase in my parents house', 2015 Oil Painting, Still Life. An old Chinese vase bought by my father as a present to my mother when I was a child. Is still there and I really appreciate the care of its elaboration. ...
Still Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Shelly Leitheiser: 'Turbulence', 2015 Acrylic Painting, Impressionism.  This is a turbulent cloud and ocean landscape scene in natural, moody colors. Painted in 2015, it is 24
, 2015
Impressionism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Charles Cham: '2315 YELLOW HEART', 2015 Oil Painting, Romance.  Charles CHAMs works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually two paintings on one canvas and with two signatures, each facing in the opposite direction.  I believe that drawing is thinking and...
Romance - Painting
61 x 61 cm (24.0 x 24.0 inches)
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Lou Posner: 'Nude of Abby', 1982 Oil Painting, nudes.  Reclining studio nude.  ...
nudes - Painting
16 x 10 inches (40.6 x 25.4 cm)
Luiz Henrique Azevedo: 'Vases and khakis', 2013 Oil Painting, Still Life. My chinese vases and khakis....
Still Life - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Franziska Turek: 'hiding place', 2015 Other Painting, Abstract.
Abstract - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Franziska Turek: 'woman and shadow', 1999 Other Painting, Abstract.
Abstract - Painting
47 x 65 cm (18.5 x 25.6 inches)
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Ron Anderson: 'Palm House in Summer', 2014 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Palm House in Summer. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Franklin Park Across The Way', 2014 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Franklin Park Across The Way. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Daniel Clarke: 'Kapalua Bay', 2015 Watercolor, Landscape.
Landscape - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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Claudia Nierman: 'Blooming Beauty', 1996 Other Photography, Fashion. This image can be printed in several seizes including47 x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic no frame. I am happy to ...
Fashion - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'La Donna de la Posta Vechia', 1999 Other Photography, nudes.  This image can be printed in several formats including 57
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Marquez de Pombal', 2002 Other Photography, Body.    This image can be printed in several formats including 57
Body - Photograph
32 x 47 inches (81.3 x 119.4 cm)
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Claudia Nierman: 'Sensual Architecture', 2015 Other Photography, Body.   This image is also available printed on canvas 57
Body - Photograph
32 x 47 inches (81.3 x 119.4 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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C. Mari Pack: 'Tierra Misteriosa', 2013 Acrylic Painting, Abstract.      Original poured diptych acrylic painting. Deep tones, with contrasting black, white, turquoise and gold. All materials used are archival.     ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Vase Bowl Cup', 2012 Oil Painting, Still Life.   This is a still life painting of a vase, bowl and cup by my Brooklyn studio window ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jane Mcnichol: 'Tulips By My Studio  Window', 2012 Oil Painting, Still Life.  This is a painting of a vase containing tulips by the window in my Brooklyn studio ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Sangeetha Bansal: 'Dance to the tune of my love', 2015 Oil Painting, People. Original oil painting of a woman dancing with an instrument. ...
People - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Edgar Bonne: 'Temperance C', 2015 Other Drawing, Abstract.    Charcoal, pastel and pencil on paper.Abstract expressionist drawing.This drawing is motivated by the media with all its false promises, glamour and sensationalism has completely entangled us in the web of deceit and lies. These lies and false hopes have mesmerised and trapped us like animals by a bright...
Abstract - Drawing
45 x 65 cm (17.7 x 25.6 inches)
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Edgar Bonne: 'Temperance B', 2015 Other Drawing, Abstract.   Charcoal, pastel and pencil on paper.Abstract expressionist drawing.This drawing is motivated by the media with all its false promises, glamour and sensationalism has completely entangled us in the web of deceit and lies. These lies and false hopes have mesmerised and trapped us like animals by a bright...
Abstract - Drawing
51 x 70 cm (20.1 x 27.6 inches)
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Edgar Bonne: 'Temperance A', 2015 Other Drawing, Abstract.  Charcoal, pastel and pencil on paper.Abstract expressionist drawing.This drawing is motivated by the media with all its false promises, glamour and sensationalism has completely entangled us in the web of deceit and lies. These lies and false hopes have mesmerised and trapped us like animals by a bright...
Abstract - Drawing
51 x 70 cm (20.1 x 27.6 inches)
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(Page 8 of 345) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Shelly Leitheiser - Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...