Contemporary Art For Sale Price Range: $10000 - $100000 (1,975)

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Over 1975 works of original contemporary art for sale in the price range $10000 - $100000. On this page you can find works by Omar Ismail, Angel Piangelo Papangelou, Hannes Hofstetter, Fernando Javier Cantera, Philip Hallawell, Richard Young, Ephrem Sangeeth Rokk, Anna Sviatenkaya, Freydoon Rassouli, Carlos Bruscianelli, Alison Raimes, Alan Soffer for the follwing mediums: 1. Links to more artwork and 69 pages for works in the price range $10000 - $100000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Omar Ismail: 'venus in peace 2', 2018 Digital Art, Architecture. Artist Description: Venus...
Architecture - Digital Art
80 x 50 cm (31.5 x 19.7 inches)
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Omar Ismail: 'Venus 2', 2018 Digital Art, Architecture. Artist Description: art gallerysculpture...
, 2018
Architecture - Digital Art
70 x 50 cm (27.6 x 19.7 inches)
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Omar Ismail: 'laocoon', 2018 Digital Art, Architecture. Artist Description: sculptureart gallerylight...
, 2018
Architecture - Digital Art
80 x 50 cm (31.5 x 19.7 inches)
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Angel Piangelo Papangelou: 'DARK LEGACY Sword SCULPTED GOLD 22k', 2016 Steel Sculpture, Fantasy. Artist Description: SCULPTED ORIGINAL SWORD by Angel P. - GOLD PLATED 22k - REAL SWORD - UNIQUE in whole WORLD === A REAL ARTWORK GEM - DARK MEDIEVAL FANTASY ART - BREATHTAKING - SHOCKING - FANTASTIC - UNBELIEVABLE There is NO ONE else in recent History that has made a real SCULPTED SWORD and probably NO ONE else can ...
Fantasy - Sculpture
6 x 98 cm (2.4 x 38.6 inches)
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Hannes  Hofstetter: 'brave new world ii', 1994 Other Painting, Technology. Artist Description: Hannes Hofstetter  Brave New World IIaEURoe, 1993270 x 300 cm, mixed media on canvas, for transport 6 Parts , 135 x 100cmEVOLUTION OF TECHNOLOGY  acceleration Hand ax, spear, bow and arrow, digging stick, hoe, plow, ax, wheel, fishhook, harpoon, net, dugout, paddle, rudder, ladle irrigation, baler, hammer, ...
Technology - Painting
300 x 270 m (984.25 x 885.83 feet)
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Hannes  Hofstetter: 'brave new world', 1993 Other Painting, Technology. Artist Description: Hannes HofstetterBrave New World , 1993270 x 300 cm, mixed media on canvas, for transport 6 Parts , 135 x 100cmEVOLUTION OF TECHNOLOGYaccelerationHand ax, spear, bow and arrow, digging stick, hoe, plow, ax, wheel, fishhook, harpoon, net, dugout, paddle, rudder, ladle irrigation, baler, hammer, anvil, pincers, furnace, spindle, ...
Technology - Painting
300 x 270 cm (118.1 x 106.3 inches)
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Hannes  Hofstetter: 'nord sud', 2001 Other Painting, Culture. Artist Description: Hannes Hofstetter, NORD SUD , 20013 x 230 x 165 cm, mixed mediapainting can be transported 6 x 115 cm x 165 cmFrancesco de Bartolomeis inArte Oggi  NORD- SUD.  In 1997 I was asked to write about Hannes Hofstetter for an exhibition.  An opportunity to discover ...
, 2001
Culture - Painting
495 x 230 cm (194.9 x 90.6 inches)
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Fernando Javier  Cantera: 'sunflowers forever 3', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS A HOMAGE TO VINCENT VAN. THIS IS MY VISIA
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'the streetwise', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF PICASSO CALLEDWOMAN SEATED IN A RED ARMCHAIR.  SHOWS A PROSTITUTE WOMAN SEATED IN A RED ARMCHAIR WAITING FOR HER PREY.  OALS ON HARDBOARD, 50X70 CMS, 4 MM THICK, VARNISHED, UNFRAMEDJUST THE PAINTING. ...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'head of suicide blonde woman', 2016 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF PICASSO CALLEDHEAD OF WOMAN.  OALS ON STRETCHED CANVAS, 40X50CMS, VARNISHED, UNFRAMED. ...
Fantasy - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Fernando Javier  Cantera: 'lady space', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF PICASSO.  SHOWS A MISTERIOUS WOMAN FROM OUTER SPACE WITH LONG NECK AND JEWELS.  OALS ON STRETCHED CANVAS, 50X70 CMS, 2 CMS THICK, VARNISHED, UNFRAMED. ...
, 2017
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'head of spanish woman singing', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF PICASSO.  OALS ON HARDBOARD, 50X70 CMS, 2 CMS THICK, VARNISHED, UNFRAMEDREADY TO HANG...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'suicide blonde woman pregnant', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF PICASSO.  SHOWS A BLONDE WOMAN PREGNANT.  OALS ON HARDBOARD, 50X70 CMS, 4 MM THICK, VARNISHED, UNFRAMEDJUST THE PAINTING...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'big sunflowers forever', 2017 Oil Painting, Family. Artist Description: THIS PICTURE IS INSPIRED IN A WORK OF EDVARD MUNCH CALLED  THE SCREAM . THIS IS MY VISIA
Family - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'yellow obsession', 2018 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS A HOMAGE TO VINCENT VAN. SHOWS THE OBSESSION OF VAN GOGH FOR THE SUNFLOWERS TO THE EXTEND THAT HE SEES HIS FACE IN EACH SUNFLOWER AS A PORTRAIT IN A YELLOW BACKGROUND. OALS ON HARDBOARD, 50X70 CMS, 4 MM THICK, VARNISHED, UNFRAMED.  JUST THE ...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'OBSESSION ', 2018 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS IS A HOMAGE TO VINCENT VAN GOGH, SHOWS THE OBSESSION OF VAN GOGH FOR THE SUNFLOWERS TO THE EXTEND THAT HE SEES HIS FACE IN EACH SUNFLOWER AS A PORTRAIT.  OALS ON HARDBOARD, 50X70 CMS, 4 MM THICK, VARNISHED, UNFRAMED, JUST THE PAINTING. ...
, 2018
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Fernando Javier  Cantera: 'BLUE OBSESSION ', 2017 Oil Painting, Fantasy. Artist Description: THIS PICTURE IS A HOMAGE TO VINCENT VAN GOGH.  SHOWS THE OBSESSION OF VAN GOGH FOR THE SUNFLOWERS TO THE EXTEND THAT HE SEES HIS FACE IN EACH SUNFLOWER AS A PORTRAIT.  OALS ON HARDBOARD, 50X70 CMS, 4 MM THICK, VARNISHED, UNFRAMEDJUST THE PAINTING. ...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Philip Hallawell: 'behold the lilies of the field', 2002 Oil Painting, Spiritual. Artist Description: Inspired by the sermon on the mount...
Spiritual - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Richard Young: 'serene tranquility', 2018 Oil Painting, Dance. Artist Description: Fine art traditional old school 1930 s inspired ballet oil painting on canvas...
Dance - Painting
122 x 91 cm (48.0 x 35.8 inches)
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Ephrem Sangeeth Rokk: 'rebel', 2018 Digital Art, Popular Culture. Artist Description: Society has always been quick to judge, this piece is about breaking the stereotype...
, 2018
Popular Culture - Digital Art
23 x 33 inches (58.4 x 83.8 cm)
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Anna Sviatenkaya: 'last dance', 2017 Oil Painting, Abstract. Artist Description: This artwork was born in love, dance and to the music.With no words, sound or thinking. You just feel it, you can see it, you can touch. Artist showed about simple and important things:| Everything is Simple| Simple to Love| Love and let go| Let go and ...
, 2017
Abstract - Painting
140 x 80 cm (55.1 x 31.5 inches)
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Freydoon Rassouli: 'heart of the universe', 2015 Oil Painting, Abstract Figurative. Artist Description: A Conceptual cosmic  inspirational and Kabbalah art work by Freydoon Rassouli...
Abstract Figurative - Painting
54 x 54 inches (137.2 x 137.2 cm)
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Freydoon Rassouli: 'sacred offering', 2013 Oil Painting, Abstract Figurative. Artist Description: An Islamic Representational and conceptual mystical visionary painting by Rassouli...
Abstract Figurative - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Freydoon Rassouli: 'pictupaint', 2018 Mixed Media, Surrealism. Artist Description: A surrealistic painting with spiritual and mystical touch. ...
, 2018
Surrealism - Mixed Media
60 x 40 inches (152.4 x 101.6 cm)
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Carlos Bruscianelli: 'rubik', 2018 Oil Painting, Still Life.
, 2018
Still Life - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Carlos Bruscianelli: 'marbles and coke', 2018 Oil Painting, Still Life.
Still Life - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Carlos Bruscianelli: 'still life xv', 2018 Oil Painting, Still Life.
Still Life - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Alison Raimes: 'calais refugee', 2018 Oil Painting, World Culture.
World Culture - Painting
50 x 38 inches (127.0 x 96.5 cm)
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Alan Soffer: 'origins ii', 2014 Encaustic Painting, Geometric.
, 2014
Geometric - Painting
46 x 46 inches (116.8 x 116.8 cm)
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Alan Soffer: 'origins iii', 2018 Encaustic Painting, Geometric. Artist Description: From the depths of my subcnscious comes these exhuberant combinations of hot, pigmented wax  encausstic  juxtaposed with the natural beauty of wood. ...
Geometric - Painting
44 x 49 inches (111.8 x 124.5 cm)
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(Page 1 of 69) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Omar Ismail - I try with every finished work to breath life into a long forgotten culture so that its designs, ideas, innovations, and lifestyle are displayed on my canvas. In my art, I like to capture the beauty in mundane objects and places. Different mediums allow me to express different ideas. ...

    Angel Piangelo Papangelou - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<> - UNIQUE in world ... ...

    Fernando Javier Cantera - MY NAME IS FERNANDO JAVIER CANTERA, I HAVE BORN IN BUENOS AIRES, ARGENTINA, THE JULY 161978,MY WORK IS INSPIRED IN THE WORKS OF PABLO PICASSO MAINLY... BUT I LIKE VINCENT VAN GOGH AND SALVADOR DALI. I PAINT AND I INTERPREAT THEIR WORKS AND THEIR MEANINGS IN MY WAY. I PAINT MY OWN VISION OF THEIR WORKS. I DONT HAVE ARTISTIC DEGREES OR STUDIES. I A SELF-TAUGHT ARTIST. I CONSIDER MYSELF AS AN ARTIST... NOT A PAINTER. PLEASE BE WELLCOME TO MY GALLERY. ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Richard Young - I am a self-taught professional Artist, born in Yorkshire, in 1961, and now based in Reading, UK where I have my office and studio. Though I have always had a flair for pencil and chalk drawing, I graduated in engineering in 1983 and with a passion to travel, I initially pursued a career as a design consultant in various managerial roles with international design consulting companies, residing primarily in the Middle East. Nevertheless, an artisan at heart, I returned to Commercial Art in 2003, initially as a semi-professional artist and have extensively developed my own personal style and technique. I create all oil paintings entirely using a knife, often in a limited colour palette and mixing only on the canvas. The style of my artwork is modern, yet classical traditional and occasionally contemporary. The compositions are influenced and inspired by the realism and romanticism of my favourite post renaissance classical Masters and their timeless, romantic masterpieces. My artwork compositions mostly entail dramatic lighting and shading, in a high contrast. I simply adore light and am fascinated with its arguably undue influence on any subject. Predominantly figurative, I aim to capture a carefully composed aloof anonymity, mood, atmosphere, drama, ...

    Freydoon Rassouli - Creation is the product of synchronizing our energy with the universe. Once we experience the whole and recognize it, we become aware that we are nothing but the Divine Creative Force. I do not start a painting with sketches, I do not paint on location and I do not work from photos. Instead, many mornings, before the dawn, I climb a mountain to its peak. There , sitting in solitude, I observe rising of the sun. I watch plants open their leaves, buds tear up their dresses and the birds sing to the arrival of their creator. There is an interconnected serenity that allows all creatures to experience the divine unity. Having felt that creative energy, I rush to my studio, dip my brush into paint, and let it move freely on canvas. My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings. "Relationship" is the most important aspect of my work. I believe that dream and reality ...

    Carlos Bruscianelli - ARTISTS STATEMENT. Almost all my work is inspired by Contemporary Realism Heavily influenced by classical realism and hyperrealism. My favorite technique is the oil on canvas, the genre that I practice most often is the Still Life, because of its infinite compositional and pictorial possibilities. As for my paintings, it is common for me to use elements that go unnoticed, some marbles, a piece of Kraft paper, glass goblets, a Rubiks cube, seemingly insignificant but chromatically interesting pieces of wood and metal with organic textures or created by the human being, who pose a challenge to be accurately represented for any painter. Currently my work focuses on the main elements of the composition, accompanied by neutral backgrounds, with the aim of the viewer fix their eyes on these pieces. My goal, like that of every painter of the realist genre, is to follow the long road of technical perfection, this is certainly a utopian goal and may sound like something very pretentious, but, constantly improving in every aspect of life is not a Bad habit, although I have many defects, being conformist is not one of them. Carlos Bruscianelli. ...

    Alison Raimes - Blurred Edges is a multi media project exploring the boundaries of the contemporary perception of reality. Using intriguing and strange images created by photographing hand made models made from everyday materials, the photographs are morphed, manipulated and juxtaposed with the atmospheric, dense drones of sound artist, Red Fog

    Alan Soffer - Alan Soffer began studying sculpture and clay in 1973 transitioning to abstract painting in 1985, through a breakthrough program at Bennington College with Sandy Stone. His abstractions have been in the pursuit of the unknown, unique, and personal depths of the unconscious. Rather than confining his energies to a single medium, he sensitively chooses materials that accommodate the concepts at hand. Early constructions were in clay and found objects, then discovering printmaking and photography, which he learned on his own. Finally, focusing on painting with acrylic, oil, and wax. Encaustics allowed him to marry a sculptural component to his painterly approach, following his studies at Ringling School in 1998. The hot, pigmented wax's inherent translucency perfectly supports his vocabulary for expressing space from the microscopic to the galactic. Whatever the direction, the work is always influenced by Joseph Campbell, the noted mythologist, who Soffer considers his mentor. He organized the first national encaustic conference in the US in 2005 and continues teaching encaustic technique as well as abstract painting primarily through workshops. Major one person shows have been presented at: DCCA, Wilmington DE; Borowsky Gallery, Phila.; Rosenfeld Gallery, Phila.; Widener U., Chester PA; Atlantic City Art Center; Robert Roman ...