Artists Describing Their Art:

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Ivan Pili - Following in the footsteps of the great masters of the past, the tradition of classical and romantic nineteenth-century painting that evolves into a figurative language relives in the beautiful works of art of master Ivan Pili , whilst the segno runs fast and decisive in the graphic ability from suffused values aEUR
Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Carlos Bruscianelli - ARTISTS STATEMENT. Almost all my work is inspired by Contemporary Realism Heavily influenced by classical realism and hyperrealism. My favorite technique is the oil on canvas, the genre that I practice most often is the Still Life, because of its infinite compositional and pictorial possibilities. As for my paintings, it is common for me to use elements that go unnoticed, some marbles, a piece of Kraft paper, glass goblets, a Rubiks cube, seemingly insignificant but chromatically interesting pieces of wood and metal with organic textures or created by the human being, who pose a challenge to be accurately represented for any painter. Currently my work focuses on the main elements of the composition, accompanied by neutral backgrounds, with the aim of the viewer fix their eyes on these pieces. My goal, like that of every painter of the realist genre, is to follow the long road of technical perfection, this is certainly a utopian goal and may sound like something very pretentious, but, constantly improving in every aspect of life is not a Bad habit, although I have many defects, being conformist is not one of them. Carlos Bruscianelli. ...

Anna Balashova - Since I can remember myself I always love to draw. When Ifeel the joy, sorrow, fear, happiness or pain I want to do something, I dont know what and how, I jast start to paint. It is indescribable feeling of unity with infinity of Universe when I saw the birth of new life on canvas. Thanks God that I can do this....

Marco Tulio Espinosa - My love of painting has been with me since early childhood. I have always appreciated and am greatly influenced by the craftsmanship of the processes of the Old Masters in the Gothic and Renaissance periods. My paintings, although figurative, are composed in very much the same manner as that of an abstract work: form and color are my primary interest. When I begin a painting I donot have a preconceived idea in my mind; I use the figures to create a vibrant nucleus and the emergence of the final piece, you could say, is a product of the subconscious journey. My paintings do not depict a defined age or period; nor do they reflect the past or present. The figures in my works are in a state of introspection, detached and isolated from their surroundings. I love to play with unbalanced and, at times, absurd compositions in order to contrast the meticulous and detailed way in which I paint....