Contemporary Art For Sale Price Range: $10000 - $100000

Page 5 of 80
Over 2311 works of original contemporary art for sale in the price range $10000 - $100000. On this page you can find works by Harry Weisburd, Hope Brooks, Micha Nussinov, Edem Elesh, Marie-france Busset, Andrew Mclaughlin, Paola Di Renzo, Luise Andersen, Richard Lazzara, Andrew Wielawski, Bessie Papazafiriou, Ildiko Toth, Hyacinthe Kuller-baron, Jerry Di Falco, Philip Hallawell, James Gwynne for the follwing mediums: 1. Links to more artwork and 80 pages for works in the price range $10000 - $100000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Hope Brooks: 'Nocturn Series V', 1993 Mixed Media, Abstract Landscape.  This painting is part of the Nocturn Series and is comprised of four panels each 3'X 3' making the overall size of the work 12' in length and 3' in height.  This is appropriate for the subject which is the horizon at sunset just before nightfall when the land...
Abstract Landscape - Mixed Media
144 x 36 inches (365.8 x 91.4 cm)
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Hope Brooks: 'Clouds and Mountains', 1998 Mixed Media, Abstract.   18 Panels each 18 x 18 inches this painting is from the Clouds and Mountains series completed in the late 1990's which used as its reference the cloud formations over the mountains that surround the city of Kingston.  These formations are among the artists favorite visuals especially in the...
Abstract - Mixed Media
108 x 54 inches (274.3 x 137.2 cm)
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Micha Nussinov: 'Fragments places revisited', 2007 Assemblage, Other. Topographical looks at life with city and country landscapes. This work is layered with Nussinov's history. There are figurative life drawings, combined with photos, old and new, to create a collage of associations, and connections to people and nature, to past projects and to family. These are linked with ...
Other - Assemblage
168 x 178 cm (66.1 x 70.1 inches)
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Micha Nussinov: 'Bubbling Sensation', 1997 Acrylic Painting, Surrealism.  A game with figures playing with a transparent ballons surrounded by a sea scape environment   ...
Surrealism - Painting
3300 x 2100 mm ( x )
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Edem Elesh: 'transit', 2006 Mixed Media, Undecided.
, 2006
Undecided - Mixed Media
96 x 48 inches (243.8 x 121.9 cm)
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Marie-france Busset: 'LE PAPILLON', 2006 Oil Painting, Floral.
Floral - Painting
89 x 116 inches (226.1 x 294.6 cm)
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Andrew Mclaughlin: 'Acid Eden', 2006 Collage, Surrealism.  A pop art Adam and Eve using John Lennon and Yoko. This was used by the band The Apples in Stereo as album cover art for their album,
, 2006
Surrealism - Collage
37 x 26 inches (94.0 x 66.0 cm)
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Andrew Mclaughlin: 'Enlightenment of Bob Dylan ', 2006 Collage, Surrealism.
Surrealism - Collage
37 x 26 inches (94.0 x 66.0 cm)
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Paola Di Renzo: 'untitled2', 2006 Mixed Media, Abstract.
, 2006
Abstract - Mixed Media
90 x 50 cm (35.4 x 19.7 inches)
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Luise Andersen: 'FIREBIRD RISES', 2006 Oil Painting, Other. . . . . See description under' Firebird Weeps'  . Thank You. ...
Other - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Luise Andersen: 'FIREBIRD WEEPS', 2006 Oil Painting, Other. Started This Painting' Hanging On My Wire' . . Barely Hanging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .When The Mind Suffocates My Core- -  Painted It As' When Firebird Weeps. . . . Much Later I Turned It Around. . . .  Overcome By Emotion. . . .  And Noticed- -  Through My Tears- - ' When Firebird Rises' . . . . . . . . . . . . . . .Struck Me Like A Clowns Face. .  One Side Cries-  The Other. . . . . . . . . . .  When ...
Other - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Harry Weisburd: 'Woman with a cup   PORTRAIT OF  JOAN', 2000 Bronze Sculpture, Figurative. Woman with a cup is a life size bronze casting portrait....
Figurative - Sculpture
15 x 48 inches (38.1 x 121.9 cm)
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Richard Lazzara: 'sunami of enlightenment', 1991 Acrylic Painting, Visionary. sunami of enlightenment 1991, is available from
Visionary - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Andrew Wielawski: 'untitled', 2002 Stone Sculpture, Figurative. I sometimes put a patina on sculptures, which wears away as they get older and leaves them looking better each year. ...
, 2002
Figurative - Sculpture
30 x 36 inches (76.2 x 91.4 cm)
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Bessie Papazafiriou: 'Water Nymphs', 2002 Oil Painting, Mythology.      According to Greek mythology, water nymphs are divinities which have the gift of prophecy and could deliver oracles.  Here, they are portrayed in their lush and tranquil environment....
Mythology - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Ildiko Toth: 'Malaga Full Installation', 1994 Ceramic Sculpture, Architecture. Full Powder Room Installation...
Architecture - Sculpture
10 x 10 feet (3.05 x 3.05 m)
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Ildiko Toth: 'Aquincum Full Installation', 1994 Handbuilt Ceramics, Architecture. Stylish setting of Powder Room, to reflect my experience in a fascinathing world of ancient Bath Houses- durin my travelings in Budapest, Hungary...
Architecture - Ceramics
74 x 70 inches (188.0 x 177.8 cm)
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Hyacinthe Kuller-baron: 'WHAT HAPPENED TO ALL MY DREAMS', 2003 Oil Painting, Erotic. Master Artist HYACINTHE KULLER BARON portrays the erotic fantasies of the female that lead to love and marriage and pregnancy and childbirth and motherhood and parenting.This piece was rendered early in Hyacinthe' s career when love and childbearing were major inspirations. The collector recently contacted the artist and it ...
Erotic - Painting
2 x 3 feet (0.61 x 0.91 m)
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Jerry  Di Falco: 'Political Discussion at the Homo Lulu Cafe in Amsterdam', 1988 Acrylic Painting, Cartoon. Make your club or bar or fun- room ROCK!  THEE last remaining unsold Political Cartoon- istic work from my SOCIETAL GENRES series ( 1982 to 1989) when Alphabet City was still steamy and Mickey Mouse pimped on 42nd Street. This large, rolled, mixed- media painting on canvas ( un- stretched) is hung ...
Cartoon - Painting
12 x 6 feet (3.66 x 1.83 m)
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Philip Hallawell: 'Behold the Lilies of the Field', 2002 Oil Painting, Figurative. This work is based on the biblical passage from the Sermon on the Mount, which, after years of reflection, I have interpreted as meaning that one should do whatever one has to do with passion and serenity, without worrying about possible outcomes. Expectations and fears walk hand in hand and ...
Figurative - Painting
100 x 150 cm (39.4 x 59.1 inches)
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Hyacinthe Kuller-baron: 'MOTHERHOOD', 1969 Lithograph, Love. THE PERFECT GIFT!  FREE SHIPPING!Do not miss this opportunity to own an original Hyacinthe Kuller Baron original Lithograph Artist' s Proof.Original signed and numbered edition pieces continue to rise in value.Hyacinthe Kuller Baron' s lithographs become beloved family heirlooms.Order now. Or contact www. barongalleries. com. or ...
, 1969
Love - Lithograph
20 x 26 inches (50.8 x 66.0 cm)
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James Gwynne: 'Landscape with Flag', 1996 Oil Painting, Landscape. Apatriotic gesture by someone. . .  tying afaded little flag to a branch in the woods...
Landscape - Painting
75 x 70 inches (190.5 x 177.8 cm)
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(Page 5 of 80) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Ildiko Toth - Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....