Artists Describing Their Art:
Lora Vannoord - I am an artist originally from a small town in Michigan, where I started painting oil paintings while preparing for my retirement. I took online classes, found a wonderful art group in Grand Rapids, Michigan, exhibited my original paintings and sold my first oil painting. After retirement I moved to Florida. I started painting right away. The birds and trees that were all new to me. It was wonderful. I soon found more art classes and 3 art groups to join. Soon I had my original oil paintings in almost every gallery and local small businesses I could find that would show art for me and my groups Now I have moved to Frederick MD. A wonderful area of friendly people and lots of art happenings I am setting up my newest little studio to paint more and enjoy the joy of painting I try to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine...
Paulo Medina - Para miA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca fragil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento util, pero nada mas... For me, art has been like a small boat in which Ive crossed the sea many times. A fragile and small boat, yet capable of sailing towards vast horizons. The boat has been a useful tool, but nothing more...La pintura es poesia silenciosa MaimonidesArtistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience ...
Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...
Celina Mattar - I started painting when I was still a little girl. In high school I was a great student in English, math and drawing and my teacher was a Finnish nun. On Saturdays we painted still lifes, grapes, fruits and vegetables in general and when I was 12 years old, as I loved ballet, I painted two ballerinas that I still have today. At the age of 17 I wanted to go to Rio de Janeiro to study at some art school, but my father vetoed it and preferred to choose Emeric Mercier to be my teacher. Emeric Racz Marcier was a Romanian painter naturalized in Brazil, today considered an icon in painting. Emeric Racz Marcier was a Romanian artist who studied at the Accademia di Belli Arti de Brera Brera Academy of Fine Arts in Milan, Italy, from 1935 to 1938. In 1939, he attended the sculpture course at the A%0cole Nationale Superieure des Beaux-Arts National School of Fine Arts in Paris. In 1940, because of the Second World War 1939-1945, he traveled to Lisbon, where he stayed for a short time and spent time with the painters Arpad Szenes 1897-1985 and Vieira da Silva 1908-1992. ...
Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...
Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....
Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...
Krisztina Lantos - Krisztina Lantos of Budapest has lived in Italy, Ottawa, Montreal, Munich in Germany, Mississauga and, for the last 22 years in Oakville. She began painting in her late teens in Hungary and painted with a group of young artists for ten years before she came to Canada. For about the last 25 years, she has begun to experiment with her work more by emphasizing, and exaggerating colours and simplifying shapes to help express her ideas and intentions. I see everything so colourfully. I need colours to be strong because that is what expresses me. The things around us are all moving the trees, the bridges, the houses and the rocks are living creatures, not lifeless pictures. They speak to us. The house is a wise old man and the trees are dancing. Over the past decades, her work has been exhibited in various locations, including the Mississauga Central Library, Praxis Gallery in Toronto, with solo shows at the Oakville Town Hall, Julia Restaurant, Glen Abbey Library Gallery and Tuebingen, Germany. ...
Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereAC/a,!a,,C/s no predicting what theyAC/a,!a,,C/ll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...