Contemporary Art For Sale Price Range: $200 - $299

Page 8 of 140
Over 4046 works of original contemporary art for sale in the price range $200 - $299. On this page you can find works by Robert H. Stockton, Isaac Brown, Richard Lazzara, Jacqueline Weegels, Ron Ogle, Edward Guzman, Storm Hammond, Paula Durbin, Andree Lisette Herz, Leo Evans, Harry Bayley, Robin Richard Emrich, Jennifer Bailey, Philip Hallawell for the follwing mediums: 1. Links to more artwork and 140 pages for works in the price range $200 - $299 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Isaac Brown: 'faces', 2006 Computer Art, Abstract.
, 2006
Abstract - Computer Art
24 x 18 inches (61.0 x 45.7 cm)
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Richard Lazzara: 'crystal cups ear ornaments', 1989 Mixed Media Sculpture, Fashion. crystal cups ear ornaments from the folio LAZZARA ILLUMINATION DESIGN are available at
Fashion - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Isaac Brown: 'the gathering 4', 2005 Computer Art, Abstract.
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Jacqueline Weegels: 'Ocean Sand', 2005 Watercolor, Portrait. Framed. Michael ( 2 1/ 2) has a wonderful time carrying sand and water back and forth between the beach and the ocean. The waves were particularly strong this summer afternoon, so Michael had to time it just right. A couple of times he got' splashed' ....
, 2005
Portrait - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
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Ron Ogle: 'Undine', 2005 Color Photograph, Mythology.  . . .  woman is in her whole existence an appeal to the kindness of man. - KARL BARTH...
, 2005
Mythology - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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Edward Guzman: 'Blessings of Beauty and Abundance', 2005 Giclee, Visionary. This is one of my favorites.  It is a celebration of life that vibrates with the beauty and grace of the Femine.  This print is hand embellished with 22k gold leaf.  Please inquire about the mixed media framed original 64x44. ...
Visionary - Giclee
36 x 24 inches (91.4 x 61.0 cm)
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Storm Hammond: 'Scallions', 2020 Oil Painting, Food.
, 2020
Food - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Jacqueline Weegels: 'Windmills', 1997 Oil Painting, Landscape. With black frame. Again, another icon of Dutch culture - the windmill.  During one of my visits to the homeland- the Netherlands- my ( American) husband and I visited the windmills of Kinderdijk.  I have painted them on several different occassions, incl. on various pairs of wooden clogs....
, 1997
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Paula Durbin: 'Lioness', 2003 Color Photograph, Wildlife. South Africa.  Printed on Canvas.  May be printed other sizes and processes....
, 2003
Wildlife - Photograph
24 x 30 inches (61.0 x 76.2 cm)
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Paula Durbin: 'Lioness Profile Horizontal', 2001 Color Photograph, Wildlife. A Fresson print. Zambia. May be printed in other sizes and processes....
Wildlife - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Paula Durbin: 'Lioness Profile', 2001 Color Photograph, Wildlife. A Fresson print. Zambia. May be printed in other sizes and processes....
Wildlife - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Lioness Walking', 2001 Color Photograph, Wildlife. A Fresson print. Zambia. May be printed in other sizes and processes....
Wildlife - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Andree Lisette Herz: 'blue woods', 2004 Acrylic Painting, Landscape. diptych 24x24 in canvas gallery wrapped painted on all sides...
, 2004
Landscape - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Leo Evans: 'STRAIGHT UP', 2003 Computer Art, Computer. STRAIGHT UP - COMPUTER ART COLLECTION - LEO EVANS - LEOARTIST. COM - 12/ 2003...
Computer - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Harry Bayley: 'Colour Bleed silver green', 2003 Acrylic Painting, Abstract. Painted in acrylics onto watercolour paper. This painting is abstract colour expression. ...
Abstract - Painting
11 x 15 inches (27.9 x 38.1 cm)
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Harry Bayley: 'Colour Bleed neon sweep', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a canvas panel. This painting is abstract colour expression. ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Harry Bayley: 'Colour Bleed gold silver blue', 2003 Acrylic Painting, Abstract. Painted in acrylics onto watercolour paper. This painting is astract colour expression. ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Harry Bayley: 'Red Blue White Colour Bleed 2', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a box canvas. This painting is abstract colour expression. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Robin Richard Emrich: '54 Turner Street', 1999 Etching, History. The building that was the centerpiece of Nathaniel Hawthorne' s Novel House of Seven Gables.  Second burn....
History - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Andree Lisette Herz: 'Gree Door', 2003 Acrylic Painting, Architecture. Painting on board of a friend front door...
, 2003
Architecture - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Andree Lisette Herz: 'Memory wreath', 2002 Fiber, Americana. Handmade paper acrylic painting with old photos, found objects. this work tells a story of a persons life...
Americana - Fiber
30 x 28 inches (76.2 x 71.1 cm)
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Jennifer Bailey: 'stuff', 2002 Acrylic Painting, Still Life. still life...
, 2002
Still Life - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Jennifer Bailey: 'fruit', 2002 Acrylic Painting, Still Life. An interaction between color and shape. ...
, 2002
Still Life - Painting
36 x 28 inches (91.4 x 71.1 cm)
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Robin Richard Emrich: 'Hancock Towers', 1999 Etching, Cityscape. Boston' s John Hancock Towers.  This is the ghost of a three color print.  The original colors are subtly suggested and much less intense then the original proof.  The Boston Public Gardens and a Swan Boat is in the foreground. This is a unique example from a run that will ...
Cityscape - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Philip Hallawell: 'Nude II', 1997 Watercolor, Erotic. Watercolour on Schoeller' s watercolor paper...
, 1997
Erotic - Watercolor
18 x 26 cm (7.1 x 10.2 inches)
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(Page 8 of 140) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ted Schaal - Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Jacqueline Weegels - My whole life I have created art somehow, as do most people one way or another. I grew up with a father who enjoyed painting large theater back drops and making larger than life papermache float creations. Although, I felt inspired by this, it somehow intimidated me and made me want to work small. Now, having raised two children, and influenced and been influenced by them and THEIR art, my work has become ever more eclectic and varied. I am ready for a new phase in my art as, like everyone else, continue to conquer new challenges in life, stay healthy and seek balance. ...

    Jacqueline Weegels - Edward Guzman - Painting is one of the ways that I express my soul to the world. It is through a deep felt connection to spirit that enables me to envision the images that eventually become paintings. My style is best described as Shamanic. In this mystical,spiritual style I move the viewer to a deeper level of experience as the images transport one to other realms of existence, to places within and long forgotten. The images, energy and intent may also elicit a healing of sorts. By accessing deeper levels of awareness we become attuned to higher levels of ourselves and if the time is right we are able to heal our many facets of existence. My work has also been described as Contempory Southwest as well as Visionary. My paintings are Mixed Media. I use watercolor, acrylic and 22K gold leaf. I have originals as well as Giclee prints that are hand embellished with 22k gold leaf available. Most recently I was in the 2013 Ontario Open Art Exhibition at the Ontario Museum of History and Art in Ontario, Ca. This is the fifth time my work has been shown at this wonderful little gem of a museum. For more information ...

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Harry Bayley - Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....