Contemporary Art For Sale Price Range: $2000 - $2999

Page 11 of 161
Over 4651 works of original contemporary art for sale in the price range $2000 - $2999. On this page you can find works by Jose Freitascruz, Gordon Mcglothlin, Luise Andersen, Vincenzo Montella, Cornelia Macfadyen, Youri Messen-jaschin, Ron Ogle, Rita Levinsohn, Kichung Lizee, Tamara Sorkin, David Bechtol, Eve Co, Hans-ruedi Kammermann, Ildiko Toth, Hyacinthe Kuller-baron, Wayne Wilcox, Micha Nussinov for the follwing mediums: 1. Links to more artwork and 161 pages for works in the price range $2000 - $2999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Gordon Mcglothlin: 'Totem by Gordon McGlothlin', 2007 Giclee, Abstract.  Totem is constructed with 3 panels, the center being 38
Abstract - Giclee
78 x 38 inches (198.1 x 96.5 cm)
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Luise Andersen: 'GENESIS III  MIDDLE SECTION ', 1999 Acrylic Painting, Other.  If you are familiar with my work, you will' see' the figures. . almost ghostly images . . instead of going downstream. . as it looks as' water' . . these images float upstream. . the special one there, to be taken with them.Weeks of intense, gratifying work. . Enjoy pleasure of viewing colors beneath colors. . clear...
Other - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Luise Andersen: 'GENESIS III', 1999 Acrylic Painting, Other.  . . . looked at my wall ( yess. . full of nail holes, since I exchange to view artwork constantly) . . and at this beautiful painting. . thought, I check it up on portfolio, and was shocked at the miserable color hues caught with older camera. . and am sure, I was at fault too. . time still...
Other - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Vincenzo Montella: 'Stone forest 11', 2007 Other Photography, Landscape.  Inkjet print on canvas ...
Landscape - Photograph
60 x 190 cm (23.6 x 74.8 inches)
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Vincenzo Montella: 'Stone forest 8', 2007 Other Photography, Landscape.  Inkjet print on canvas ...
Landscape - Photograph
60 x 190 cm (23.6 x 74.8 inches)
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Vincenzo Montella: 'Stone forest 4', 2007 Other Photography, Landscape.  Inkjet print on canvas ...
Landscape - Photograph
60 x 190 cm (23.6 x 74.8 inches)
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Vincenzo Montella: 'Stone forest 1', 2007 Other Photography, Landscape.  Inkjet print on canvas ...
Landscape - Photograph
60 x 190 cm (23.6 x 74.8 inches)
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Luise Andersen: 'CORE SCAPE  ', 2007 Pastel, Other. This beautiful artpiece is appraised as true value of 3000 Euros. I am offering it to you for 2100 Dollars with the thought, that it will be easier acquired , welcome  and treasured, for what is. . A precious, increasing in value art piece. . An investment and asset in aestethic, core and ...
Other - Pastel
24 x 24 inches (61.0 x 61.0 cm)
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Luise Andersen: 'CORE SCAPE', 2007 Pastel, Other. CORE SCAPE is appraised by Camaver Kunsthaus International for 3000 Euros. To  joyful acquire,  I ask in the US for 2100 $ . .  in the' know' , that this precious piece will be treasured for what it is. .  and increasingly will gain value now and throughoutfuture . .  More under description in progressive uploads ...
, 2007
Other - Pastel
24 x 24 inches (61.0 x 61.0 cm)
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Cornelia Macfadyen: 'Infinity', 2006 Oil Painting, Abstract.
, 2006
Abstract - Painting
20 x 48 inches (50.8 x 121.9 cm)
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Cornelia Macfadyen: 'Burning Desire', 2005 Oil Painting, Abstract.
Abstract - Painting
42 x 24 inches (106.7 x 61.0 cm)
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Cornelia Macfadyen: 'Graceful Walk', 2005 Oil Painting, Abstract.
Abstract - Painting
44 x 22 inches (111.8 x 55.9 cm)
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Youri Messen-jaschin: 'Point 1', 2005 Serigraph, Optical. (r) 2005 Pro Litteris Po. Box CH. - 8033 Zurich Switzerland (c) 2005 by Youri Messen- JaschinExhibition Street Promenade Lausanne 2006 / 15. 09. 2006 ( Visarte - Vaud)( original size see this page) ...
, 2005
Optical - Serigraph
329 x 483 mm ( x )
Ron Ogle: 'Aphrodite I ', 2006 Oil Painting, nudes. Oil on panel. [ based on a black and white photograph of a Roman { marble } copy of a Greek { marble] statue. The English scholar Kenneth Clark considered the original sculptor of this work to be' . . . an individual artist who  must be reckoned the creator of THE FEMALE NUDE. [ KENNETH CLARK, The ...
nudes - Painting
10 x 16 inches (25.4 x 40.6 cm)
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Rita Levinsohn: 'Hushed Voices', 2006 Acrylic Painting, Political.  Hushed voices explores environmental and cultural issues.  Species facing extinction and the powerless feeling of people who belong to cultures that are not part of the mainstream. ...
Political - Painting
48 x 44 inches (121.9 x 111.8 cm)
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Rita Levinsohn: 'Lost Worlds', 2006 Acrylic Painting, Political.
Political - Painting
38 x 34 inches (96.5 x 86.4 cm)
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Kichung Lizee: 'Kokopelli', 2005 Mixed Media, Abstract Figurative.  done on mulberry paper, using Chinese ink, Eastern calligraphy paper and water color.  presented as a traditional Asian scroll....
, 2005
Abstract Figurative - Mixed Media
63 x 93 inches (160.0 x 236.2 cm)
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Gordon Mcglothlin: 'Seeking Truth', 2005 Giclee, Geometric.  Seeking Truth by Gordon McGlothlin is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 18x27, 24
Geometric - Giclee
60 x 38 inches (152.4 x 96.5 cm)
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Gordon Mcglothlin: 'Grand Canyon I', 1996 Giclee, Abstract. Grand Canyon I and II is only available as a diptych in limited editions of 25 on canvas and 150 on Somerset Watercolor paper measuring 29 x 41. Each piece is personally printed, signed, and numbered by the artist. To order, please call Gordon McGlothlin at 410- 730- 7033....
Abstract - Giclee
29 x 41 inches (73.7 x 104.1 cm)
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Tamara Sorkin: 'The inner pink', 1999 Collage, Abstract.
Abstract - Collage
47 x 55 cm (18.5 x 21.7 inches)
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David Bechtol: 'The Hollows', 2003 Other Photography, Landscape. This is a digital panorama composed of six individual exposures. Digital compositing done with Photoshop 6....
Landscape - Photograph
91 x 19 inches (231.1 x 48.3 cm)
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Eve Co: 'Swirl', 2003 Watercolor, Abstract. SwirlsStrathmore PaperWindsor  Newton WatercolorsSwirls - abstract, I was lonely on this day, did 4 swirlabstract paintings.  Enjoy o...
, 2003
Abstract - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
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Hans-ruedi Kammermann: 'premonition of troubled waters', 2004 Oil Painting, Visionary. this was a premonition of the terrible tsunami, and the picture was unconsciously finished at the precise time of the tragic event...
Visionary - Painting
90 x 95 inches (228.6 x 241.3 cm)
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Hans-ruedi Kammermann: 'hearts approach', 2004 Oil Painting, Inspirational.
Inspirational - Painting
85 x 90 cm (33.5 x 35.4 inches)
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Ildiko Toth: 'Firebird Amphora', 1998 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 28 inches (30.5 x 71.1 cm)
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Hyacinthe Kuller-baron: 'ARABIAN DREAMER', 2008 Reproduction Artwork, Equine. ARABIAN DREAMER is a limited edition of 30 reproductions 2' x3' on quality paper or canvas and signed by Hyacinthe and numbered with hand painted touches by the artist. The Original is in a famous Arizona Arabian breeder' s collection...
Equine - Reproduction Artwork
24 x 36 inches (61.0 x 91.4 cm)
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Ron Ogle: 'The View at Mountain Air', 2004 Oil Painting, Landscape. An October sunrise in 2004, from just down hill of the amazingly small Mountain Air airport runway, which is notably close to the restaraunt bar. Mountain Air is on a ridge top near Burnsville, North Carolina. Oil on canvas. ...
Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Wayne Wilcox: 'Delta Evening', 2005 Oil Painting, Landscape. Currently on exhibit at FedexForum Exeuctive Suite Level....
Landscape - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Micha Nussinov: 'Light of Darkness 4', 2005 Acrylic Painting, Other. In darkness as light falls on landscape, as figures and living things emerge, as we imagine something that appears to be. . . ...
Other - Painting
1200 x 700 mm ( x )
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Edna Schonblum: 'courage', 2004 Oil Painting, nature.
, 2004
nature - Painting
150 x 100 cm (59.1 x 39.4 inches)
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(Page 11 of 161) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Youri Messen-Jaschin - Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    David Bechtol - Photography is an integral part of my life. Each image captured attempts to take the viewer on a journey, to transport them to that place of wonder and grandeur as I experienced it, to feel the sense of awe, beauty and peacefulness. As a boy growing up in rural Michigan, I had many chances to take long, slow walks in the forest, soaking in all the beauty a child sees in nature. Now I use photography to slow down life and try to take in all that nature has to offer as I once did those many years ago. I am a self-taught photographer and have studied the photographic process for over 50 years. My interest includes the digital realm where my technical background lets me exploit all that the camera can capture. Throughout my travels, I try to bring back and share a vision of some of the awe-inspiring vistas I encounter. No matter where you are in the world, natures extraordinary beauty is around every corner. I believe that great images are always around us. They are ours to capture with our vision and share with the world. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Ildiko Toth - Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...