Contemporary Art For Sale Price Range: $2000 - $2999

Page 6 of 161
Over 4649 works of original contemporary art for sale in the price range $2000 - $2999. On this page you can find works by David Larkins, Becky Soria, Michal Ashkenasi, Marino Chanlatte, Youri Messen-jaschin, Marsha Bowers, Van De Ven, Steven Lamb, Charles Cham, Shoshannah Brombacher, Donna Gallant, Asbjorn Lonvig, Richard Lazzara, John Powell, Nicholas Down, Paul Machalaba for the follwing mediums: 1. Links to more artwork and 161 pages for works in the price range $2000 - $2999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Becky Soria: 'In your absence', 2017 Acrylic Painting, Abstract Figurative. From the series The Essence...
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Michal Ashkenasi: 'sails', 2017 Acrylic Painting, Seascape. An abstract - minimalistic painting of the Sea and three small Sails  It is a kind of showing the smallness of Men in the Nature . ...
, 2017
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Marino Chanlatte: 'ocean 73', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Youri Messen-jaschin: 'season', 2018 Serigraph, Optical. Op art optical art15 prints on hand made paper8 colorsPackaging, insurance, transport not include in the price.A(r) 2018 Prolitteris, 8024 ZurichA(c) 2018 Youri Messen- Jaschin ...
, 2018
Optical - Serigraph
36 x 36 cm (14.2 x 14.2 inches)
Marsha Bowers: 'magnolias', 2018 Oil Painting, Floral. Oil on canvas, large scale floral painting...
, 2018
Floral - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Van De  Ven: 'Woman digital vector', 2018 Digital Painting, Figurative. Vector painting.  Numerically unique print on carrier of choice, 300 dpi.  Certificate of Unicity. ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Van De  Ven: 'Rainy day digital vector', 2018 Digital Painting, Figurative. Vector painting.  Numerically unique print on carrier of choice, 300 dpi.  Certificate of Unicity. ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Steven Lamb: 'Alone Again', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
20 x 24 inches (50.8 x 61.0 cm)
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Steven Lamb: 'A pool', 2017 Mixed Media, Figurative.
, 2017
Figurative - Mixed Media
30 x 24 inches (76.2 x 61.0 cm)
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Steven Lamb: 'hot coffee', 2017 Mixed Media, Figurative.
, 2017
Figurative - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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Van De  Ven: 'Thoughts digital vector', 2018 Digital Painting, Figurative. Vector painting.  Numerically unique print on carrier of choice, 300 dpi.  Certificate of Unicity. ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Charles Cham: '2531 DECISION TIME', 2018 Oil Painting, Political. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Political - Painting
51 x 61 cm (20.1 x 24.0 inches)
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Van De  Ven: 'Diner digital vector', 2018 Digital Painting, Figurative. Vector painting.  Numerically unique print on carrier of choice, 300 dpi.  Certificate of Unicity. ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Charles Cham: '2528 angels of the night', 2018 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
61 x 61 cm (24.0 x 24.0 inches)
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Charles Cham: '1841 TOMORROW', 2018 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
61 x 61 cm (24.0 x 24.0 inches)
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Youri Messen-jaschin: 'wormhole', 2018 Serigraph, Optical. 3 Awards in USA 20191 Award Academy art Italy 2019Op art 15 print 10 colorsCotton paper handmadePackaging, insurance, transport not include in the price.A(c) Youri Messen- JaschinA(r) Prolitteris Zurich...
, 2018
Optical - Serigraph
72 x 101 cm (28.3 x 39.8 inches)
Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner RebbeA Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc.  here and ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Asbjorn Lonvig: '1000 images for download for PERSONAL Use', 2018 Digital Art, undecided. A cloud of 1000+ full size digital images for download. Delivered to you in your very own OneDrive cloud and in a back- up Google Drive cloud. Go to lonvig. dk and click on the large cloud with white edge and youaEURtmll access a OneDrive cloud exactly like the ...
undecided - Digital Art
65 x 80 cm (25.6 x 31.5 inches)
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Richard Lazzara: 'cross fade', 2015 Acrylic Painting, Abstract.
, 2015
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'whirling swerlling', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'peacock eye', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'that pink painting', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'eye see you', 2017 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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John Powell: 'Poet ', 2019 Mixed Media, Figurative. NOTEORDER PRINTS @
, 2019
Figurative - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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Marino Chanlatte: 'river', 2017 Acrylic Painting, Abstract. The Blue Bird represent a series of painting inspired on the book Azul. . . it is a book of stories and poems by Nicaraguan poet RubA(c)n DarAo. This work was painted in 2007 in Managua, Nicaragua. UNSTRETCHED CANVAS, SHIPS ROLLED IN A TUBE, from Miami, FL. ...
, 2017
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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John Powell: 'Swan lake', 2019 Acrylic Painting, Figurative. From Swan Lake ballet series.  ORDER PRINTS AT
, 2019
Figurative - Painting
18 x 22 inches (45.7 x 55.9 cm)
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Nicholas Down: 'autumn whispered', 2017 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Paul Machalaba: 'Trilithium', 2015 Aluminum Sculpture, Abstract. Abstract, shiny, aluminum, cubes, welded, minimal contact. ...
, 2015
Abstract - Sculpture
3 x 6 feet (0.91 x 1.83 m)
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Jim Lively: 'topographical error', 2017 Acrylic Painting, Abstract Landscape. topography, abstract, contemporary...
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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(Page 6 of 161) - MORE ARTWORKS
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  • Artists Describing Their Art:

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated 2013-2022, an online source of information on digital painting at www.digitalpainting.be Author if Digital Painting Auteursdomein, Amsterdam 2021. Computer My love for the computer comes through my partner, a theoretical computer scientist at the Center for Mathematics and Computer Science in Amsterdam, one of the founding institutions of the Internet. At the end of the 1970s, we had a computer terminal at home and communicated via Arpanet, the predecessor of the Internet. In 1984 I bought a NEC TRS 80, one of the first notebook-style computers. It had an awesome 32KB memory, an eight-line display and a music cassette tape as external memory. Raster In 2000 I gave up my journalistic work ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Steven Lamb - Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visited, like Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Paul Machalaba - Paul Machalaba is a cutting edge artist specializing in large welded aluminum sculptures with a contemporary cast look. His pieces can be found coast to coast in private estates and in city centers at prominent corporate locations. Growing up in rural Vermont, but spending years in Florida, he is now well known for bringing a youthful fresh style to the northeast. Working from his studio in laid back Woodstock VT, he strives to find the perfect balance of motion and rigidity in a unique blend of sleek calligraphy inspired works with zero visable welds. His portfolio has a wide variety of styles that show a broad range of inspiration in different series, yet are easily identifiable as being from the same artist. He has been quoted as saying I love to explore different styles, from elegant to abstract graffiti. So many artists either have many different variations of designs that look the same, or no consistency. I feel that its the same with many rock bands on the radio. Some bands songs all kind of sound the same, but the legendary bands have a deep rooted consistency, yet every song is a completely new experience. I want all of my ...