Contemporary Art For Sale Price Range: $2000 - $2999

Page 7 of 184
Over 5326 works of original contemporary art for sale in the price range $2000 - $2999. On this page you can find works by Franziska Turek, Roger Williams, Marie-france Busset, Jacques Malo, Hans-ruedi Kammermann, Jose Luis Lazaro Ferre, Wayne Quilliam, Cathy Dobson, Dennis Duncan, Maciej Hoffman, Lou Posner, Youri Messen-jaschin, Donna Gallant, Geo Sipp, Terri Higgins, James Gwynne, Lorrie Williamson, Paulo Medina, Alice Murdoch for the follwing mediums: 1. Links to more artwork and 184 pages for works in the price range $2000 - $2999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Roger Williams: 'Epic Crane', 2013 Acrylic Painting, Birds.
, 2013
Birds - Painting
47 x 47 inches (119.4 x 119.4 cm)
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Marie-france Busset: 'CHOUETTE HOMMAGE A VINCENT', 2014 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
38 x 46 inches (96.5 x 116.8 cm)
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Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Franziska Turek: 'appearing memories 2', 2013 Oil Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Hans-ruedi Kammermann: 'LUNA VIOLETA', 2012 Oil Painting, Gestalt.
Gestalt - Painting
90 x 60 cm (35.4 x 23.6 inches)
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Jose Luis Lazaro Ferre: 'Visions XI', 2013 Collage, Figurative.  Different visions dreams intertwined in their stadium conscious.         ...
, 2013
Figurative - Collage
51 x 70 cm (20.1 x 27.6 inches)
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Jose Luis Lazaro Ferre: 'Visions V', 2013 Acrylic Painting, Figurative.      Different visions dreams intertwined in their stadium conscious.       ...
, 2013
Figurative - Painting
56 x 76 cm (22.0 x 29.9 inches)
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Jose Luis Lazaro Ferre: 'Visions XII', 2013 Acrylic Painting, Figurative. Different visions dreams intertwined in their stadium conscious. ...
Figurative - Painting
51 x 70 cm (20.1 x 27.6 inches)
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Wayne Quilliam: 'ijukel', 2013 Mixed Media Photography, Abstract Figurative.  Australian Aboriginal photographic art by Wayne Quilliam   ...
, 2013
Abstract Figurative - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Wayne Quilliam: 'siteio', 2013 Artistic Book, Conceptual.   Australian Aboriginal photographic art by Wayne Quilliam  ...
, 2013
Conceptual - Artistic Book
30 x 20 inches (76.2 x 50.8 cm)
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Cathy Dobson: ' Magic', 2013 Oil Painting, Magical. Original Illuminous Oval Oil Painting  from The Butterflies and Unicorns Collection. With phosphorescent highlights that glow in the dark.Gold wooden frame.    ...
, 2013
Magical - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jose Luis Lazaro Ferre: 'Visions VIII', 2013 Other Painting, Figurative.  Different visions dreams intertwined in their stadium conscious.   ...
Figurative - Painting
45 x 63 cm (17.7 x 24.8 inches)
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Dennis Duncan: 'Ada', 2005 Acrylic Painting, Romance.      Ada is a urban fairytale inspired by  a romantic encounter in the late 1970's. I have tried in this latest series to combine, industrial products with textured mediums, incorporating Art and Design. . .     ...
, 2005
Romance - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Maciej Hoffman: 'WARRIORS', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Lou Posner: 'Bend in the River', 1987 Oil Painting, Landscape. The Farm River, East Haven, Connecticut.  Trout in there. . .  believe it or not. . .  White strip frame. ...
Landscape - Painting
8 x 12 inches (20.3 x 30.5 cm)
Youri Messen-jaschin: 'Square', 2013 Serigraph, Optical. Op art - screenprinting6 colors - relief printPaper 71,5 x 101,5 cmScreenprinting 68 x 68 cmPaper Lessebo Bright 400 gm2.Packaging, insurance, transport not include in the price.i? 1/2 by Prolitteris Zurich SwitzerlandUniversitaetstrasse 100 CH.  8006 ZurichSwitzerland...
, 2013
Optical - Serigraph
88 x 102 cm (34.6 x 40.2 inches)
Donna Gallant: 'Fire within', 2012 Oil Painting, Floral.         Internal views of florals are the inspiration in this piece.  Painted on 4 - 16 x 20
Floral - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Geo Sipp: 'The King of Algiers', 2012 Other Drawing, Abstract Figurative.   The King of Algiers is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.      ...
Abstract Figurative - Drawing
12 x 16 inches (30.5 x 40.6 cm)
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Geo Sipp: 'Fight Night in Algiers', 2012 Other Drawing, Sports.  Fight Night in Algiers is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.     ...
Sports - Drawing
16 x 12 inches (40.6 x 30.5 cm)
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Terri Higgins: 'My Wounds, Disparagement and Blunders', 2012 Oil Painting, Abstract.   Abstract    ...
Abstract - Painting
28 x 60 inches (71.1 x 152.4 cm)
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James Gwynne: 'Soaring', 2012 Oil Painting, Birds.  Bald Eagle soaring high among clouds ...
, 2012
Birds - Painting
38 x 42 inches (96.5 x 106.7 cm)
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Donna Gallant: 'White Begonia', 2012 Oil Painting, Floral.       Internal views of florals are the inspiration in this piece.  Painted on 4 - 16 x 20
Floral - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Donna Gallant: 'Calenbine', 2012 Oil Painting, Floral.      Internal views of florals are the inspiration in this piece.  Painted on 9 - 12 x 12
, 2012
Floral - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Lorrie Williamson: 'Playing DressUp', 2010 Acrylic Painting, Figurative.  The portrait of a child with her cat.Playing dress- up in things not normally worn. The circle represents the
Figurative - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Paulo Medina: 'Cristo yacente', 2010 Mixed Media, Abstract.
Abstract - Mixed Media
110 x 140 cm (43.3 x 55.1 inches)
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Alice Murdoch: 'Just the Two of Us', 2011 Oil Painting, Figurative.    Woman with icecream cone                         ...
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Alice Murdoch: 'Purple Dress', 2011 Oil Painting, Figurative.   Large woman in Purple dress                        ...
Figurative - Painting
32 x 42 inches (81.3 x 106.7 cm)
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Alice Murdoch: 'Gorgeous', 2011 Oil Painting, Figurative.  Being Gorgeous                       ...
, 2011
Figurative - Painting
32 x 32 inches (81.3 x 81.3 cm)
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Cathy Dobson: 'Forgiveness', 2002 Oil Painting, Fish.   Original Illuminated Oil Painting.Highlighted Candle flames glow in the dark....
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Cathy Dobson: 'Moon Rise', 2010 Oil Painting, Fish. Original oil painting with Illuminated full moon that glows in the dark....
, 2010
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
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(Page 7 of 184) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....