Contemporary Art For Sale Price Range: $300 - $399

Page 1 of 172
Over 4974 works of original contemporary art for sale in the price range $300 - $399. On this page you can find works by Vladimir Volosov, Paulo Medina, Jerry Di Falco, Austen Pinkerton, Edna Schonblum, Harry Weisburd, Van De Ven, Andrea Mulcahy, Carlos Pardo, Daniel Clarke, Michael Schaffer for the follwing mediums: 1. Links to more artwork and 172 pages for works in the price range $300 - $399 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Vladimir Volosov: 'forest etude', 2019 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden frame.  Palette knife. Original Artist Style aEUR
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'in forest thicket', 2019 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden frame.  Palette knife. Original Artist Style aEUR
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'lilac forest', 2015 Oil Painting, Impressionism. 	Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden frame.  Palette knife. Original Artist Style aEUR
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Paulo Medina: 'manso y humilde', 2020 Acrylic Painting, Religious. A small painting for devotion ...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Jerry  Di Falco: 'old swedes church philadelphia', 2020 Etching, Architecture. This etching was based on my original drawings made from a family photograph taken by my Great- Great Maternal Aunt Victoria who lived on AlfredaEURtms Alley in Philadelphia. She shot the black and white photo between 1938 and 1940 with a 35mm Kodak camera at night in mid- winter ...
Architecture - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Paulo Medina: 'in the night of faith', 2020 Acrylic Painting, Religious. He continues to enlighten us in the night of our faith...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Austen Pinkerton: 'sean number 0ne', 2019 Crayon Drawing, Life. Latest Narberth Life Drawing work just finished Sean the Jesus clone , Crayon, Ink, white Gouache, 42 x 30 cm, finished yesterday 19th Dec.  ...
Life - Drawing
42 x 30 inches (106.7 x 76.2 cm)
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Austen Pinkerton: 'john number nine', 2019 Graphite Drawing, Life. Narberth Museum Life Drawing Group Friday 13th December Pencil and Blender 40 x 50 cm...
Life - Drawing
40 x 50 cm (15.7 x 19.7 inches)
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Edna Schonblum: 'framed 3', 2019 Oil Painting, Seascape. a detail from the high sea...
, 2019
Seascape - Painting
32 x 32 cm (12.6 x 12.6 inches)
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Harry Weisburd: 'selfie brunnette 1', 2019 Watercolor, Figurative. Selfie made by Brunnette ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Edna Schonblum: 'high sea serie number 40', 2019 Oil Painting, Seascape. it s a view from the sea movement ...
Seascape - Painting
27 x 16 cm (10.6 x 6.3 inches)
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Vladimir Volosov: 'model in art studio', 2017 Oil Painting, Nudes. A<< Color is always the main principal in my work.  My goal isvibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas.  Original Artist Style aEUR
Nudes - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Austen Pinkerton: 'joanna number one', 2019 Pencil Drawing, Life. Latest life drawing at Narberth Museum Group, last Friday 29th November 2019. . . . . . first one of Joanna, pencil and blender, 42 x 30 cm  post seems to have trimmed her finger tips on left hand . ...
Life - Drawing
42 x 30 cm (16.5 x 11.8 inches)
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Austen Pinkerton: 'martine number one', 2019 Pencil Drawing, Life. Last Friday s  22nd November  work at the Narberth Life Drawing Group:   Martine No. 1 , : Pencil and blender, 30 x 42 cm. ...
Life - Drawing
42 x 30 cm (16.5 x 11.8 inches)
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Van De  Ven: 'volatiles 4 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Turner Fine art paper 310 gr. A aEUR
Abstract - Digital Painting
60 x 40 cm (23.6 x 15.7 inches)
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Van De  Ven: 'volatiles 3 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Turner Fine art paper 310 gr. A aEUR
Abstract - Digital Painting
60 x 40 cm (23.6 x 15.7 inches)
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Van De  Ven: 'volatiles 1 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Turner Fine art paper 310 gr. A aEUR
Abstract - Digital Painting
60 x 40 cm (23.6 x 15.7 inches)
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Van De  Ven: 'particles 6 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Fine Art Turner 310 gr. Limited edition  12. Hand- signed and numbered, protected with barcode, certificate. Vector paintings are size indepentent, the price applies to the size mentioned. Optionally framed. ...
Abstract - Digital Painting
65 x 98 cm (25.6 x 38.6 inches)
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Van De  Ven: 'particles 3 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Fine Art Turner 310 gr. Limited edition  12. Hand- signed and numbered, protected with barcode, certificate. Vector paintings are size indepentent, the price applies to the size mentioned. Optionally framed....
Abstract - Digital Painting
90 x 83 cm (35.4 x 32.7 inches)
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Van De  Ven: 'particles 2 vector painting', 2019 Digital Painting, Abstract. Hahnemuehle Fine Art Turner 310 gr.  Limited edition12.  Hand- signed and numbered, protected with barcode, certificate.  Vector paintings are size indepentent, the price applies to the size mentioned.  Optionally framed. ...
Abstract - Digital Painting
90 x 80 cm (35.4 x 31.5 inches)
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Harry Weisburd: 'stairway to heaven 3d', 2016 Watercolor, Figurative. Harry looking at his 3D painting Stairway to Heaven with  Chroma Depth Clean lens glasses  ...
Figurative - Watercolor
11 x 15 inches (27.9 x 38.1 cm)
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Andrea Mulcahy: 'Swept 2', 2019 Acrylic Painting, undecided. Abstract ...
, 2019
undecided - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Carlos Pardo: 'drones and bull droids', 2014 Other Drawing, Expressionism.  In drones, big data and Artificial Inteligency all of us are information and a possible target for being spied or erased by a logical and erroneous calculation from a machine.  Humans usually make mistakes but humans usually justify the perfection of machines.  That dangerous paradox is a futurist condiment which...
Expressionism - Drawing
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'pink magdalene ascends', 2019 Etching, Surrealism. This hand printed etching by Di Falco, based on three of his pencil and powdered graphite drawings, was originally inspired by an illustration in THE SFORZA HOURS, which is from the British Library Collection, London, Add.  MS 34294.  This is from the Third of Five Editions and includes a blend ...
Surrealism - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Andrea Mulcahy: 'life cycle', 2019 Acrylic Painting, Abstract. Representation of the life cycle...
, 2019
Abstract - Painting
24 x 10 inches (61.0 x 25.4 cm)
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Daniel Clarke: 'fall colors', 2019 Watercolor, Landscape. Sing to me, Autumn, with the rustle of your leaves.  Breathe on me your spicy scents that flow within your breeze.  Dance with me, Autumn, your waltz that bends the boughs of trees.  Now tell me all the secrets you ve whispered to the seas.  Sleep with me, Autumn, beneath ...
Landscape - Watercolor
15 x 11 inches (38.1 x 27.9 cm)
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Harry Weisburd: 'photo shoot fashion magazine', 2019 Watercolor, Fashion. Photographer photographs for fashion magazine ...
Fashion - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'magdalen in emerald city', 2019 Etching, Famous People. This hand printed etching by Di Falco, based on three of his pencil and powdered graphite drawings, was originally inspired by an illustration in THE SFORZA HOURS, which is from the British Library Collection, London, Add.  MS 34294.  Media for this Second Edition includes a created blend of oil base ...
Famous People - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Michael Schaffer: 'Rip It Up Series', 2019 Mixed Media, Abstract. Four 10 inch by 10 inch canvases put to together by painter s tape along with tape inside the canvas.  Flow of consciousness ensues and the we Rip It Up...
Abstract - Mixed Media
10 x 10 inches (25.4 x 25.4 cm)
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Jerry  Di Falco: 'mary magdalene ascends', 2019 Etching, Mystical. This etching by Jerry Mazur Di Falco was based on three of his drawings that were all inspired by an illustration in THE SFORZA HOURSfrom the British Library, London, Add.  MS 34294.  Media for this First Edition etching includes oil base etching ink on RivesBFK white paper.  The image size, ...
Mystical - Etching
16 x 20 inches (40.6 x 50.8 cm)
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(Page 1 of 172) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....