Contemporary Art For Sale Price Range: $300 - $399

Page 5 of 168
Over 4851 works of original contemporary art for sale in the price range $300 - $399. On this page you can find works by Marino Chanlatte, William Christopherson, Sangeetha Bansal, Michael Garr, Edna Schonblum, Lois Di Cosola, C. Mari Pack, Shelley Catlin, Diana Carey, Walter King, Andree Lisette Herz, Ron Anderson, Nancy Bechtol, Jim Lively for the follwing mediums: 1. Links to more artwork and 168 pages for works in the price range $300 - $399 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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William Christopherson: 'Syracuse Onondaga Park Winter Oil Canvas', 2015 Oil Painting, Landscape.         TITLE:
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Sangeetha Bansal: 'Basking in light', 2015 Charcoal Drawing, nature.  Original charcoal art of a woman basking in sunlight. ...
nature - Drawing
11 x 17 inches (27.9 x 43.2 cm)
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Sangeetha Bansal: 'Mother nature', 2012 Charcoal Drawing, nature.  Charcoal art of mother nature. She is depicted in all her glory with mountains and waterfalls. She has a dove in her hand and is advocating peace and joy. nature, mother, peace, joy, love, waterfall, mountains, sky, water, dove ...
nature - Drawing
11 x 17 inches (27.9 x 43.2 cm)
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Michael Garr: 'Fall at beavertail light', 2015 Oil Painting, Marine.  Plein air. ...
Marine - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Edna Schonblum: 'tethered 1', 2015 Oil Painting, Boating.  sea transparencie boats transparencie sand sea studie...
, 2015
Boating - Painting
21 x 15 cm (8.3 x 5.9 inches)
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Sangeetha Bansal: 'Between devil and the deep sea', 2015 Charcoal Drawing, People.  Charcoal art of a woman caught on a crossroad between conflicting priorities. Both the paths ahead are dangerous and she cant decide where to go. ...
People - Drawing
11 x 17 inches (27.9 x 43.2 cm)
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Lois Di Cosola: 'brush', 2010 Ink Drawing, Abstract. brush painting on paper ...
, 2010
Abstract - Drawing
11 x 12 inches (27.9 x 30.5 cm)
C. Mari Pack: 'Meditative Perception', 2014 Acrylic Painting, Abstract.       Original poured acrylic painting. Deep earth tones, with contrasting metallics. Coated with acrylic medium to create a resin like, surfboard finish. All materials used are archival.      ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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C. Mari Pack: 'The Manipulation of Energy', 2014 Acrylic Painting, Abstract.  Original poured acrylic painting. Deep pink tones, with contrasting white and bright orange. It is coated with an acrylic medium giving the piece a surf board finish similar to resin. All materials used are archival. ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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C. Mari Pack: 'Psychological Adaptation', 2014 Acrylic Painting, Abstract.   Original poured acrylic painting. Deep earth tones, black, white, tan, gold and bronze. It is coated with an acrylic medium giving the piece a surf board finish similar to resin. All materials used are archival.  ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Shelley Catlin: 'Painted Lady', 2015 Digital Photograph, Beauty.     Face, Mexico, vibrant, door, grafitti,        ...
Beauty - Photograph
10 x 16 inches (25.4 x 40.6 cm)
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Shelley Catlin: 'Moon', 2014 Digital Photograph, Astronomy.    Full moon, metallic paper, shiny, small size  ...
, 2014
Astronomy - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Shelley Catlin: 'Firetruck', 2014 Digital Photograph, Abstract.     Firetruck, fisheye, clock, sky, reflections, reds, yellows,  ...
, 2014
Abstract - Photograph
18 x 12 inches (45.7 x 30.5 cm)
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Shelley Catlin: 'Painted Lady', 2014 Digital Photograph, undecided.     Painted lady grafitti, Mexico, door with lock  ...
undecided - Photograph
10 x 16 inches (25.4 x 40.6 cm)
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Diana Carey: 'Geese In Flight', 2014 Steel Sculpture, Abstract.  steel sculpture abstract tabletop...
Abstract - Sculpture
19 x 11 inches (48.3 x 27.9 cm)
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Walter King: 'Scottish Islands', 2014 Watercolor, Landscape.  In May of 2014 we took some time in the Scottish Highlands, Argyle County, during a trip to Scotland, Oban and Appin for my step son's wedding.       ...
Landscape - Watercolor
11 x 9 inches (27.9 x 22.9 cm)
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Walter King: 'Mountain View', 2014 Watercolor, Landscape.     Of the Scottish Highlands, Argyle Country, during a trip to Scotland, Oban and Appin in May 2014    ...
Landscape - Watercolor
11 x 9 inches (27.9 x 22.9 cm)
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Walter King: 'The Bridge 1', 2014 Watercolor, Landscape.    Of the Scottish Highlands, Argyle Country, during a trip to Scotland, Oban and Appin in May 2014   ...
Landscape - Watercolor
11 x 13 inches (27.9 x 33.0 cm)
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Walter King: 'The Highlands near Appin in Argyle', 2014 Watercolor, Landscape.   Of the Scottish Highlands, Argyle Country, during a trip to Scotland, Oban and Appin in May 2014  ...
Landscape - Watercolor
9 x 5 inches (22.9 x 12.7 cm)
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Andree Lisette Herz: 'butterfly fun', 2014 Ink Painting, nature.                                     . alcohol ink  painted with q tips on yupo                                               ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Ron Anderson: 'Familiar Places', 2013 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Familiar Places. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Nancy Bechtol: 'Bird Fly by night', 2013 Computer Art, Abstract. Epson archival inkjet print framed,       landscape, abstract, circles, birds           statue purple                      ...
Abstract - Computer Art
17 x 11 inches (43.2 x 27.9 cm)
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Jim Lively: 'Metallic Abstract Eight', 2013 Acrylic Painting, Abstract.        acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract three', 2013 Acrylic Painting, Abstract.       acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract One', 2013 Acrylic Painting, Abstract.      acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract ', 2013 Acrylic Painting, Abstract Figurative.     acrylic and metallic acrylics on canvas    ...
Abstract Figurative - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Andree Lisette Herz: 'riverrun', 2013 Ink Painting, nature.                                 . alcohol ink  painted with q tips on yupo                                           ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'seagrape', 2013 Ink Painting, nature.                               . alcohol ink  painted with q tips on yupo                                         ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'watersedge', 2013 Ink Painting, nature.                             . alcohol ink  painted with q tips on yupo                                       ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Geo Sipp: 'Evening in Algiers', 2008 Linoleum Cut, Islamic.  Evening in Algiers is a linocut, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                  ...
Islamic - Linoleum Cut
10 x 6 inches (25.4 x 15.2 cm)
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(Page 5 of 168) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...