Contemporary Art For Sale Price Range: $300 - $399

Page 8 of 136
Over 3942 works of original contemporary art for sale in the price range $300 - $399. On this page you can find works by Judith Fritchman, Robert H. Stockton, Paola Di Renzo, Gordon Mcglothlin, Richard Lazzara, Emilio Merlina, Isaac Brown, Rita Levinsohn, Lucille Coleman, Jacqueline Weegels, Paula Durbin for the follwing mediums: 1. Links to more artwork and 136 pages for works in the price range $300 - $399 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Judith Fritchman: 'Nude 2', 2004 Pencil Drawing, nudes.  Conte pencil on paper. ...
, 2004
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Judith Fritchman: 'Nude 3', 2004 Pencil Drawing, nudes.  Conte pencil on paper. ...
, 2004
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Robert H. Stockton: 'The Things That We Depend On', 2007 Mixed Media, Culture.  This mixed media piece incorporates a variety of found, and appropriated materials, as well as acrylic paint.  It is matted with white museum board, and framed in black metal, under glass, to a finished size of 13 x 13.  The actual size of the artwork is 8 x 8.  ...
Culture - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Robert H. Stockton: 'Thoughts Becoming Things', 2007 Collage, Abstract.  This collage is created from cut and torn, worn and weathered found paper from a variety of sources.  It is matted, under glass, with white museum board and framed in black wood to a finished size of 13 x 16. ...
Abstract - Collage
16 x 13 inches (40.6 x 33.0 cm)
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Robert H. Stockton: 'Small Hazards From The Real World', 2007 Mixed Media, Abstract.  This mixed media piece incorporates a wide range of found materials, as well as acrylic paint and gold leaf.  It is matted with white museum board, and framed in black metal, under glass, to a finished overall size of 16 x 13 ...
Abstract - Mixed Media
13 x 16 inches (33.0 x 40.6 cm)
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Paola Di Renzo: 'trunks', 2007 Mixed Media, Abstract Landscape.
, 2007
Abstract Landscape - Mixed Media
35 x 35 cm (13.8 x 13.8 inches)
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Robert H. Stockton: 'Origins of the St Charles', 2006 Pen Drawing, Abstract Landscape.  This is an original drawing done in pen and ink.  The size of the artwork is 9 x 12 and it is matted with white museum board, and framed in black metal, under glass, to a finished size of 14 x 17. ...
Abstract Landscape - Drawing
1 x 14 inches (2.5 x 35.6 cm)
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Gordon Mcglothlin: 'Crystal Ball II', 2001 Giclee, Abstract. Crystal Ball II by Gordon McGlothlin is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 14
Abstract - Giclee
20 x 14 inches (50.8 x 35.6 cm)
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Gordon Mcglothlin: 'Crystal Ball I', 2001 Giclee, Abstract. Crystal Ball I by Gordon McGlothlin is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 14
Abstract - Giclee
20 x 14 inches (50.8 x 35.6 cm)
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Richard Lazzara: 'solitary crystal pin ornament', 1989 Mixed Media Sculpture, Fashion. solitary crystal pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 2 inches (7.6 x 5.1 cm)
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Richard Lazzara: 'slow crawling pin ornament', 1989 Mixed Media Sculpture, Fashion. slow crawling pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
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Richard Lazzara: 'moon glow skys pin ornament', 1989 Mixed Media Sculpture, Fashion. moon glow skys pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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Richard Lazzara: 'pyramid pin ornament', 1989 Mixed Media Sculpture, Fashion. pyramid pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
2 x 2 inches (5.1 x 5.1 cm)
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Richard Lazzara: 'blue pin ornament', 1989 Mixed Media Sculpture, Fashion. blue pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
2 x 3 inches (5.1 x 7.6 cm)
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Emilio Merlina: 'my soul like a desert storm', 2006 Oil Painting, Inspirational. oil on plywood...
Inspirational - Painting
90 x 65 cm (35.4 x 25.6 inches)
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Isaac Brown: 'sprocket view', 2005 Computer Art, Abstract.
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Isaac Brown: 'buffalo wise', 2005 Computer Art, Abstract.
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Isaac Brown: 'praying in the night', 2004 Computer Art, Abstract.
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Isaac Brown: 'rainbow river of life', 2005 Computer Art, Abstract.
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Isaac Brown: 'dreidels', 2004 Computer Art, Abstract.
, 2004
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Isaac Brown: 'get bent', 2005 Computer Art, Abstract.
, 2005
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
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Rita Levinsohn: 'Legacies Old and New', 2004 Acrylic Painting, Political. Portrays the influence of consumerism at historic sights....
Political - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lucille Coleman: 'Man and Two Babes', 2003 Pencil Drawing, Family. A(c) 2003 Lucille Coleman...
Family - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Graphite Two Hand Hold Salsa Dance', 2003 Pencil Drawing, Family. Black and white graphite drawing of salsa dancers. A(c) 2003 Lucille Coleman...
Family - Drawing
24 x 36 inches (61.0 x 91.4 cm)
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Lucille Coleman: 'Tiger Talk', 2003 Oil Painting, Children. A whimsical painting whose theme is the fantasy life of a child.A(c) 2003 Lucille Coleman...
, 2003
Children - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jacqueline Weegels: 'Constables Haywain in blue', 2004 Watercolor, Landscape. In silver, mat frame with double mat. John Constable painted the original Haywain in 1821. I loved the setting so much that I not only painted it in a monogramatic blue, but also visited Flatford Mill myself, whilst living in the U. K. ...
Landscape - Watercolor
11 x 8 inches (27.9 x 20.3 cm)
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Jacqueline Weegels: 'Yellow bicycle', 1997 Oil Painting, Landscape. With gilded frame and mat. I grew up in the Netherlands, where the bicycle is an important part of daily life. This Amsterdam scene captures the essence of this sturdy, dependable' fiets' .  NOTE: Framed....
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Emilio Merlina: 'give a glance at me', 2004 Mixed Media Sculpture, Inspirational. acrylic on paper , glue and rusty iron plate...
Inspirational - Sculpture
40 x 52 cm (15.7 x 20.5 inches)
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Paula Durbin: 'Alien Flowers', 2000 Color Photograph, Botanical. Fresson Print.  May be printed in other sizes and processes. ...
Botanical - Photograph
28 x 22 inches (71.1 x 55.9 cm)
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Adam Adamou: 'Fleurworks 2', 2003 Acrylic Painting, Floral.
Floral - Painting
600 x 405 mm ( x )
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(Page 8 of 136) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Judith Fritchman - Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Jacqueline Weegels - My whole life I have created art somehow, as do most people one way or another. I grew up with a father who enjoyed painting large theater back drops and making larger than life papermache float creations. Although, I felt inspired by this, it somehow intimidated me and made me want to work small. Now, having raised two children, and influenced and been influenced by them and THEIR art, my work has become ever more eclectic and varied. I am ready for a new phase in my art as, like everyone else, continue to conquer new challenges in life, stay healthy and seek balance. ...

    Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...