Contemporary Art For Sale Price Range: $3000 - $3999

Page 1 of 94
Over 2703 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by David Larkins, Jean Judd, Bryan Kemila, Terry Mollo, Ted Schaal, Dan Shiloh, John Gamache, Silvia Poloto, Ron Ogle, Yosef Reznikov, Becky Soria, Anne Pierce, Andrea Waxman Mulcahy, Alex Hook Krioutchkov, Igor Shulman for the follwing mediums: 1. Links to more artwork and 94 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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David Larkins: 'the mourning', 2024 Oil Painting, Religious. Beechwood, a small town in the Upper Peninsula of Michigan. Shots rang out on the 26th of October, 1901. The Lindstrom family of five lay murdered by their son- in- law. The small church in Beechwood, the Lindstrom s eulogized, their souls flying away to a better place.Sometimes a ...
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Jean Judd: 'Stained Glass Mosaic 5', 2024 Mixed Media, Abstract. Stained Glass Mosaic 5 is the fifth piece in the series.  The series started in 2006 with the first four pieces being completed by mid- 2008.  Two of the artworks in the series sold immediately.  In December of 2023 I carved out some time to begin working on two new ...
Abstract - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Bryan Kemila: 'moon beam', 2012 Watercolor, Beauty. It s all in the sight of the beholder. Her breast invite fondling. Her eyes leak lust. She is a dangerous vixen. One who will swallow all that you ve got to give her. . ...
, 2012
Beauty - Watercolor
21 x 30 inches (53.3 x 76.2 cm)
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Bryan Kemila: 'mannequin', 2015 Watercolor, Popular Culture. She sits in the window. Wanting to leave and walk the streets of Chicago. But she s just a doll. A fake beautiful sweetheart. Maybe someday someone will buy her, and take her away to a more lovely and human place. ...
, 2015
Popular Culture - Watercolor
20 x 30 inches (50.8 x 76.2 cm)
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Bryan Kemila: 'dreamin', 2024 Watercolor, Romance. Pretty girl dreaming about love and lover...
, 2024
Romance - Watercolor
40 x 20 inches (101.6 x 50.8 cm)
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Terry Mollo: 'crash', 2024 Stone Sculpture, Abstract Landscape. Spectacular fragmented planet earthafter a lethal crash.  Translucent alabaster. ...
, 2024
Abstract Landscape - Sculpture
9 x 15 inches (22.9 x 38.1 cm)
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Ted Schaal: 'metropolis', 2023 Mixed Media Sculpture, Abstract. This is a wall piece that is bronze, gold, silver, wood and steel. The raised bronze rectangles grew organically from the center out as I welded the shapes in a freeform progression. The gold a silver are applied leaf metal on to the black stained wood. The frame is welded ...
, 2023
Abstract - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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Dan Shiloh: 'stone eagle', 2023 Stone Sculpture, Animals. Volcanic stone sculpture of an eagle...
Animals - Sculpture
30 x 50 cm (11.8 x 19.7 inches)
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John Gamache: 'back from the fields', 2022 Oil Painting, Representational. Canvas, Oil, Framed, Love England Country side for it s Medieval Architechture, Up keep of old ways.  ...
Representational - Painting
36 x 18 ( x )
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John Gamache: 'commuter hour', 2023 Oil Painting, Representational. English countryside, Sheep going home after along day in the fields, Framed...
Representational - Painting
37 x 18 ( x )
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Terry Mollo: 'pelvic structure rear view', 2023 Stone Sculpture, Abstract Figurative. Italian white marble, rear view, shows female  with spine, and anatomical pelvic structure study at  the front. ...
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Terry Mollo: 'shell with pearl', 2023 Stone Sculpture, Abstract Figurative. A grey and off- white marble, this shell has a black alabaster pearl nestled within. ...
Abstract Figurative - Sculpture
6 x 22 inches (15.2 x 55.9 cm)
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Terry Mollo: 'smokey crescent', 2023 Stone Sculpture, Abstract Figurative. This alabaster stone is a dark, smoky combination of greys and black and off- white.  It was inspired by a crescent moon that appeared out of dark swirly clouds after a storm.  Ethereal.  ...
Abstract Figurative - Sculpture
9 x 28 inches (22.9 x 71.1 cm)
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Silvia Poloto: 'haiku 6', 2022 Paper, Abstract. This artwork evolved from my wabi- sabi series. I wanted to be minimal but to be expressive with paint at the same time....
, 2022
Abstract - Paper
26 x 38 inches (66.0 x 96.5 cm)
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Ron Ogle: 'cold mountain series number 4', 2023 Oil Painting, Landscape. I worked on this canvas for 15 years, 2007- 2023. I can see Cold Mountain from my studio window. ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Yosef Reznikov: 'composition 2', 2020 Mixed Media, Geometric. Abstract painting in the interiorAbstract art can be considered the beginning of modern energy painting. Abstraction does not carry a specific meaning - it is sensations, emotions, and feelings. Such painting, unlike realism, affects the emotional and energetic state of a person instantly. When you look at an abstract picture, ...
Geometric - Mixed Media
110 x 97 cm (43.3 x 38.2 inches)
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Yosef Reznikov: 'portrait queen elizabeth ii', 2020 Mixed Media, Portrait. With the death of Elizabeth II, an entire era ends. She was directly involved in all the important events of the past and present centuries. May her memory be blessed We previously made her portrait. We didn t exhibit it or show it. This is the first time.Portrait of  ...
Portrait - Mixed Media
120 x 100 cm (47.2 x 39.4 inches)
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Yosef Reznikov: 'composition 11', 2005 Mixed Media, Geometric. Geometric abstraction in the interior.Geometric abstractionism  also geometric abstraction, cold abstraction, logical abstractionism  is a fairly broad concept that unites the types of painting that combine the use of geometric shapes and abstract composition. One of the prerequisites for the emergence of geometrically abstract painting was the increasing autonomy ...
Geometric - Mixed Media
110 x 70 cm (43.3 x 27.6 inches)
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Becky Soria: 'silent shadow', 2016 Mixed Media, Abstract Figurative. about the environmental issues facing our animals today...
Abstract Figurative - Mixed Media
65 x 56 inches (165.1 x 142.2 cm)
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Anne Pierce: 'cricket on mushroom', 2020 Bronze Sculpture, Animals. The small man who is hiding in the mushroom folds was originally a whimsical addition. The grasshopperaEURtms long legs and the veining of the mushroom cap were the focus of this sculpture and only later did the human to insect scale become the story line. If you look closely ...
Animals - Sculpture
13 x 10 inches (33.0 x 25.4 cm)
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Anne Pierce: 'hornet on apple', 2020 Bronze Sculpture, Nature. Hornets may appear menacing and indeed they are capable of delivering a painful sting. Moreover, unlike bees, hornets have a quiver of stings in their arsenal which can be deployed with no impact on their longevity. They have large strong mandibles that were once used to cut through the tough ...
Nature - Sculpture
13 x 10 inches (33.0 x 25.4 cm)
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Anne Pierce: 'stag beetle with rider', 2021 Bronze Sculpture, Abstract Figurative. Stag beetles make formidable competitors in the annual Insect Race  IR  and have taken first prize in this contest more than any other beetle participants. It is debatable whether the success rate is significantly improved when accompanied by humanoid riders as there have been an equal number of first places ...
Abstract Figurative - Sculpture
20 x 15 inches (50.8 x 38.1 cm)
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Yosef Reznikov: 'old jerusalem', 2020 Mixed Media, Architecture. Jerusalem in painting.Jerusalem remains a favorite subject of painting today  many Israeli and foreign artists have managed to realistically or symbolically express the peculiar beauty and special color of the Holy City. This topic is very close to us. We have completed a significant number of paintings on this ...
Architecture - Mixed Media
132 x 110 cm (52.0 x 43.3 inches)
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Andrea Waxman Mulcahy: 'current', 2022 Steel Sculpture, Abstract. My sculptures are meant to capture the essence of movement. ...
, 2022
Abstract - Sculpture
26 x 20 inches (66.0 x 50.8 cm)
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Andrea Waxman Mulcahy: 'heat vapors', 2022 Steel Sculpture, Abstract. My sculptures are meant to capture the essence of movement. ...
Abstract - Sculpture
25 x 26 inches (63.5 x 66.0 cm)
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Andrea Waxman Mulcahy: 'her humor', 2021 Steel Sculpture, Abstract. My sculptures capture the essence of movement in space. ...
, 2021
Abstract - Sculpture
21 x 34 inches (53.3 x 86.4 cm)
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Alex Hook Krioutchkov: 'cala llombards x', 2021 Oil Painting, Seascape. Painting. Oil on canvas. 146x89x2cm. One of a kind. Signed. Painted borders.  No frame is required. ...
Seascape - Painting
146 x 89 cm (57.5 x 35.0 inches)
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Alex Hook Krioutchkov: 'new york xxiv', 2021 Oil Painting, Cityscape. Painting. Oil on canvas. 146x97x2cm. One of a kind. Signed. Painted borders.  No frame is required. This work will ship flat in a sturdy, well- protected cardboard box. ...
Cityscape - Painting
146 x 97 cm (57.5 x 38.2 inches)
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Igor Shulman: 'the invincible tandem', 2022 Oil Painting, Bicycle. Many of you no longer remember that such bicycles once existed. And they really raced back in the middle of the last century. Retro lovers still use tandems. Pretty funny design in my opinion.Two of my favorite themes came together in this picture. They are retro and trash can ...
Bicycle - Painting
39 x 31 inches (99.1 x 78.7 cm)
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Alex Hook Krioutchkov: 'ciutadella xv', 2021 Oil Painting, Cityscape. Painting. Oil on canvas. 146x89x2cm. One of a kind. Signed. Painted borders.  No frame is required. ...
Cityscape - Painting
146 x 89 cm (57.5 x 35.0 inches)
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(Page 1 of 94) - MORE ARTWORKS
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  • Artists Describing Their Art:

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Bryan Kemila - Artist Statement Bryan Kemila ------------------------------ PENDING ------------- BIOGRAPHY Bio - Bryan Kemila - Watercolour painter - Acrylic painter - Oil painter - Sculpting - Critical observer of current events. - Nothing on the planet is quite as compelling as the woman. I was born in Dinsmore, Saskatchewan, Ive learned a number of skills. The list includes small engine repair, electrical wiring, construction, furniture building, commercial painting, sign painting, commercial graphics, logo design, bookkeeping and small business practices. As it turns out, the brush control and lettering skills improved. After 2 years of consistent practice, I realized my efforts surpassed the samples in the books. Gratitude must be given to the instruction on layout and design in The Mike Stevens Journal. I launched my own sign business, which I consider a successful enterprise. In my early years, sign painting involved simply a small tin of poster paint and a grey-squirrel tail brush. Back in the day, grocery stores used hand-painted, large paper banners to advertise their weekly specials. So I was good to go into business with minimal overhead When I retired just this past year, the sign business had since evolved devolved to computer software, vinyl-cutter equipment and stick-on letters. Layout and design still remain ...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Silvia Poloto - Artist statement on PROCESS: Private Puzzles 2010 - 2011 I am drawn to the idea of abstraction, where meaning is not absolute but suggestive. Throughout my career I have worked in many different media: drawing, printmaking, painting, photography and sculpture to name a few. My photographic works, at the core, are "equivalents" of reality. That is to say, I create scenes or objects to be photographed, rather than illustrate existential situations. The process is an internal one inspired by personal experiences and imagination. My latest body of work combines processes I have used in the past, expressing the visual vocabulary I have already learned in new contexts. I begin by building plexiglass boxes, filling some of them with resin and others with wax. I then make drawings, which I print on transparent film and build up in layers on top of each box. I repeat this process until I am satisfied with the result and, then, I photograph it. Initially, I wanted to print very large-format photographs on watercolor paper. However, the high cost of printing such large pieces was prohibitive. A fellow photographer, and friend, offered the use of his own printer, but it was smaller than what I...

    Silvia Poloto - Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Becky Soria - Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. Im intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpture and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....