Contemporary Art For Sale Price Range: $3000 - $3999

Page 3 of 97
Over 2811 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by Vladimir Volosov, Steven Lamb, James Johnson, Terri Higgins, Ron Ogle, Walther Von Krenner, Johann Van Den Noort, Harry Weisburd, Marino Chanlatte, Michal Ashkenasi, Jean Judd, Austen Pinkerton, Lou Posner, Tom Irizarry Studio, John Powell, Nicholas Down, Michael Fornadley for the follwing mediums: 1. Links to more artwork and 97 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Vladimir Volosov: 'thunderstorm over the see', 1999 Oil Painting, Marine. This is an original unique textured oil painting on stretched canvas. The painting was created using professional quality oil paints. Original Artist Style aEUR
Marine - Painting
24 x 19 inches (61.0 x 48.3 cm)
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Steven Lamb: 'alone in the bar', 2016 Mixed Media, Figurative. I was observing a Lady sitting alone in the bar craving for attention. Obviously losing a hope she is sinking in to her own thoughts. Her face is projecting romans, sadness and hope. The technique is mixed , starting with acrylic and finishing with oil and oil pastel. ...
Figurative - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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James Johnson: 'EMPATH', 2019 Steel Sculpture, Figurative. You may wish to look at another edition as Empath too.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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James Johnson: 'RAVEN', 2019 Steel Sculpture, Figurative. The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.archetype, nude, female, ...
, 2019
Figurative - Sculpture
7 x 16 inches (17.8 x 40.6 cm)
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James Johnson: 'REFLECT', 2019 Steel Sculpture, Nudes. A moment glimmers, a sideways glance, and the form is gone.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Nudes - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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James Johnson: 'REPOSE', 2019 Steel Sculpture, Nudes. The quiet pulse of the Earth calls.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear ...
, 2019
Nudes - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
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Terri Higgins: 'My Thoughts Took Hold', 2019 Oil Painting, Abstract. Thoughts.  They can stay forever fluttering away in our mind and are never known by anyone other than ourself, other times our thoughts thunder out and all is revealed.  Thoughts can make sense or be complete nonsense.  Positive, negative, exciting, monotonous, they do not stop.  Oil on Canvas, Reds, blues, ...
Abstract - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Ron Ogle: 'dee', 2019 Oil Painting, Portrait.
, 2019
Portrait - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Walther Von Krenner: 'abstract 4125 parting', 2019 Acrylic Painting, Abstract Landscape. Water, Rocks, Mountains, Turquoise...
Abstract Landscape - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Johann Van Den Noort: '1911 Costa da Morte', 2019 Oil Painting, Abstract. Abstract, expressionistic oil painting...
Abstract - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Walther Von Krenner: 'abstract 4109 rushing waters', 2019 Acrylic Painting, Abstract Landscape. Mountain, rocks, and blue water streams meeting on 300  handmade Arches Paper...
Abstract Landscape - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Walther Von Krenner: 'abstract ink 4098', 2019 Ink Painting, Nature. sumi ink brush painting, black and white on 300  Arches paper...
Nature - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Harry Weisburd: 'happy hour backless dress', 2018 Watercolor, Figurative. Love and Romance  Happy Hour Woman in Backless Dress...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Marino Chanlatte: 'ocean 75', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans.  Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Harry Weisburd: 'waiting for train', 2018 Watercolor, Figurative. Woman waiting for train ...
Figurative - Watercolor
14 x 17 inches (35.6 x 43.2 cm)
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Harry Weisburd: 'train commute', 2018 Watercolor, Figurative. 2 woman at train station waiting for commuter train ...
Figurative - Watercolor
14 x 17 inches (35.6 x 43.2 cm)
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Walther Von Krenner: 'kilauea', 2018 Acrylic Painting, Abstract. kilauea volcano, where the lave hits the sea...
, 2018
Abstract - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Harry Weisburd: 'blue lace see through gown', 2015 Watercolor, Figurative. Sensual Erotic  Elegant Woman in See Trhough Gown ...
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Michal Ashkenasi: 'dreams', 2017 Acrylic Painting, Fantasy. This is a kind of rememberance of childhood   I lked laying in the grass on my back and look at the clouds floating in the sky . This painting was my memory from those days . ...
, 2017
Fantasy - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Jean Judd: 'Sound Waves 5 Reverberation', 2018 Mixed Media, Abstract. Sound Waves 5 Reverberation moves away from the static graphic lines earlier in the series.  Mysterious images emerge from the fuchsia resembling human or animal figures and fossils.  Turquoise and fuchsia are the predominate colors in this piece.  Muted versions of other colors float and merge within the piece upon ...
Abstract - Mixed Media
44 x 19 inches (111.8 x 48.3 cm)
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Steven Lamb: 'two clowns', 2018 Mixed Media, Figurative.
, 2018
Figurative - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Austen Pinkerton: 'landscape with robot and dogs', 1983 Acrylic Painting, Landscape. robot cripple dogs landscape clouds science fiction...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Lou Posner: 'Gourds', 2018 Oil Painting, Visionary. A backyard patio filled with plants, books, painting gear, white lattice, gardening tools, homemade cabinet and GOURDS. ...
, 2018
Visionary - Painting
18 x 18 inches (45.7 x 45.7 cm)
Jean Judd: 'Sound Waves 4 Red Line', 2018 Textile Art, Abstract. Sound Waves4 Red Line references back to the first two pieces in the series, with the graphic lines and references to oscilloscopes and seismograph printouts.  Yellow and black are the predominate colors in this piece with the dynamic addition of a dark, bold red.  Muted versions of other colors float ...
Abstract - Textile Art
44 x 19 inches (111.8 x 48.3 cm)
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Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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John Powell: 'Poet ', 2019 Mixed Media, Figurative. NOTEORDER PRINTS @
, 2019
Figurative - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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Nicholas Down: 'mountain tapestry', 2017 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marino Chanlatte: 'ocean 65', 2017 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2017
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Michael Fornadley: 'Boom Boom', 1992 Oil Painting, Figurative.
, 1992
Figurative - Painting
64 x 50 inches (162.6 x 127.0 cm)
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Eileen Seitz: 'life amongst the orchids', 2017 Watercolor, Beach. orchids, peacock, flamingo, beach, coconut palms...
Beach - Watercolor
25 x 40 inches (63.5 x 101.6 cm)
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(Page 3 of 97) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Terri Higgins - Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know buying here on absolutearts cuts out ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...