Contemporary Art For Sale Price Range: $3000 - $3999

Page 4 of 97
Over 2805 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by Eileen Seitz, Kathryn Arnold, Lou Posner, Francisco Landazabal, Robin Antar, Ted Schaal, Eric Jacobson, Marino Chanlatte, Terri Higgins, Stefan Fiedorowicz, Jean Judd, Franziska Turek, Denise Dalzell, Ron Ogle, Donna Gallant, Nancy Bechtol, Jane Mcnichol for the follwing mediums: 1. Links to more artwork and 97 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Kathryn Arnold: 'a past time', 2019 Oil Painting, Abstract.  kathryn arnold, color field, abstract, abstraction, oranges, blues, greens, reds, yellows, whites, California, Bay Area artist...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Lou Posner: 'Meriden Turret', 1982 Oil Painting, Fantasy. Somebody built this beautiful, real turret near Meriden on a hilltop accessible to the public.  I added a gigantic 9 16 in.  autho mechanic s socket, with the turret reflected in its polished surface.  That s why it is listed as afantasy painting.  Painted plein- aire.  Lattice- framed, stained dark ...
Fantasy - Painting
16 x 10 inches (40.6 x 25.4 cm)
Kathryn Arnold: 'smooth sailing', 2019 Oil Painting, Abstract. kathryn arnold, color field, abstract, abstraction, oranges, blues, greens, reds, yellows, whites, California, Bay Area artist...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Kathryn Arnold: 'wind 1', 2019 Oil Painting, Abstract. kathryn arnold, color field, abstract, abstraction, oranges, blues, greens, reds, yellows, whites, California, Bay Area artist...
, 2019
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Francisco Landazabal: 'the harbor', 2005 Acrylic Painting, Abstract.
, 2005
Abstract - Painting
200 x 100 cm (78.7 x 39.4 inches)
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Robin Antar: 'conversations 2', 2009 Stone Sculpture, Abstract Figurative. conversations, onyx, alabaster, figures, talking...
Abstract Figurative - Sculpture
16 x 12 inches (40.6 x 30.5 cm)
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Robin Antar: 'the thinker 2', 2010 Stone Sculpture, Abstract Figurative. carved out to picasso marble, thinker, person, thinking, expression...
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Ted Schaal: 'small dropsy', 2016 Mixed Media Sculpture, Abstract. Cast bronze and hand polished stainless steel contemporary abstract sculpture...
Abstract - Sculpture
13 x 21 inches (33.0 x 53.3 cm)
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Eric Jacobson: 'cause and effect detail 3', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail 2', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect', 2017 Other Sculpture, Abstract. Constructed sculpture depicting man s impact on our changing climate. ...
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Marino Chanlatte: 'iceberg ocean 55', 2017 Oil Painting, Abstract. This is another abstract work inspired in the Ocean Series, painted using the same style and technique.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Terri Higgins: 'Constant Judgment', 2017 Oil Painting, Figurative. No matter what you do, you dont fit in. ...
Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Stefan Fiedorowicz: 'A Dialouge With Your Fear', 2010 Oil Painting, Abstract. Rolled canvas shipped in a tube.  No frame.  ...
Abstract - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Jean Judd: 'Rusted Snowflakes', 2017 Textile Art, Abstract. The rust pigmentation was completed on this piece in May of 2010.  My initial reaction was that it was not successful.  I added the star framing and set it aside in my pile of artworks waiting for hand stitching.  I bypassed this piece for several years as it still seemed ...
Abstract - Textile Art
31 x 20 inches (78.7 x 50.8 cm)
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Lou Posner: 'The Wabash River Storm Coming In', 2000 Oil Painting, Landscape.  The Wabash River at New Harmony, Indiana.  Referred to in tune titled, Indiana. . . .  when I dream about the moonlight on the Wabash, then I yearn for my Indiana home.  Professionally custom framed in gold.  ...
Landscape - Painting
28 x 10 inches (71.1 x 25.4 cm)
Franziska Turek: 'looking for new spaces', 2016 Other Painting, Abstract.
Abstract - Painting
110 x 110 cm (43.3 x 43.3 inches)
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Denise Dalzell: 'Sunshine Terrace', 2016 Acrylic Painting, Representational. painting, sunshine terrace, illustration, expressionism, pop art, modern, realism, pool slide...
Representational - Painting
43 x 48 inches (109.2 x 121.9 cm)
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Ron Ogle: 'MUCHA AMETHYST', 2016 Oil Painting, Mandala.
Mandala - Painting
35 x 30 inches (88.9 x 76.2 cm)
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Donna Gallant: 'Inner light', 2014 Oil Painting, Floral.            This piece is my latest painting in this series of CLOSE UP.  It belongs to the inner light shinning through an iris.  Very representative of our core strength and spirit.  There are 5 panels to create this image. ...
Floral - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Donna Gallant: 'Compassion', 2014 Oil Painting, Floral.             Part of my CLOSE UP series of abstracted views of the inner flower.  Believe it or not this piece is of a hosta flower.  ...
, 2014
Floral - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Nancy Bechtol: 'Monumental HerStory', 2015 Other Photography, Abstract Figurative.  Limited Edition 3/ 5. Photo/ manipulated. First showings at Koehnline Museum of Art ( Oct 2015) and ARC Gallery ( Oct 2015) ...
Abstract Figurative - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Terri Higgins: 'The Malice Of Their Words Made You Believe You Could Be Defeated', 2015 Oil Painting, Figurative.        Female figure abstract nude oil painting        ...
Figurative - Painting
60 x 36 inches (152.4 x 91.4 cm)
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Franziska Turek: 'hades', 2015 Other Painting, Abstract.
, 2015
Abstract - Painting
90 x 70 cm (35.4 x 27.6 inches)
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Franziska Turek: 'up and away', 2000 Other Painting, Abstract.
Abstract - Painting
110 x 77 cm (43.3 x 30.3 inches)
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Franziska Turek: 'ekpyrosis', 2011 Other Painting, Abstract.
, 2011
Abstract - Painting
110 x 110 cm (43.3 x 43.3 inches)
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Jane Mcnichol: 'The End of the Day', 2008 Oil Painting, Landscape.  A view over the tree tops as twilight approaches ...
Landscape - Painting
40 x 44 inches (101.6 x 111.8 cm)
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Jane Mcnichol: 'The Big Beach', 2012 Oil Painting, Beach.  This is a landscape done by the Atlantic Ocean on the New Jersey coast ...
Beach - Painting
38 x 40 inches (96.5 x 101.6 cm)
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Raul Canestro Caballero: 'PESCADORA GALLEGA', 2016 Oil Painting, Surrealism. PINTURA SURREALISTACUBISTA DE ESTILO PROPIO . A
Surrealism - Painting
54 x 65 cm (21.3 x 25.6 inches)
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(Page 4 of 97) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Eileen Seitz - I was born and raised on the Island of Manhattan, NYC. My spirit learned early about the concrete jungle with its melting pot of cultures and the grand variety of NYC's architecture . It was at the age of 16 that I first traveled to the tropical green jungles OF THE Caribbean. I saw the turquoise seas, the foliage, the flowers when i felt the truth and beauty there overwhelming while inspiring me. Seeing the flow of nature with its colors and harmonies,I feel to bring to life both on paper and canvas. My true joy, comes from two things, the acutal art of painting of letting the spirit speak through my brush, and seeing that spirit reborn in the faces and hearts of the people who come to share my anonymous gift....

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know buying here on absolutearts cuts out ...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

    Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Denise Dalzell - Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...