Contemporary Art For Sale Price Range: $3000 - $3999

Page 4 of 80
Over 2311 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by James Johnson, Dr. Muberra Bulbul, Ron Ogle, Harry Weisburd, Marino Chanlatte, Michal Ashkenasi, Jean Judd, Steven Lamb, Austen Pinkerton, Lou Posner, John Gamache, Nicholas Down, Michael Fornadley, Francisco Landazabal, Robin Antar, Eric Jacobson for the follwing mediums: 1. Links to more artwork and 80 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Dr. Muberra Bulbul: 'My Gauguin ', 2019 Acrylic Painting, Abstract Figurative. Mix technical on canvas, collage and aycrilic, lavi...
Abstract Figurative - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ron Ogle: 'dee', 2019 Oil Painting, Portrait.
, 2019
Portrait - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'happy hour backless dress', 2018 Watercolor, Figurative. Love and Romance  Happy Hour Woman in Backless Dress...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Marino Chanlatte: 'ocean 75', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans.  Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Harry Weisburd: 'waiting for train', 2018 Watercolor, Figurative. Woman waiting for train ...
Figurative - Watercolor
14 x 17 inches (35.6 x 43.2 cm)
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Harry Weisburd: 'train commute', 2018 Watercolor, Figurative. 2 woman at train station waiting for commuter train ...
Figurative - Watercolor
14 x 17 inches (35.6 x 43.2 cm)
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Harry Weisburd: 'blue lace see through gown', 2015 Watercolor, Figurative. Sensual Erotic  Elegant Woman in See Trhough Gown ...
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Michal Ashkenasi: 'dreams', 2017 Acrylic Painting, Fantasy. This is a kind of rememberance of childhood   I lked laying in the grass on my back and look at the clouds floating in the sky . This painting was my memory from those days . ...
, 2017
Fantasy - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Jean Judd: 'Sound Waves 5 Reverberation', 2018 Mixed Media, Abstract. Sound Waves 5 Reverberation moves away from the static graphic lines earlier in the series.  Mysterious images emerge from the fuchsia resembling human or animal figures and fossils.  Turquoise and fuchsia are the predominate colors in this piece.  Muted versions of other colors float and merge within the piece upon ...
Abstract - Mixed Media
44 x 19 inches (111.8 x 48.3 cm)
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Steven Lamb: 'tell my fortune', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
30 x 24 inches (76.2 x 61.0 cm)
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Steven Lamb: 'one for the road', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Austen Pinkerton: 'landscape with robot and dogs', 1983 Acrylic Painting, Landscape. robot cripple dogs landscape clouds science fiction...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Lou Posner: 'Gourds', 2018 Oil Painting, Visionary. A backyard patio filled with plants, books, painting gear, white lattice, gardening tools, homemade cabinet and GOURDS. ...
, 2018
Visionary - Painting
18 x 18 inches (45.7 x 45.7 cm)
Jean Judd: 'Sound Waves 4 Red Line', 2018 Textile Art, Abstract. Sound Waves4 Red Line references back to the first two pieces in the series, with the graphic lines and references to oscilloscopes and seismograph printouts.  Yellow and black are the predominate colors in this piece with the dynamic addition of a dark, bold red.  Muted versions of other colors float ...
Abstract - Textile Art
44 x 19 inches (111.8 x 48.3 cm)
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John Gamache: 'Rubens copy by john gamache', 2017 Oil Painting, Portrait. Life size copy - Rubens self portrait - Oil Painting - Framed...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Nicholas Down: 'mountain tapestry', 2017 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marino Chanlatte: 'ocean 65', 2017 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2017
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Michael Fornadley: 'Boom Boom', 1992 Oil Painting, Figurative.
, 1992
Figurative - Painting
64 x 50 inches (162.6 x 127.0 cm)
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Lou Posner: 'Meriden Turret', 1982 Oil Painting, Fantasy. Somebody built this beautiful, real turret near Meriden on a hilltop accessible to the public.  I added a gigantic 9 16 in.  autho mechanic s socket, with the turret reflected in its polished surface.  That s why it is listed as afantasy painting.  Painted plein- aire.  Lattice- framed, stained dark ...
Fantasy - Painting
16 x 10 inches (40.6 x 25.4 cm)
John Gamache: 'Rembrandt my mentor of light  by John Gamache', 2017 Oil Painting, Representational. Copy of Rembrandt self portrait Frame Antique gold speckle 5width...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Francisco Landazabal: 'the harbor', 2005 Acrylic Painting, Abstract.
, 2005
Abstract - Painting
200 x 100 cm (78.7 x 39.4 inches)
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Robin Antar: 'flight', 2015 Stone Sculpture, Abstract. onyx, abstract, energy...
, 2015
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Robin Antar: 'conversations 2', 2009 Stone Sculpture, Abstract Figurative. conversations, onyx, alabaster, figures, talking...
Abstract Figurative - Sculpture
16 x 12 inches (40.6 x 30.5 cm)
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Robin Antar: 'the thinker 2', 2010 Stone Sculpture, Abstract Figurative. carved out to picasso marble, thinker, person, thinking, expression...
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Eric Jacobson: 'cause and effect detail 3', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail 2', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect', 2017 Other Sculpture, Abstract. Constructed sculpture depicting man s impact on our changing climate. ...
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Marino Chanlatte: 'iceberg ocean 55', 2017 Oil Painting, Abstract. This is another abstract work inspired in the Ocean Series, painted using the same style and technique.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Stefan Fiedorowicz: 'A Dialouge With Your Fear', 2010 Oil Painting, Abstract. Rolled canvas shipped in a tube.  No frame.  ...
Abstract - Painting
100 x 120 cm (39.4 x 47.2 inches)
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(Page 4 of 80) - MORE ARTWORKS
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  • Artists Describing Their Art:

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Dr. Muberra Bulbul - Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

    Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....