Contemporary Art For Sale Price Range: $3000 - $3999

Page 5 of 97
Over 2811 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by Raul Canestro Caballero, Johann Van Den Noort, C. Mari Pack, Marie-france Busset, Edgar Bonne, Terri Higgins, Riccardo Rossati, Andrea Mulcahy, Environmental Artist Apollo, Kathryn Arnold, Becky Soria, Roger Williams, Tom Lund-lack, William Dick, Lou Posner, Geo Sipp, Mac Worthington for the follwing mediums: 1. Links to more artwork and 97 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Raul Canestro Caballero: ' ELEFANTE AMARILLO', 2016 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino de gran calidad. Obra de arte original y exclusiva...
Surrealism - Painting
65 x 81 cm (25.6 x 31.9 inches)
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Johann Van Den Noort: 'High water in river IJssel delta', 2015 Oil Painting, Abstract. With a strong North Westerly wind and high water in the river some islands in the delta disappear totally under water. Oil, painting, abstract, river, view, colorful, sea, ...
Abstract - Painting
40 x 48 inches (101.6 x 121.9 cm)
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C. Mari Pack: 'Depth or Surface', 2015 Acrylic Painting, Abstract.  Original poured large scale poured acrylic painting. Deep earth tones, black, white, tan, crimson. ...
Abstract - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Marie-france Busset: 'LES FEUILLES D AUTOMNE', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
65 x 50 inches (165.1 x 127.0 cm)
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Edgar Bonne: 'Harmony', 2015 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2015
Abstract - Mixed Media
54 x 74 cm (21.3 x 29.1 inches)
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Edgar Bonne: 'Mitosis', 2015 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2015
Abstract - Mixed Media
57 x 74 cm (22.4 x 29.1 inches)
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Edgar Bonne: 'Plato Cave', 2014 Mixed Media, Abstract.   Mixed Media on paper, pasted on composition board. ...
, 2014
Abstract - Mixed Media
63 x 86 cm (24.8 x 33.9 inches)
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Edgar Bonne: 'Serenade in Blue', 2015 Mixed Media, Abstract.   Mixed media on paper, mounted on composition board.Mixed Media on paper, pasted on composition board....
Abstract - Mixed Media
57 x 74 cm (22.4 x 29.1 inches)
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Terri Higgins: 'There Was No Protection From The Words', 2015 Oil Painting, Figurative.       Female figure abstract nude oil painting       ...
Figurative - Painting
60 x 36 inches (152.4 x 91.4 cm)
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Riccardo Rossati: 'Still Life', 2014 Oil Painting, Figurative.   Still life of Pumpkin.  ...
, 2014
Figurative - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Andrea Mulcahy: 'Woman in Teal', 2013 Acrylic Painting, undecided.
undecided - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Environmental Artist Apollo: 'Hot Mess', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Kathryn Arnold: 'Random Acts: A Moment in Time', 2014 Oil Painting, Abstract.                                                          Kathryn Arnold, abstract, oil painting, small, color field, pinks, abstraction, organic                    ...
Abstract - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Becky Soria: 'Mistress of the Labyrinth', 2014 Acrylic Painting, Abstract Figurative.              From the series
Abstract Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Roger Williams: 'RAP BOY', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
54 x 50 inches (137.2 x 127.0 cm)
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Roger Williams: 'LADY GAGA', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
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Roger Williams: 'DECONSTRUCTED ELLIPSE', 2013 Acrylic Painting, Abstract.
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
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Roger Williams: 'HUBBEL  AND   THE  WHITE  DRAGONFLY', 2013 Acrylic Painting, Astronomy.
Astronomy - Painting
56 x 68 inches (142.2 x 172.7 cm)
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Tom Lund-lack: 'Free Spirits', 2013 Oil Painting, Equine. A powerful illustration of freedom. ...
Equine - Painting
100 x 80 cm (39.4 x 31.5 inches)
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William Dick: 'SYVER III', 2013 Encaustic Painting, Abstract.                       Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2013
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'SYVER II', 2011 Encaustic Painting, Abstract.                      Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2011
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'SYVER I', 2011 Encaustic Painting, Abstract.            Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2011
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Lou Posner: 'Concrete Urn at TC Steele Memorial', 2001 Oil Painting, Landscape.  Painted outdoors at an Indiana Plein Air Painters paint- out at the T.  C.  Steele Memorial home and studio in Nashville, Indiana. ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Becky Soria: 'Claro y Oscuro Dark and Light', 2012 Other Painting, Abstract Figurative. from the series Signs. Symbols. Sentinels          ...
Abstract Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Geo Sipp: 'Jacobs Waltz', 2000 Other Drawing, Figurative.  Jacobs Waltz is graphite and lithography on Rives BFK.                            ...
Figurative - Drawing
45 x 31 inches (114.3 x 78.7 cm)
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Geo Sipp: 'Ubiquitous', 2007 Other Drawing, Figurative.  Ubiquitous is a graphite and color pencil drawing on Rives BFK.                          ...
, 2007
Figurative - Drawing
34 x 28 inches (86.4 x 71.1 cm)
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Geo Sipp: 'Lewis and Clark', 2007 Other Drawing, Western.  Lewis & Clark is a graphite and color pencil drawing on Rives BFK.                         ...
Western - Drawing
42 x 35 inches (106.7 x 88.9 cm)
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Geo Sipp: 'Absolution', 2011 Pencil Drawing, Surrealism.   Absolution is a graphite drawing.                      ...
, 2011
Surrealism - Drawing
41 x 29 inches (104.1 x 73.7 cm)
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Mac Worthington: 'America Wave  SOLD Commissions accepted ', 2012 Aluminum Sculpture, Abstract. Welded, painted aluminumi? 1/2Mac Worthington, artistFor further information on this piece or to discuss a custom design please call 614- 582- 6788 or email macwartist@ aol.  com ...
Abstract - Sculpture
84 x 48 inches (213.4 x 121.9 cm)
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Dennis Duncan: 'TANGO NEGRO', 2008 Acrylic Painting, Romance.   I began researching the origins of the TANGO around 2006. I have always been fascinated by the sensuality of the TANGO, it is the essence of beauty, color, movement, and grace.As with each new artwork, I have tried to elicit an reaction, using romance combined with sexuality between the...
Romance - Painting
48 x 60 inches (121.9 x 152.4 cm)
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(Page 5 of 97) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know buying here on absolutearts cuts out ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...